Sometimes, a little nudge from the universe pushes one to find his raison d’etre in life. If actor Sonu Sood had given in to the celebrity syndrome of sitting in his ivory tower and expressing his generosity by remote control, he would have never come face to face with the trauma of India’s migrant labourers or understood that a food packet was a woefully inadequate substitute for a ride back home.
During the nationwide lockdown, imposed in the wake of the COVID-19 pandemic, when a wave of poverty-stricken migrants set out on foot to make their arduous journey back home, the value of seva, service to mankind, instilled in him by his parents, spurred Sonu Sood into action. From taking to the streets and reaching out to the stranded, to setting up a dedicated team and making arrangements for national and international transport, Sonu managed to help thousands of helpless and needy workers. Thus, began his ‘Ghar Bhejo’ programme, carried out like a humanitarian mission. Chartered flights, buses and trains were sanitized and paid for. Distress calls from all over the world were answered. Soon, the movement snowballed into a campaign for providing jobs, medical facilities and educational aid to workers. The silver-screen villain transitioned into a real-life superhero.
In his memoir, I Am No Messiah, Sonu Sood combines the extraordinary experiences of his journey from Moga to Mumbai with the writing skills of veteran journalist and author Meena K. Iyer. Honest, inspirational and heart-warming, this is the story of Sonu Sood and of the people whose lives he continues to transform.
Pinky is a recluse who rarely leaves the suburbs. When her husband, Pasha, goes missing-everyone assumes the worst, but she sets off to find him. In her search, she encounters a dream-like landscape: the ancient interior of the city she was born in; the bright farms and fields of Pasha’s childhood and the dark wilderness of the mountains, she must finally confront her fears.
Still Life is an experiment with visual storytelling, using pictures and words to create a world that is unsettling and extraordinary. Part road trip, part existential thriller, it seeks new ways to look at love, isolation, memory and loss, asking what connects us to each other and to the natural world, and how we are governed by impulses we barely understand.
Twenty-five years ago, Karimul Hak lost his mother because he could not afford an ambulance and there was no other way to take her to a hospital. However, when his co-worker fell sick, Karimul resolved to ensure that history did not repeat itself.
Bike Ambulance Dada, the authorized biography of Padma Shri awardee Karimul Hak, is the most inspiring and heart-warming story you will read this year. It documents the extraordinary journey of a tea garden worker who saved thousands of lives by starting a free bike-ambulance service from his village to the nearest hospital in an attempt to fill the gap the insufficient rural healthcare created.
This book, about the extraordinary life of a man who has devoted his entire life to helping those around him and putting others before himself, is a must-read today, serving as an inspiration for us to do and be better.
One night in the summer of 2014, two teenagers disappeared from their home in the village of Katra Sadatganj in Uttar Pradesh. The next morning, India woke up to the devastating image of their dead bodies hanging from a tree in a mango orchard.
The girls’ names were Padma and Lalli, but they were so inseparable that people in the village called them Padma Lalli. Sixteen-year-old Padma sparked and burned. Fourteen-year-old Lalli was an incorrigible romantic. Who were they and what had happened to them? In the ensuing months, the investigation into their deaths would implode everything that their small community held to be true and instigate a national conversation about sex and violence.
Slipping deftly behind political manoeuvring, caste systems and codes of honour in a village in northern India, The Good Girls returns to the scene of Padma and Lalli’s short lives and tragic deaths, and dares to ask: What is the human cost of shame?
History is often narrated as sagas of kings and queens, legends of battles and wars, or chronicles of art and architecture. But history is more than that. It is the story of ordinary people; their food and language, their thoughts and beliefs, their livelihood and culture. Tales of sweepers and sculptors, robbers and merchants, sailors and saint-why, even pirates!
In this book, Mallika Ravikumar pens eight historical stories that help you look upon the past, as less of a dry-as-bone set of facts, and more of a dynamic shift that shapes our present. Told through the lens of class and conflict, symbols and language, creativity and enterprise and power and perspective, these stories help younger readers see why history is relevant and meaningful.
‘Desperate times call for desperate measures.’ The outbreak of COVID-19 aptly justifies this expression as the world faces an unprecedented situation. But what is so unusual about the coronavirus, especially since viral attacks-H1N1, Ebola and Nipah-have taken place earlier as well? How has it affected India and the world? What are the socio-economic implications for India? How has India’s response been to the coronavirus? What is more important-life or livelihood? How can India recover from the sudden economic shock caused by the pandemic?
This book is an attempt to answer these and many more such questions.
The coronavirus hit the world in December 2019 like a hurricane. What started as a medical emergency soon turned into an economic one. No global financial crisis has ever hit humanity as hard as COVID-19. The world, therefore, was caught ill prepared when the pandemic struck. The situation, to say the least, is worse than a war. The situation in India is no different: In terms of the number of cases reported, it is second only to the United States.
This book highlights the enormity of the impact of the coronavirus pandemic on India. It critically examines the government’s efforts to control the disease and mitigate its adverse effects on Indian economy and society. Making a compelling argument that an economy is not like a rubber ball, which, if dropped on a hard surface, will bounce back to its original position, the author provides incisive reasons to why economic recovery will be slow and not ‘V-shaped’. He, however, cogently suggests that good governance, a robust public-health system, and clean and representative politics are key to bringing India’s economy back on track.
Artist, musician, man of science, Upendrakishore Roychoudhury was a man of many parts. But it is for his writing for children that he is best remembered.
This book is a selection of the best of his stories and the most fascinating of his characters: Goopy and Bagha, dedicated but unsuccessful musicians who are cast out of their homes because their music drives their families and neighbours crazy; Tuntuni, the little bird; the clever fox; Majantali Sarkar, the cat; the intrepid Granny Hunchback; and many others.
Swagata Deb’s vibrant translation brings Upendrakishore’s unique magic to a wider audience.
A spectacular selection of the best of stories by Upendrakishore Roychoudhuri, and the most fascinating of his characters. Meet Goopy and Bagha, dedicated but unsuccessful musicians who are cast out of their homes because their music drives their families and neighbours crazy; Tuntuni, the little bird; the clever fox; Majantali Sarkar, the cat; the intrepid Granny Hunchback; and many others. Swagata Deb’s vibrant translation brings Upendrakishore’s unique magic to a wider audience, giving a new lease of life to these evergreen tales.
Dadi forgets everything, including Chumki’s name. When elephants escape from a nearby reserve, can it be a blessing in disguise and help Dadi remember?
Jasmine and Sheba want to spend the holidays finding homes for stray puppies. But to do so, they have to first solve a series of puzzles set by Sheba’s father, Clockwala Uncle. Can they do this in time?
