A horrific attack on the Rashtrapati Bhavan has brutally killed hundreds of people. And Riya Chaudhary finds herself in the clutches of a barbarous clan that will go to any extent to realize its plan of Ghazwa-e-Hind.
Ravana has begun the Kaal Yagna to awaken Anishtatri—the ancestral goddess of Asuras. After many bloody offerings, Ravana is preparing to offer the final sacrifice — his beloved queen Mandodari. The completion of this yagna shall yield unthinkable results.
The daitya guru Shukracharya and his daughter Devyani are travelling through the jungle—a region lorded by Dandak, the savage grandson of Ikshvaku. Here, they become victims of an appalling tragedy, the echoes of which shall haunt the universe till the end of time. Even the avatar of Lord Vishnu himself shall not be able to escape Shukracharya’s curse.
What is the Puranic mystery hidden in the ashram of the Maha-Tantaric Bhairavi Maa? What is the lord of all the malevolent energies in the universe Ekaksh Aghori’s diabolical plan that aims to restore Asura supremacy in the world?
After Kunal’s mother dies, he is sent off to a boarding school in the hills. Till he has a hostel room, he stays with Tara, his father’s cousin, who teaches a special music programme in the school.
Teaching music helped Tara after her best friend died—that, and perhaps the company of the enigmatic figure known as Death, whom she sees everywhere.
Tara and Kunal must try to live together, their lives entwined by their separate losses—which neither is comfortable talking about.
This is a tale of love and loss, of the healing and illuminating power of friendship, art and music.
It’s August 2019 and Khwab Nazir is waiting to board the plane at Terminal 3 of New Delhi International Airport. Set to represent India at an international jiu-jitsu tournament, Khwab nervously looks towards her unknown future. She also reflects on her complicated past-of growing up against the insurmountable difficulties
of life in Kashmir.
Between happiness and emptiness, desire and grief, penance and peace-Khwab has endured. She has a dream that life will be a paradise, one day. Breathing against the backdrop of conflict, Terminal 3, is the story of the everyday people striving to live their dreams in the Valley.
Nirmala and Normala are twins separated at birth *dramatic music*.
While one goes on to become a heroine, the other goes on to become a normal person. Yes, we know we should put ‘normal’ in quotes. We also know that we should issue a disclaimer that there’s no such thing as normal, but really, let’s talk about that later.
If you’ve ever sat through a movie wondering why in the world the heroine is playing with street children or why she seems so daft despite being Harvard-educated, you should listen to Nirmala’s story.
As for Normala, well, we all know her, don’t we?
Five years ago, Arjun Kadam was a cop, a rising star in the ranks of the Mumbai Encounter Squad. A tragic event sends him spiralling into depression and drug abuse and Kadam is reduced to a pale shadow of his former self when he becomes the victim of a hit-and-run that also claims the life of a street urchin. Waking from a month-long coma, Kadam is determined to catch the culprit. He’s rapidly sucked into the deep, dark heart of Mumbai, from the glitzy tinsel of Bollywood to the dank depths of the Mumbai Underworld, where the line between the police and the criminals has been blurred beyond recognition. Obsessed with his mission, Kadam sets off a desperate gambit of deadly intrigue and deception that pits him against the very machine of violence and corruption he once helped create.
