Catagory: Literature & Fiction

TOMB OF SAND
In northern India, an eighty-year-old woman slips into a deep depression after the death of her husband, and then resurfaces to gain a new lease on life. Her determination to fly in the face of convention – including striking up a friendship with a transgender person – confuses her bohemian daughter, who is used to thinking of herself as the more ‘modern’ of the two.

To her family’s consternation, Ma insists on travelling to Pakistan, simultaneously confronting the unresolved trauma of her teenage experiences of Partition, and re-evaluating what it means to be a mother, a daughter, a woman, a feminist.

Rather than respond to tragedy with seriousness, Geetanjali Shree’s playful tone and exuberant wordplay results in a book that is engaging, funny, and utterly original, at the same time as being an urgent and timely protest against the destructive impact of borders and boundaries, whether between religions, countries, or genders.

THE SEVEN MOONS OF MAALI ALMEIDA
A searing satire set amid the murderous mayhem of Sri Lanka beset by civil war

Colombo, 1990. Maali Almeida, war photographer, gambler and closet gay, has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the Beira Lake and he has no idea who killed him. At a time when scores are settled by death squads, suicide bombers and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts who cluster around him can attest. But even in the afterlife, time is running out for Maali. He has seven moons to try and contact the man and woman he loves most and lead them to a hidden cache of photos that will rock Sri Lanka. Ten years after his prizewinning novel Chinaman established him as one of Sri Lanka’s foremost authors, Karunatilaka is back with a rip-roaring epic, full of mordant wit and disturbing truths.

‘I could hear wild animals, as hungry as I was, growling down below, having caught my human smell. They attempted to scale the rocks. If there was one among them that could climb the cliff, my helplessness would turn me into its dinner tonight.’

On the eve of Independence Day, Mahesh reads a small news item about a mysterious forest dweller who appeared in the middle of a rainforest out of nowhere and disappeared without a clue. Immediately, he recognizes the man to be Freddie Robert, their friend, guide, leader and the one they had all named Yudhisthira, who had disappeared into the forest several months ago, in search of a rare new bird. Mahesh and his four friends, each named after a Pandava brother, and Panchali, or Meera, decide that the only way they can ascertain whether the man was indeed Freddie is to return to the forest and search for him.

Thus begins Dattapaharam, a powerhouse of a novel by the critically acclaimed and bestselling Malayalam author V.J. James. A rumination on solitude, man’s connection with nature and the strings that attach us to this world, this is a surreal novel where the author’s imagination soars like an eagle and words flow like the untouched springs in a rainforest. At times a fable on the modern world, at times a search for identity amid a quest of discovery, and on the whole a moving tale that takes the reader deep into the forests to understand what really makes us human, Dattapaharam is a powerful novel for our anthropocentric age, written by one of the most exciting voices to emerge from the Indian subcontinent.

Dr. Oliver Harding is long settled into the routines of a divorced, aging academic. But his quiet life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani law professor.

Ruhaba unexpectedly ignites Oliver’s long-dormant passions, a secret desire that quickly tips towards obsession after her teenaged nephew arrives to stay with her. Drawn to them, Oliver tries to reconcile his discomfort with the worlds from which they come, and to quiet his sense of dismay at the encroaching change they represent-both metaphorically and in Ruhaba’s spirited engagement with the student movements on campus.

After protests break out demanding diversity across the university, Oliver finds himself and his beliefs under fire, even as his past reveals a picture more complicated than it seems. As Ruhaba seems to fade in and out of reach, Oliver reacts in ways shocking and devastating.

Sonora Jha has created a complex character both in tune and out of step with our time, an erudite man who first inspires and then challenges our sympathies. As the novel reaches its shocking conclusion, Jha compels us to re-examine scenes in a new light, revealing a depth of loneliness in unlikely places, the subjectivity of innocence, and the looming peril of white rage in America.

An explosive and tense work of fiction, The Laughter is a fascinating portrait of privilege, radicalization, class, and modern academia that forces us to confront the assumptions we make, as both readers and as citizens.