WINNER OF THE HUTCH CROSSWORD BOOK AWARD 2006 FOR BEST WORK IN ENGLISH FICTION Seven years in the making, Sacred Games is an epic of exceptional richness and power. Vikram Chandra’s novel draws the reader deep into the life of Inspector Sartaj Singh, and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. This is a sprawling, magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing on the best of Victorian fiction, mystery novels, Bollywood movies and Chandra’s years of first-hand research on the streets of Mumbai, Sacred Games reads like a potboiling page-turner but resonates with the intelligence and emotional depth of the best of literature.
Archives: Books
The Untold Charminar
A dazzling collection that captures the essence of Hyderabad, offering glimpses of the various strands that go into its making, fact and legend, old-world quaintness and the highest hi-tech, eccentricity and intrigue, the calm of genteelness and the fury of rebellion.
Hyderabad is a city once ruled by the worlds richest man who invested most lavishly in his state, most shabbily in his wardrobe; it holds stories of a courtesan who fought wars, counselled prime ministers, sang her own verse and enthralled luminaries who mattered; of a chief minister who transformed it into a hi-tech hub; and of a sports star who brought the young glamour of India to every tennis court in the world.
Home as much to the Golconda as to Jacob, the 187-carat diamond used as a paperweight by the Nizam, and to rock landscapes two and a half million years old, Hyderabad is a city that forever mixes cultures, cuisines, religions and languages. Here, Persian turned alloy with Telugu, Marathi and Arabic to yield a special version of Urdu, Dakhini. And here, as Andhra mingled with Telangana, a smiling mildness has survived, disarming at every turn, just as grace under pressure, regardless of gender, is unfailing.
In The Untold Charminar readers will discover a city they will want to explore, as Sarojini Naidu, Sir Mark Tully and William Dalrymple rub shoulders with Ian Austin, Meenakshi Mukherjee and Anees Jung, regaling you with their feast of hard facts and hearsay; as each foreign visitor shares his story through Narendra Luther; as the film-makers Shyam Benegal and Nagesh Kukunoor paint their vivid memories of home; as poets, not just the maverick Makhdoom and Gaddar, raise their voices in song; as statesmen, academics and aficionados hold forth on the completely different Hyderabad each experienced.
And when Tejaswini Niranjana profiles the vigilante Vijayasanthi and Dharmender Prasad picks out place names and explains their sometimes almost mystic origins, as Bachi Karkaria, Omkar Goswami and Harsha Bhogle share their typically offbeat views of a favourite city, readers will be persuaded to believe they have encountered not a city but the inner workings of a very complex character.
Tamas
‘Tamas drove the point home that ordinary people want to live in peace’ -The GuardianSet in a small-town frontier province in 1947, just before Partition, Tamas tells the story of a sweeper named Nathu who is bribed and deceived by a local Muslim politician to kill a pig, ostensibly for a veterinarian. The following morning, the carcass is discovered on the steps of the mosque and the town, already tension-ridden, erupts. Enraged Muslims massacre scores of Hindus and Sikhs, who, in turn, kill every Muslim they can find. Finally, the area’s British administrators call out the army to prevent further violence. The killings stop but nothing can erase the awful memories from the minds of the survivors, nor will the various communities ever trust one another again. The events described in Tamas are based on true accounts of the riots of 1947 that Sahni was a witness to in RawalpPBI – Indi, and this new and sensitive translation by the author himself resurrects chilling memories of the consequences of communalism which are of immense relevance even today.
Bioscope Man
As Calcutta’s star begins to fade, with the capital of His Majesty’s PBI – India shifting to Delhi, Abani Chatterjee’s is on the rise. He is well on his way to becoming the country’s first silent-screen star. But just as he is about to find fame and adulation, absurd personal disaster—a recurrent phenomenon in the Chatterjee household—strikes, and Abani becomes a pariah in the PBI – World of the bioscope. In a city recently stripped of power and prestige, and in a family house that is in disrepair, Abani spins himself into a cocoon of solitude and denial, a talent he has inherited from both his parents. In 1920, German director Fritz Lang comes calling, to make his ‘PBI – India film’ on the great eighteenth-century Orientalist Sir William Jones. When Abani is offered a role, he convinces Lang to make a bioscope on Pandit Ramlochan Sharma, Jones’s Sanskrit tutor, instead. Naturally, Abani plays the lead. The result is The Pandit and the Englishman, a film that mirrors the vocabulary of Abani’s life, hinting at the dangers of pretence and turning away, the virtues of lying and self-deception, the deranging allure of fame and impossible affections. Afterwards, Abani Chatterjee writes a long letter, in which he tells his story. Witty, at times dark, and always entertaining, The Bioscope Man is that story.
India’s Politics
An insider’s account of how politics is practised in India, and to what effect?
In India’s Politics: A View from the Backbench, Bimal Jalan, ex-Governor of the Reserve Bank of India and best-selling author of The Future of India, turns his gaze to the complex mechanics of the political system in the country. As a member of Parliament, Bimal Jalan has watched the workings of India’s politics closely. While there is much to be proud of in India’s achievements as a vibrant democracy, there are some areas of concern which require attention. In particular, Jalan finds that the emergence of multi-party coalitions as a regular form of government-and their relatively short life expectancy at birth-has brought about a sea change in political dynamics. The search for power and the compulsions of coalition politics are increasingly the primary drivers of political behaviour in India today.??This development, combined with the need to cope with global terrorism, lawlessness and economic disparities during a period of high growth, calls for some urgent reforms in the working of India’s vital political institutions.?
Jalan puts forward a ten-point programme to make India’s parliamentary democracy more stable, transparent and accountable. According to him, constant vigilance is indeed the price of liberty and if some of the emerging trends are not reversed, India’s democracy ‘by the people’ could become more and more oligarchic-‘of the few and for the few’. India’s Politics is one of the most important studies of India’s political system to have been written. This paperback edition features a new Preface by the author on emerging political trends.
The Coffer Dams
Clinton, founder and head of a firm of international construction engineers, arrives in India to build a dam, bringing with him his young wife, Helen, and a strong team of aides and skilled men. They are faced with a formidable project, which involves working in daunting mountain and jungle terrain, within a time schedule dictated by the extreme tropical weather. Inevitable setbacks occur; accidents and friction among the mixed labour force present further complications. But to Clinton the building of the dam is more than a challenge; it is an obsession—not, however, shared by Helen.
Appalled by her husband’s concern with structures rather than with men, she turns to the local Indian tribesmen, finding in them the human values she finds lacking in the British camp. With relations between the Clintons becoming increasingly raw-edged, the first rains fall and, as the torrents sweep the valley and the level of the river rises, so does the tension in the beleaguered camp. The vital question looms: to breach the coffer dams, or allow them to stand, thereby placing the lives of the tribesmen in jeopardy. It is a fundamental question that splits the camp exposing the lingering prejudices of a bygone colonial era.
First published in 1969, The Coffer Dams is vintage Kamala Markandaya, a pioneer who influenced many Indian writers in English.
The Rumbling Island
The forests of India are not only home to a wide variety of animals and birds but also teem with committed conservationists, naturalists and nature lovers. After spending many years with wildlife, these men and women bring us fascinating stories of their experiences and encounters.
Cliff Rice, an animal explorer, camps for two years in the mountains of Kerala and befriends the Nilgiri tahr with fistfuls of salt. Ralph Morris, one of the first British coffee planters in the Biligirirangan Hills of Karnataka, goes on a ‘tiger beat’ and ends up chasing a pair of tigers towards his daughter, who is armed only with pebbles to defend herself. Sally Walker comes to India to learn yoga and Sanskrit but spends years caring for baby chimpanzees and tiger cubs in zoos instead. Rom Whitaker, a reptile conservationist, sets off on an international hunt for giant crocodiles that takes him from Orissa to Egypt, and Manish Chandi tells a fascinating tale about Meroe—the rumbling Nicobar island—where he studied sea turtles and other wildlife.
Zai Whitaker, herself a nature writer and author of well-loved children’s books, brings together in this collection the writings of eminent wildlife experts such as Bittu Sahgal, Ian Lockwood, Ramachandra Guha and many others. Filled with anecdotes that are at once incredible and informative, The Rumbling Island is an entertaining account of India’s most precious natural asset—our forests.
Somanatha
It was first depicted as a trauma for the Hindu population not in India, but in the House of Commons. The triumphalist accounts of the event in Turko-Persian chronicles became the main source for most eighteenth-century historians. It suited everyone and helped the British to divide and rule a multi-millioned subcontinent. In her new book, Romila Thapar, the doyenne of Indian historians, reconstructs what took place by studying other sources, including local Sanskrit inscriptions, biographies of kings and merchants of the period, court epics and popular narratives that have survived. The result is astounding and undermines the traditional version of what took place. What makes her findings explosive is the fact that the current Hindu nationalist regime in India constantly utilizes a particular version of history
A Handful Of Rice
A poignant novel about the triumph of the human spirit over poverty’s privations and predicaments Ravi, the son of a peasant, joins in the general exodus away from destitution. The indifferent and harsh streets of the city lead him to the underworld of petty criminals. A chance misdeed acquaints him with Apu, a tailor. Ravi begins working as Apu’s apprentice, and when he falls in love with Nalini, Apu’s daughter, he joins the already crowded household. Apu dies, and Ravi perseveres with the respectable life, facing the problems of shortage of food, illness, dwindling customers. After the death of his son, he reverts to the life of a petty criminal, and is inexorably drawn towards a dangerous climax. In A Handful of Rice, Kamala Markandaya, best-selling author of Nectar in a Sieve, once again recreates the life of the poor with compassion and respect, presenting an overwhelmingly real book.
60 Indian Poets
60 Indian Poets spans fifty-five years of Indian poetry in English, bridging continents and generations, and seeks to expand the definition of ‘Indianness’.
Beginning in 1952 with selections from Nissim Ezekiel’s first volume of poetry which was published in London, it honours the canonical writers who have come to define modern Indian poetry—influential craftsmen such as Nissim Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004—and reinstates neglected or forgotten figures such as Lawrence Bantleman, Gopal Honnalgere, Srinivas Rayaprol and G.S. Sharat Chandra.
The collection also introduces an astonishing range of contemporary poets who live and work in various parts of the world and in India. There are writers from Bombay and Berkeley, from New Delhi and New York, from Melbourne, Montana, Aarhus, Allahabad, Hong Kong, Sheffield, Connecticut and Itanagar, among other places—writers who have never shared a stage together but have more in common than their far-flung locations would suggest. Also included in the volume is Bruce King’s elegiac essay, ‘2004: Ezekiel, Moraes, Kolatkar’, and Arvind Krishna Mehrotra’s meditation on ‘What Is an Indian Poem?’ An essential feature of 60 Indian Poets is a set of rare and remarkable portraits by Madhu Kapparath.
This definitive anthology aims for ‘verticality’ rather than chronology. Exhaustive, and stunning in its scale and vitality, it represents a community ‘separated by the sea’ and connected too—in familial ways—by the unlikely histories of a shared English language.