“Damodar Mauzo’s stories present us with vivid glimpses of the richly diverse, cosmopolitan reality of contemporary Goa. In these perceptive, keenly observed stories Hindus, Catholics and Muslims all find ways to co-exist, in defiance of bigotry.” AMITAV GHOSH
A cab driver, who assumes the identity of whoever his clients want him to be, finds himself in a tricky situation with a passenger. A late-night call leads a doctor down a path of lust and desire, but with unexpected results. A writer acquaints himself with a thief who had broken into his house. A migrant worker falls in love but wonders how he can present himself as a suitor. A young man, having lost the love of his life, takes it upon himself to resolve another couple’s dilemmas.
Konkani writer Damodar Mauzo’s sometimes bizarre, sometimes tender stories, set largely in
Goa, create a world far removed from the sun and sand and the holiday resorts. Here you find villagers facing moral choices, children waking up to the realities of adult lives, men who dwell on remorse, women who live a life of regret and communities whose bonds are growing tenuous in an age of religious polarization. Probing the deepest corners of the human psyche with tongue-in-cheek humour, Mauzo’s stories reveal the many threads that connect us to others and the ease with which they can be broken. Written in simple prose and yet layered in nuances, The Wait is a collection that brings to the anglophone world one of the doyens of Konkani literature.
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‘A story about finding hope in the darkest of times that will brighten your day!’
If you find someone’s diary, would you dare open it?
Well, if you chance upon your old diary, would you dare read through your past?
Iti is forced to move back to her hometown of Mussoorie amid worldwide lockdown to work on her first movie script. Iti’s chance encounter with her first love, Nishit, reunion with her estranged best friend, Shelly, and nights spent reading her well-kept diary, make her best memories and worst nightmares come to life. She has always run away from her past, but now has no choice.
Will reading her diary prove to be an adventure worth taking for completing the script? Will life be the same? Ever?
Set in the COVID-19 lockdown, from the national bestselling author of On the Open Road and You Only Live Once, Where the Sun Never Sets is a riveting personal account of unforgettable childhood dreams, turbulent teenage years, complicated close relationships, human resilience, and the never-ending journey of growing up.
You can plan everything, but you can’t plan with whom and when you’ll fall in love, isn’t it?
Aishwarya, at twenty-eight years, would rather be a single mother than trust the ‘normal’ family structure. In her new start-up, she wants to revolutionize childcare for young woman professionals-this is her ultimate goal. Plus, she’s in a hurry to do it all. On her mind is the ambitious and good-looking Akshay, perfect genetic material, but he’s not ready to be part of her plans. Yet.
In comes Dhiren, who has made and lost his money in cryptocurrency. He takes up the first floor of Aishwarya’s nursery building and, by a queer coincidence, begins to work for her. Her friends Smriti and Vinny, as protective as mother hens, warn her against Dhiren. There is something that he’s hiding along with his friend Neeraj-they just don’t know what.
Things begin to take shape but really, it’s just the beginning of a disaster. The only thing that can save them is what they don’t want-love.
Crazy, quirky and so utterly romantic, this book is the ultimate relationship roller coaster!
More than seventy rarest essays on filmmaking, screenplay writing, autobiographical pieces and rare photographs and manuscripts of Ray
‘Ray is a most singular symbol of what is best and most revered in Indian cinema’ – Adoor Gopalakrishnan
‘Satyajit Ray, I salute you. The greatest of our poets of the cinema’-Ben Kingsley
Satyajit Ray (1921-1992), one of the doyens of world cinema, gave a unique aesthetic expression to Indian cinema, music, art and literature. His writings, especially, autobiographical works, thoughts on filmmaking, screenplay writing and eminent personalities from art, literature and music, among others, are considered treasure troves, which largely remained unseen and therefore less known till date.
Satyajit Ray Miscellany, the second book in The Penguin Ray Library series, brings to light some of the rarest essays and illustrations of Ray that opens a window to the myriad thought-process of this creative genius. With more than seventy gripping write-ups and rare photographs and manuscripts, this book is a collector’s item.
Kalindi Charan Panigrahi was a notable poet and writer in Odia. He is credited for the short but influential movement in Odia literature called the Sabuja Yug which was the age of Romanticism, inspired by Tagore’s writings. He was awarded the Padma Bhushan in 1971. Matira Manisha is his most well-known work. It has been translated into English twice before. Mrinal Sen made a film on this book and it received the National Film Award for Best Odia film in 1967.
The novel is, quite simply, the tale of two brothers, who have very different attitudes towards the land they inherit from their father. It talks about the breaking apart of the joint family and celebrates a Marxist and Gandhian approach to living.
Char Adhyay (1934) was Rabindranath Tagore’s last novel, and perhaps the most controversial. Passion and politics intertwine in this narrative, set in the context of nationalist politics in pre-Independent India. Ela, a young working woman, comes under the spell of Indranath, a charismatic political activist who advocates the use of terror for the nationalist cause. She takes a vow never to marry, and to devote her life to the nationalist struggle. But she falls in love with Atindra, a poet and romantic from a decadent aristocratic family. Through their relationship, she becomes aware of the hollowness of Indranath’s politics. Afraid that she might expose them to the police, the political group gives Atin the task of eliminating Ela. In the dramatic final sequence of the novel, Ela offers herself to Atin, with tragic consequences.
This new translation, intended for twenty-first-century readers, will bring Tagore’s text to life in a contemporary idiom, while evoking the flavour of the story’s historical setting.
In recent times, whenever ancient Sanskrit works are discussed or translated into English, the focus is usually on the lofty, religious and dramatic works. Due to the interest created by Western audiences, the Kama Sutra and love poetry has also been in the limelight. But, even though the Hasya Rasa or the humorous sentiment has always been an integral part of our ancient Sanskrit literature, it is little known today.
Anthology of Humorous Sanskrit Verses is a collection of about 200 verse translations drawn from various Sanskrit works or anthologies compiled more than 500 years ago. Several such anthologies are well-known although none of them focus exclusively on humor. A.N.D. Haksar’s translation of these verses is full of wit, earthy humor and cynical satire, and an excellent addition of the canon of Sanskrit literature.
