Sophie and Matteo are young and in love, sharing a dissatisfaction with their bourgeois Italian upbringing. Naturally, like so many other young Westerners in the sixties and seventies, they go to India. But the realities of life in an ashram ignite their differences; Sophie wants to be a tourist and go to Goa and eat shrimp, which Matteo scorns, seeking the ‘real’ India. Pragmatic Sophie is disillusioned by the hardships they encounter, while her husband, who yearns for spiritual fulfillment, sees only the purity of ascetic life, leading him to Mother, a charismatic guru.
Trying to reclaim an ailing Matteo, Sophie embarks on a new journey in search for a different truth; that of Mother’s mysterious past. Soon, she finds that the immortal has a history of her own; born in Cairo, she was once Laila, a dancer who toured the world before coming to Bombay to search for ‘divine love’. What each of the three people discover, on their individual quests, is at its heart that ancient truth: that wisdom is found in the journey itself.
A stirring, profound exploration of emotional exile, of sacred and profane loves, Journey to Ithaca is a masterful novel.
Internationally acclaimed director Mira Nair offers the reader an exclusive behind-the-scenes look into the creation of her most ambitious film yet: The Reluctant Fundamentalist. Covering every aspect of the film-making process, this magnificently designed film book comprises an incredible array of images as well as short essays by those involved in the film-making process. Mira Nair discusses how the novel was turned into a screenplay; Mohsin Hamid reminisces about his first experience on a film set; production designer Michael Carlin recounts the thrill of transforming Old Delhi into contemporary Lahore; lead actor Riz Ahmed reveals how he got under the skin of his character Changez; and editor Shimit Amin demystifies some of his tricks on the editing table. This book also features a series of gorgeous black-and-white photographs by celebrated photographer Brigitte Lacombe.
Rinki has everything she needs to go crazy with: bickering boys, a bitchy grandma, boring books and the Biggest B of them all, Board Exams. Rinki and her wolf pack are back in action and they have company in the form of Google (Mr Know-it-all) and Adit (Mr Goody Two-shoes). At last, Rinki has her wish fulfilled. She has two boys fighting over her, er, mostly with her! Meanwhile, Rinki’s brand new grandmother, Mausiji, is raising hell at home. Her dad (lucky fellow!) is away in Coimbatore and it’s all up to Rinki to cool tempers down. At school, things are no better. Board Exams are looming large and Princy is making her feel smaller than ever. Her grades are shrinking and her waistline is growing. School life is about to get over, but not before things get a lot more crazy. Read the next instalment in the Rinki series and discover why turning seventeen is no walk in the park!
Ever since my mom was murdered, I’ve been completely alone. I live in the shadows, because there’s no one like me. I have no choice because I have to fight the Hunger, the Hunger that drives me to hunt people and eat their souls. And I have to fight it if I want to stay out of the darkness.
WHO AM I? I’M MEDA MELANGE. WHAT AM I? I DON’T KNOW-BUT I’M NOT HUMAN. AND NOW, I FINALLY HAVE THE CHANCE TO FIND OUT.
In a village in India, a forsaken man is about to kill himself in quiet despair. A million miles away, Katya Misra is celebrating a perfect evening in her fine, academic life in Seattle . . . until she is informed that her teenage son Kabir has run away to India in search of a father he has never met. Contemptuous of her homeland and determined to bring Kabir back where he belongs, Katya must follow her son into the home of a suicidal farmer, in a village where, every eight hours, a man kills himself. Here, as Kabir’s father inspires his son with his selfless social work, Katya finds an ally in the farmer’s wife Gayatribai, who saves Kabir’s life by damaging her own, and in return asks for Katya’s help in keeping her husband alive in the suicide epidemic that has gripped this treacherously changing nation.
Whipped up in a world of violent protest rallies, mass weddings, inglorious suicides, and a love that demands to be rekindled, Katya must learn whose life can be saved and whose she should just let go.
Faiz Ahmed Faiz’s poetry continues to inspire and enthral contemporary readers. The Best of Faiz consists of Shiv K. Kumar’s translations of Faiz’s most popular Urdu poems into English. The collected poems include ‘Mujh Se Pehli Si’, ‘Subhe Azadi’, ‘Sochne Do’ and ‘Bol’. This edition also includes a translator’s foreword and the original poems in nastaliq and devanagari scripts.
Akhil Arora, a young, dorky engineer in Delhi, can’t wait to get away from home and prove to his folks that he can be on his own. Meanwhile in a small town in Punjab, Jaspreet Singh, aka Jassi, is busy dreaming of a life straight out of American Pie. As fate would have it, they end up as roommates in Florida. But the two boys are poles apart in their perspectives and expectations of America. While Akhil is fiercely patriotic and hopes to come back to India in a few years, Jassi finds his Indian identity an uncomfortable burden and looks forward to finding an American girl with whom he can live happily ever after.
Laced with funny anecdotes and witty insights, Amreekandesi chronicles the quintessential immigrant experience, highlighting the clash of cultures, the search for identity, and the quest for survival in a foreign land.
It is the 1970s. After a bloody struggle, Bangladesh is an independent nation. But thousands are pouring into Dhaka from all over the country, looking for food and shelter. Amongst them is Nur Hussain, an uneducated young man from a remote village, who is only good at mimicking a famous speech of the prime minister’s. He turns up at journalist Khaleque Biswas’s doorstep, seeking employment. He is initially a burden for Khaleque, but then Khaleque, who has recently lost his job, has the idea of turning Nur into a fake Sheikh Mujib. WIth the blessings of the political establishment, he starts chasing in on the nationalist frevour of the city’s poorest. But even as the money rolls in, the tension between the two men increases and reaches a violent climax when Nur refuses to stick to the script.
Intense yet chilling, this brilliant first novel is a meditation on power, greed and the human cost of the politics.
Ram Krishna is an artist who paints nudes. Incensed by his wife’s possible infidelity, and despite his own conjugal insecurities, he engages in an adulterous liaison. Immediately, Karma strikes: his wife’s purported lover pushes him to his death into a flooding river. Unclad of corporal existence, he hovers above earth and discovers that—apart from his parents, dog, and a few friends—no one misses him. Dejected, he encounters Yama, the Lord of Death, and begins a conversation that extinguishes his own airs and affectations, and makes him see that he may have been wrong about life . . . and his wife.
Armed with a wry sense of humour, Shiv K. Kumar lays bare the questions of humanity’s inescapable end, plying us with a story of the afterlife that gives us new reasons to live and laugh.
Long years ago, as India made its tryst with destiny and the soul of a nation long suppressed was torn asunder, a story of love and compassion ensued . . .
Sahitya Akademi awardee Shiv K. Kumar brings us a Partition novel that will delight readers with its fast-paced and humorous storytelling. Join Gautam Mehta as he converts to Christianity to divorce his wife, falls in love with a kidnapped Muslim beauty, and revels in adventures full of midnight swigs, enamelled snuffboxes, and quiet bouts of love-making. Join our stout-hearted, quick-witted protagonist as he hobnobs with the remaining Raj-era relics and, despite being hung-over, defeats the ruddy kidnappers of his romantic, timid little thing—his adversaries have not a whiff of a chance!
Shiv K. Kumar’s memorable novel takes you on a journey to the twilight of the Raj, to the pains of Partition, and to a love story that will heal the scars left in the wake of history.
