After freeing her darling son, Jonkers, from the clutches of his low class, slutty secretary, Aunty Pussy has charged Butterfly with finding him a new wife—a rich, fair, beautiful, old family type. Quickly. But who wants to marry poor, plain, die-vorced Jonkers? As Butterfly schemes her way through shaadis, GTs (oho baba, Get Togethers!), and kitty parties trying to find a suitable girl from the right bagground, she discovers to her dismay that her hapless cousin has his own ideas about his perfect mate. And secretly she may even agree!
Full of wit and wickedness, Tender Hooks is another delightful romp through Pakistani high society from the bestselling author of The Diary of a Social Butterfly.
Is the memory of happiness that has passed, sad or happy?
Four middle aged men sit together in a railway station, waiting for dawn to break. To pass their time, each tells a story of a woman they loved secretly in their youth…
Romantic, elegant, suffused with melancholy, My Kind of Girl is a classic love story from one of Bengal’s great writers.
Oozing with men, money, and Maseratis, Dubai is the ultimate playground for the woman who knows her Louboutins from her Louis Vuittons.
But for some, there’s a lot more at stake than a Hermes Birkin. Leila has been in search of a wealthy husband for over a decade. Nadia moves to Dubai to support her husband’s career, only to have her sacrifices thrown in her face. Sugar escapes the UK in an attempt to escape her past. Lady Luxe, the rebellious Emirati heiress, scoffs at everything her culture holds sacred. Until the day her double life starts unravelling at the seams.
Set against a backdrop of luxury hotels and manmade islands, Desperate in Dubai tells the tale of four desperate women as they struggle to find truth, love, and themselves.
‘The body was the only truth she knew. It was the body alone that was left, even as she went beyond the body.’
Journeys form the leitmotif of these astonishing new stories by Ambai. Sometimes culminating in an unconventional love affair, some are extraordinary tales of loyalty and integrity; others touch on the almost fantastic, absurd aspect of Mumbai. Yet others explore the notion of a wholesome self, and its tragic absence at times. These stories are illuminated by vivid and unusual characters: from an eccentric, penurious singer-couple who adopt an ape as their son, to a male prostitute, who is battered by bimbos for not giving ‘full’ satisfaction.
Crucially, some of the stories, like the title one, engage uninhibitedly with a woman’s relationship to her body. For Ambai, feminist par excellence, the sensual body, experienced as a natural landscape changing with age, is at the same time, the only vehicle of life and tool for mapping the external world.
What if life threw you a magnificent opportunity, only to knock you down later and laugh at you? Would you fight back or let it pass?
Nisha’s life is far from perfect. At twenty-six, she is plump, plain-looking, and without a boyfriend. A chance date and a bizarre twist of events lead her to the altar with suave Samir Sharma, only to be abandoned eight years later. As she struggles to stand on her own feet, Akash, a younger guy, enters her life. Can Nisha find love a second time?
Tea for Two and a Piece of Cake is an unusual, a heart-warming, and gripping love-story between two people who have so much to lose by getting into a relationship with each other, yet so much to gain.
In late nineteenth century Lucknow, two rival story-tellers, Syed Muhammad Husain Jah and Ahmed Husain Qamar, wrote a fantasy in the Urdu language whose equal had not been heard before, and which has never been rivalled since. It was called Tilism-e Hoshruba. The writers claimed that the tale had been passed down to them from story-tellers going back centuries: it was a part of the beloved oral epic, The Adventures of Amir Hamza which had come to the Indian subcontinent via Persia and had gained in popularity during the reign of Akbar, the Mughal emperor.
The Tilism-e-Hoshruba is the subcontinent’s first wholly indigenous Indo-Islamic fantasy epic. It tells the stories of Amir Hamza’s military forces, his grandson and his loyal band of tricksters (masters of wit and disguise) as they go to war with Afrasiyab, the sorcerer who rules the magical land of Hoshruba. Fantasy, the occult, adventure and romance play themselves out in a typically Indian setting as wizards, sorceresses, tricksters and royalty pitch themselves into the battle for Hoshruba. The characters of the epic are marvels of literary creation, and are much more colourful and dashing than those of the Amir Hamza cycle of tales.
The Tilism-e Hoshruba runs to twenty four volumes and will be translated into English for the first time ever by Musharraf Ali Farooqi, the acclaimed translator of The Adventures of Amir Hamza. Random House India will publish all the volumes starting with Hoshruba: The Land and the Tilism, i.e. Book 1 of the series.
‘It is the first duty of kingship to be as the people wish to see me.’
This fictional account of events in the court of the princely state of Bhanupur, a hundred years ago, is a tale of intrigue, politics and image-building. What was going through the mind of Maharaja Amar Singh II in the key moments of his reign? How much did he rely on the advice of his clever prime minister Chatterjee, the wily Bengali? How did he solve sensitive issues like undertaking a voyage across the seas to attend the coronation ceremony of the British king, without polluting his caste? And what were his relations with the British—especially with Dr Constable and the architect Colonel Talbot, employed by his court? As the narrative moves towards its tragic conclusion, the characters’ innermost convictions are laid bare
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas-the early days of the British Raj, the World Wars, conversions to
Christianity, and the missionaries.
This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts
into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions.
Boats on Land quietly captures our fragile and awkward place in the world
Sethji is the head of the ABSP, a crucial coalition partner in the government. Shrewd, ruthless and an inveterate fighter, he is a man who refuses to play by any moral codes or lose a single battle. Easing his way is Amrita, his ravishing and aloof daughter-in-law who guards her own secrets. But when two of the country’s most powerful men team up to challenge Sethji, the wily old politician has to fight the deadliest battle of his life-a battle in which he must stake everything. The one person he is forced to trust is Amrita, a woman who gives nothing away, not even to Sethji.
Exposing the dark, venal heart of Indian politics, Sethji is an absolutely unputdownable novel about ambition, greed-and above all trust.
Bapsi Sidhwa’s brilliant fourth novel chronicles the adventures of a young Pakistani girl in America with an enormously satisfying story and characters… The extended family of Feroza Ginwalla, a lively and temperamental girl, agonizes over the decision to send her to America for a three-month holiday. This act of apparent audacity arises from concern over Feroza’s conservative attitudes, which stem from Pakistan’s rising tide of fundamentalism. Feroza’s chaperone in America, an uncle only six years her senior, is her guide, friend, and the bane of her existence. Her relationship and adventures shape her alternatively hilarious and terrifying perceptions of the US. Feroza’s family in Pakistan, meanwhile, is in delicious turmoil over the possibility that American ways will ruin her…
