Little Inni loves all animals, especially cute little puppies-and now she wants to get one! That’s when Mama and Papa take her to an animal adoption centre. Once there, Inni wants to take all the puppies home-after all, they’re so cute and adorable! But then she sees the scruffy-looking, floppy-eared Bobo. And her heart is set! She has found her new best friend!
Endearing and narrated with a lot of heart, the Inni and Bobo Series, is not only about a little child finding friendship but also about the beauty of adopting dogs. It’s about learning empathy and imperative life lessons, and most importantly about opening one’s heart and homes-which is what life is all about.
This book tells the stories of ten mysterious people, styles and objects in Indian art from the prehistoric period to the present day-and in the process, it captures some of the diversity and range of the very large canvas we call Indian art. The stories told here include those of:
The Bhimbetka paintings
The evolution of the Buddha
The Ajanta caves
The Kailashanatha temple
The Pithora paintings
Women artists of the Mughal era
Bani Thani
Indian yellow
Manaku of Guler
The Sripuranthan Shiva Nataraja
Mamta Nainy explores diverse artistic periods, explains different art forms, and gives insights into the lives of artists working in different times and spaces, one curious case at a time.
LET’S MEET:
the teen whose tech company got a $75 million funding
the boy who created the world’s smallest satellite
the nine-year-old who set up her own software firm
the girl who started a social initiative to impart life skills through sports
And many more!
These are the inspiring stories of India’s future generations-innovative thinkers, dreamers and tinkerers-who have created amazing solutions to real-life problems. Aged seven to twenty-one, these youngsters are effecting change from far-flung rural villages, small towns and urban cities. There’s no stopping these kids!
Motivated by their passions and the everyday problems they witnessed around them, these wunderkinds have succeeded in making a social impact. Their stories promise a young India, full of pioneers wowing the world with their prowess in technology, innovation and social change.
Over the last two decades, the disruption brought about by data and technology has created a wide chasm between marketing strategy and what really works in the marketplace.
Made in Future is a groundbreaking new book that seeks to recast marketing from a white sheet, with an incisive view of how vast changes in media, content, influences and people’s expectations have come together to write a new story of marketing.
The book challenges a lot of the accepted wisdom of the past, yet is brutal where the hype is ahead of substance. In the process, it offers an alternative journey that is conceptually whole, makes you think and helps you follow it all up with pragmatic decisions.
This Handmade Life is all about finding a passion and becoming really good at it. Divided into seven sections-baking, fermenting, self-care, kitchen gardening, soap-making, spices and stitching-this book tells us it is all right to slow down and take up simple projects that bring us unadulterated joy.
Written in Iyer’s signature lyrical and friendly style, the book is about hands-on activities that can be meditative and healing for the body, mind and soul. Taking the reader through myriad personal and transformative hobbies, Iyer has managed to serve up a book that is motivational and inspirational at a time when both are in short order.
In Charbagh, Khyber-Pakhtunkhwa, a short detour from the Grand Trunk Road that leads towards Afghanistan, stands a chinar tree in the garden of Khan Mohammad Usman Khan. Legend has it that it was planted by a saint known to the grandfather of the Khan, who had told him that the family would prosper till this tree survived. The tree has stood for generations, a silent witness to the many stories of Charbagh, its grounds held sacred until the day a bullet fired by the oldest son of the Khan hit one of its branches.
In this debut collection of interlinked stories, the banker author recounts the stories as seen by the chinar tree. In Charbagh, a village where modernity slowly creeps in, there are tales of unrequited love, of family honour and religious persecution, of patriarchy and breaking its shackles, and of what it means to belong to Charbagh in tumultuous times.
Here, Fahad Khan falls in love with Saad Bibi, but it is a dangerous affair that threatens to uproot social norms. An imam competes with another for devotees, and an air-crash survivor-turned-teacher is charged with the crime of blasphemy. In Charbagh, Nazo learns why she has been sent away from her family, and Ali finds out how far friendship and trust can go. A banker struggles to make sense of his misfortunes, while Farid Khan must acquaint himself with a woman’s rejection.
Beginning from the 1970s, when the Indus was dammed near Charbagh, these stories chronicle a time and a place of belonging, of nostalgia, and of relationships and friendships. The Whispering Chinar is an extraordinary debut collection that tells stories from an unknown part of our world.
Baali and Sugreeva of the Vana Nara tribe were orphan brothers who were born in abject poverty and grew up as slaves like most of their fellow tribesmen. They were often mocked as the vanaras, the monkey men.
Sandwiched between the never-ending war between the Deva tribes in the north and the Asura tribes in the south, the Vana Naras seemed to have lost all hope. But Baali was determined not to die a slave. Aided by his beloved brother, Sugreeva, Baali built a country for his people. The capital city, Kishkindha, became a beacon of hope for emancipated slaves from across the world. It was a city of the people, by the people, for the people, where there was no discrimination based on caste, creed, language or the colour of skin. For a brief period in history, it seemed as if mankind had found its ideal hero in Baali. But then fate intervened through the beautiful Tara, the daughter of a tribal physician. Loved by Baali and lusted after by Sugreeva, Tara became the cause of a fraternal war that would change history for ever. The love triangle between Baali, Tara and Sugreeva is arguably the world’s first. Written by Anand Neelakantan who gave a voice to Ravana in Asura, Duryodhana in the Ajaya series and Sivagami in the Baahubali series, Vanara is a classic tale of love, lust and betrayal. Shakespearean in its tragic depth and epic in its sweep, Vanara gives voice to the greatest warrior in the Ramayana-Baali.
Careers are changing, and the capabilities required to stay relevant are changing even more rapidly. We seem to have endless choices, at least at the beginning of a career, but these start narrowing after middle management. How does one think about one’s own life and career in this changing decade?
The whole discipline of career management now has three elements to it:
Managing yourself;
Managing your team; and
Managing your business
In this book, Shiv Shivakumar points out that today, unlike in the past, all the three elements are your responsibility. With in-depth interviews with top leaders across the spectrum and an insightful foreword by Sachin Tendulkar, The Art of Management is a must-read.
The definitive social history of tuberculosis, from its origins as a haunting mystery to its modern reemergence that now threatens populations around the world.
It killed novelist George Orwell, Eleanor Roosevelt, and millions of others-rich and poor. Desmond Tutu, Amitabh Bachchan, and Nelson Mandela survived it, just. For centuries, tuberculosis has ravaged cities and plagued the human body.
In Phantom Plague, Vidya Krishnan, traces the history of tuberculosis from the slums of 19th-century New York to modern Mumbai. In a narrative spanning century, Krishnan shows how superstition and folk-remedies, made way for scientific understanding of TB, such that it was controlled and cured in the West.
The cure was never available to black and brown nations. And the tuberculosis bacillus showed a remarkable ability to adapt-so that at the very moment it could have been extinguished as a threat to humanity, it found a way back, aided by authoritarian government, toxic kindness of philanthropists, science denialism and medical apartheid.
Krishnan’s original reporting paints a granular portrait of the post-antibiotic era as a new, aggressive, drug resistant strain of TB takes over. Phantom Plague is an urgent, riveting and fascinating narrative that deftly exposes the weakest links in our battle against this ancient foe.
An Indian ‘industrial novel’ from the winner of the 1990 Odisha Sahitya Akademi Award
Jagadish Mohanty’s Battles of Our Own is a rare work of modern Odia and Indian fiction. It seeks to delineate a world that is off the grid. Its action unfolds in the remote and non-descript Tarbahar Colliery-a fictional name for the over hundred-year-old open-cast Himgiri Rampur coal mine in the hinterland of western Odisha. A work of gritty realism in its portrayal of a dark and dangerous underworld where coal is extracted, the novel poignantly reveals the primeval struggle between man and brute nature.
Offering a complete experience of the ‘industrial novel’-face offs between trade unions and management, trade union rivalry, and clandestine deals between enemy camps-this work brings alive Mohanty’s literary genius, which takes us to a world beyond the simplistic binary division between the worker and the master. The novel unravels a complex, fractious, and nuanced picture of the human condition.
This sensitive and evocative rendering by Himansu S. Mohapatra and Paul St-Pierre captures the thrill, beauty, horror and tragedy of this fictional tour de force.
