This book tells the stories of ten Indian conservationists working in diverse ways to save the world from human destructiveness, often facing seemingly insurmountable odds.
Romulus Whitaker
Parineeta Dandekar
Rohan Arthur
Vidya Athreya
Aparajita Datta
Jay Mazoomdaar
Minal Pathak
Rohan Chakravarty
Kavitha Kuruganti
Lakshmi Kamble
Bijal Vachharajani and Radha Rangarajan write about the inspiring lives of people who are striving to solve the most pressing problems on this planet-from climate change to habitat degradation, and from food insecurity to species loss.
AN EXPLOSIVE NEW NOVEL THAT ASKS DIFFICULT QUESTIONS ABOUT MODERN IDENTITY IN A WORLD ON FIRE
Anita Rose lives in a concrete block in one of Karachi’s biggest slums, languishing in poverty with her mother and older brother. Determined to escape her stifling circumstances, she struggles to educate herself, scribbling down English words-gleaned from watching TV or taught by her elderly neighbour-in her most prized possession: a glossy red notebook. All the while she is aware that a larger destiny awaits her.
On the other side of Karachi lives Monty, whose father owns half the city. But Monty wants more than fast cars and easy girls. When the rebellious Layla joins his school, he knows his life will never be the same again.
And far away in Portsmouth, Sunny fits in nowhere. It is only when he meets his charismatic, suntanned cousin Oz-whose smile makes Sunny feel found-that that he realizes his true purpose.
These three disparate lives will cross paths in the middle of a desert, a place where life and death walk hand-in-hand, and where their closely guarded secrets will force them to make a terrible choice.
Maya is pretty, young and eager to escape her middleclass home. Ranjan is handsome, driven, well born and wealthy. Their arranged marriage seems a match made in heaven until Maya discovers that underneath her husband’s charming facade lies a cold-hearted, rigidly conservative monster. As the young woman struggles with her marriage, she meets and finds solace in Nikhil, her charming college-going neighbour. Soon the stage is set for an explosive tale of love and betrayal.
With just 12 months to go before the 2010 Allied
Victory Games in New Delhi, there is pandemonium
at the Ministry for Urban Regeneration and Public
Sculpture.
Preparations are months behind schedule and
minister Badrikedar Laxmanrao Dahake not only
has to deal with an irate PM but also the Lok Sabha,
fiendish investigative journalists, and a relentless
BBC reporter who insists on interviewing him live
in English. Dahake is about to resign when he runs
into an unlikely saviour: international financial
wizard Robin ‘Einstein’ Varghese.
‘I am not sure that I am a man,’ said Yuvanashva. ‘I have created life outside me as men do. But I have also created life inside me, as women do. What does that make me? Will a body such as mine fetter or free me?’
Among the many hundreds of characters who inhabit the Mahabharata, perhaps the world’s greatest epic and certainly one of the oldest, is Yuvanashva, a childless king, who accidentally drinks a magic potion meant to make his queens pregnant and gives birth to a son. This extraordinary novel is his story.
It is also the story of his mother Shilavati, who cannot be king because she is a woman; of young Somvat, who surrenders his genitals to become a wife; of Shikhandi, a daughter brought up as a son, who fathers a child with a borrowed penis; of Arjuna, the great warrior with many wives, who is forced to masquerade as a woman after being castrated by a nymph; of Ileshwara, a god on full-moon days and a goddess on new-moon nights; and of Adi-natha, the teacher of teachers, worshipped as a hermit by some and as an enchantress by others.
Building on Hinduism’s rich and complex mythology-but driven by a very contemporary sensibility-Devdutt Pattanaik creates a lush and fecund work of fiction in which the lines are continually blurred between men and women, sons and daughters, husbands and wives, fathers and mothers. Confronted with such fluidity the reader is drawn into Yuvanashva’s struggle to be fair to all-those here, those there and all those in between.
Rajinikanth is, quite simply, the biggest superstar cinema-crazy India has ever seen. His stylized dialogues and screen mannerisms are legion, and his guy-next-door-cum-superhero image has found a hysterically appreciative following among millions of moviegoers.
Naman Ramachandran’s marvellous biography recounts Rajini’s career in meticulous detail, tracing his incredible cinematic journey from Apoorva Raagangal (1975) to Kochadaiyaan (2013). Along the way, the book provides rare insights into the Thalaivar’s personal life, from his childhood days to his times of struggle—when he was still Shivaji Rao Gaekwad—and then his eventual stardom: revealing how a legend was born.
‘I am not sure that I am a man,’ said Yuvanashva. ‘I have created life outside me as men do. But I have also created life inside me, as women do. What does that make me? Will a body such as mine fetter or free me?’
Among the many hundreds of characters who inhabit the Mahabharata, perhaps the world’s greatest epic and certainly one of the oldest, is Yuvanashva, a childless king, who accidentally drinks a magic potion meant to make his queens pregnant and gives birth to a son. This extraordinary novel is his story.
It is also the story of his mother Shilavati, who cannot be king because she is a woman; of young Somvat, who surrenders his genitals to become a wife; of Shikhandi, a daughter brought up as a son, who fathers a child with a borrowed penis; of Arjuna, the great warrior with many wives, who is forced to masquerade as a woman after being castrated by a nymph; of Ileshwara, a god on full-moon days and a goddess on new-moon nights; and of Adi-natha, the teacher of teachers, worshipped as a hermit by some and as an enchantress by others.
Building on Hinduism’s rich and complex mythology-but driven by a very contemporary sensibility-Devdutt Pattanaik creates a lush and fecund work of fiction in which the lines are continually blurred between men and women, sons and daughters, husbands and wives, fathers and mothers. Confronted with such fluidity the reader is drawn into Yuvanashva’s struggle to be fair to all-those here, those there and all those in between.
He was still a handsome devil. Handsome enough to win the love of one of the prettiest girls he’d ever met. He checked his reflection to see if the jewel case was visible. In the front hall, he turned the switch for the chandelier. He squinted in the harsh light reflected off the mirrors everywhere. ‘Goodbye!’ He called. There was no answer.A series of mysterious thefts, forbidden love and a tapestry of lies lead to the disappearance of the Bluebird diamond, one of Bollywood’s great unsolved mysteries. Raj, Nagi and Madhuri round up the unusual suspects and help a faded heroine recover her brilliance. Set in the glimmering high life of backstage Bollywood, Mumbai’s darkest secrets are laid bare after more than half a century. But the old adage proves true-be careful what you wish for, because you might just get it.Shoot the Bluebird, the fourth book featuring the teen detectives from Mumbai’s dazzling film world, the Bollywood Knights, is a suspense thriller studded with lust, lost love and treachery that will keep you guessing until the final, thrilling climax.
Everyone has a dark, ugly side-some of us just choose to hide it better than others
She’s a young woman going through a mid-twenties crisis, trying to deal with the dark and intoxicating side of life with haunting memories of an abusive ex-boyfriend, remnants of a broken family and obvious mental health issues.
Finding herself on a consistent downward spiral, she tries to grapple with the harsh realities of her existence and her incessant attraction to all things that are bad for her, which ultimately culminate in the form of a medical emergency as she overdoses, leading to a blackout in the middle of a unfamiliar place, a very public meltdown and a broken leg.
With no job, a failing art career, months of expensive therapy, a cast on her leg and a mystery man in her life, will she be able to recover from her embarrassing wastefulness? Can she defeat her infamous trait of self-sabotage and manoeuvre her way through some hard-hitting truths?
The Penguin Essential Cookbooks are a pioneering attempt to keep alive the art of traditional Indian cooking. Each of the books is written by an expert chef who brings together the special recipes of a region or community along with a detailed introduction that describes the rituals and customs related to the eating and serving of food.In the Essential Delhi Cookbook recipes are drawn from the different communities who have made Delhi their home, including the Khatris and Kayasths, in addition to Mughlai and Punjabi dishes. The recipes include: Raan, Bheja, Methi Dal ki Pakori, Muthanjan Pulao, Mathri, Papri, Chaat, Sharbat-e-Ghulab.
