Having worked all his life, Shivaswamy eagerly awaits the serenity of retirement. But his plans are suddenly upturned when his attempts to buy a house are scuppered by unscrupulous builders. Suddenly, he realizes that he might have to join the workforce again. What follows is a tale of gentle satire that is also an intense human drama. Shivaswamy faces the toughest choice, one that threatens the values that have sustained him throughout his life.
Set in contemporary Bengaluru, What’s Your Price, Mr Shivaswamy? is an elegantly crafted and deeply engaging story about a man torn between material necessities and spiritual aspirations. How much would you sacrifice for some peace of mind?
Translated into English by the author himself, this novel was originally published in Kannada as Ondondu Talegu Ondondu Bele .
Atta Galatta Bangalore Literature Festival Book Prize Fiction 2025 Shortlist
Godrej Literature Live! Fiction Best First Book 2025 Shortlist
Are doors to the past ever really shut? Are some crimes more understandable than others?
Disgraced after failing the university exams, Thankachan has returned to his old life. On Fathima Island in the Ashtamudi archipelago, his days are clouded over by the fear of never making anything of himself, but soon, strange events begin to happen on the island. A dead body surfaces one day, then another. Soon, a murder case considered solved years ago is suddenly once again wide open. Is his evasive brother involved in something sinister? Is the fate of a fisherman’s son really sealed at birth?
Packed with intrigue, compelling characters draw the reader into their lives and the heart of the dark secrets that have long lay dormant. Once revealed, they threaten to shake the foundations of community life and wreck Thankachan’s hopes for the future.
A small island community, a murder mystery and whispers of a new romance—The Dead Know Nothing is ripe with the energy of everyday life and deeply perceptive of its social tensions. A riveting story of deceit, perseverance and the wild realms of possibility, it will engross readers with its simple charm and beguiling turns.
“The silence depressed me. It wasn’t the silence of silence. It was my own silence.”
Esther Greenwood is a beautiful and immensely talented young lady who dreamt of being a great writer. As a college student she travelled from Massachusetts to New York to work on a magazine for a month as a guest editor. While there, she is showered with fancy dinners, and elite networking. Esther knew she should be having the time of her life, but something was wrong, and she felt deadened.
Little she knew that this was the beginning of a clinical depression which would take all sense of life out of her. After a visit from a beloved professor, she starts to believe that there is a light at the end of the tunnel.
Months of treatment later, Esther leaves the mental hospital in time to start college. She now knew that life would be a seesaw of good and bad days, and the bell jar could ring either with sadness or elation, she just needed to hear it jingle and practice what she learnt.
The Bell Jar is an intimate, and uplifting narrative written with the expert stroke of the finest writers of the century; meant to make the reader feel supported and hopeful in their journey.
“Nothing in the world is harder than speaking the truth and nothing easier than flattery.”
What happens when paramount self-belief leads to self-destruction. Raskolnikov’s is a student who believes he has the responsibility of using evil means to bring good to people; thereby committing murders.
As Raskolnikov is chased by a relentless investigator, his conscience starts to haunt him, tightening the grip of guilt. Amidst this turmoil, only Sonya, a marginalized sex worker, holds the key to his salvation.
Ultimately, Raskolnikov’s path leads him to a profound reckoning. Through suffering and self-realization, Raskolnikov discovers the true nature of happiness and the power of accepting and reciprocating love.
Crime and Punishment stands as a testament to Dostoevsky’s unparalleled ability to explore the depths of the human psyche, the complexities of truth, guilt, and the search for redemption.
Longlisted for the International Booker Prize 2025
In Heart Lamp, Banu Mushtaq exquisitely captures the everyday lives of women and girls in Muslim communities in southern India. Published originally in the Kannada, these portraits of family and community tensions testify to Mushtaq’s years as a journalist and lawyer, in which she tirelessly championed women’s rights and protested all forms of caste and religious oppression. Written in a style at once witty, vivid, colloquial, moving and excoriating, it’s in her characters – the sparky children, the audacious grandmothers, the buffoonish maulvis and thug brothers, the oft-hapless husbands, and the mothers above all, surviving their feelings at great cost – that Mushtaq emerges as an astonishing writer and observer of human nature, building disconcerting emotional heights out of a rich spoken style. Her opus has garnered both censure from conservative quarters as well India’s most prestigious literary awards; this is a collection sure to be read for years to come.
Neil Ramamurthy, an Indian-origin American DJ, reaches Delhi on his first trip to India. His only objective is to win back his girlfriend, Sameera, after she broke his heart in New York City on New Year’s Eve several months ago.
Sameera Kapoor is busy launching her club, Kapital, which has been shuttered since her mother dropped dead in it five years ago. Safe to say, a relationship’s not on her mind.
The way to Sameera’s heart is through her club – and its smooth launch – but as luck would have it, the road to Kapital’s launch is marred with bizarre incidents. And when everything seems to have returned to normal, an accidental death in the club sends Neil and Sameera’s world crashing down. To make matters worse, the officer-in-charge, Inspector KK, seems hell bent on making things harder for them.
As Neil maneuvers through these challenges, he finds himself entangled in a ludicrous love triangle, one which may or may not be responsible for the events at Kapital.
Who knew being a DJ came with such a huge occupational hazard?
In the electric haze of college life, three friends are bound by laughter, late-night talks and unspoken promises. But when two of them cross the line from friendship into love, everything changes. Betrayal shatters their world, leaving one friend to pick up the pieces while navigating her own complicated feelings. As friendships fracture and love grows tangled, hearts are broken, and choices become irreversible. Caught between the ache of lost friendship and the bittersweet pull of love, Dev must decide if he’s willing to risk everything?again.
This book is an alluring escape to the land of dawn-lit mountains, Arunachal Pradesh. It features stories that are products of visceral observation and a delicate understanding of the ethnic communities living under intervening shadows of magic and realism in the isolated hinterlands of the state. A village is haunted by an insidious spirit tiger. A bee sting reminds a Nocte boy of his brother’s beheading and transforms him into a deadly headhunter. A Donyi-Polo priest must continue practising his animistic rituals to preserve the fading vestiges of his indigenous religion. The curse of a high priest follows the thief who stole the forbidden sacred ornaments . . . Such evocative and poignant tales make this debut collection a must-read.
Suniti Namjoshi’s compelling tales range from metamorphosed cows to ruling mothers, from talking donkeys to epic villains. In this substantial collection are fables old and new, lyric poems and epigrams, novella narratives and ironic commentary. We also complete the Ravana trilogy with Shupi’s Choices and Kumbh, with villainous siblings who are sometimes ridiculous, but ready to show up for own shortcomings.
Matriarchs, Cows and Epic Villains is a curation of Suniti’s work where she continues to raise questions about how we deal with our destiny as human beings while at the same time trying to understand and confront our inadequacies.
Two officers fresh out of the National Defence Academy (NDA) get posted at a laid-back military garrison on the banks of the Ganga River in Western UP. Lieutenant Rohit Verma comes from an army background, knows the ropes and generally has it easy. Lieutenant Renuka Khatri, on the other hand, is from a civilian background, and from the first batch of girl cadets admitted to the NDA. They both have to prove that they are worthy of being army officers. During a welcome party at the officers’ mess, one of the ladies is assaulted and the needle of suspicion falls on Rohit. A court of inquiry is ordered, with Renuka unearthing crucial evidence that points to more sinister connections.
When one of the witnesses due to depose before the court is murdered, it not only absolves Rohit but also starts the hunt for the real killer. Initially sceptical, the commandant throws his weight behind the investigation, which as it unfolds, reveals similarities to events rooted in the past. In their hunt for the suspect, Rohit and Renuka are assisted by Rehmat, a local village girl. The trio of Rohit-Renuka-Rehmat (RRR) must race against time to catch the killer before he can strike again.
