Two-time Winner of the Giller Prize
Munir Khan, a recent widower from Toronto, meets the charming and witty Mohini Singh, a married liberal newspaper columnist, in the bar of the high-brow Delhi Recreational Club. An enigma surrounds the Kenya-born, westernized and agnostic Munir, and an inexplicable attraction takes root. Delhi’s streets, monuments and ruins become the setting of their passionate affair.
A terror attack shakes the city just as Jetha Lal and his acolytes, self-proclaimed protectors of cows and Hindu women, raise decibel levels at the Club. Meanwhile, Mohini’s parents’ wounded memory of the Partition and a family trip to Shirdi only serve to exacerbate her anxieties and deep sense of guilt. And even as Jetha Lal’s menacing shadow looms over them, Munir and Mohini cannot let each other go. At what cost their passion?
Written with trademark sensitivity and a sharp, affecting vision, A Delhi Obsession is M.G. Vassanji’s most urgent novel yet. Set in contemporary times, it unravels an unexpected yet prophetic story of passion, love and faith, amidst the placid environment of an elite Delhi club. Cutting close to the bone, this searing novel will compel you to confront your profoundest dilemmas.
In the wake of the Partition, a new country is born. As millions of refugees pour into Pakistan, swept up in a welter of chaos and deprivation, Sajidah and her father find their way to the Walton refugee camp, uncertain of their future in what is to become their new home.
Sajidah longs to be reunited with her beloved Salahuddin, but her journey out of the camp takes an altogether unforeseen route. Drawn into the lives of another family-refugees like herself-she is wary of its men, particularly Nazim, the eldest son whose gaze lingers over her. But it is the women of the household whose lives and choices will transform her the most: the passionately beseeching Saleema, her domineering mother Khala Bi, the kind but forlorn Amma Bi, and the feisty young housemaid Taji.
With subtlety and insight, Khadija Mastur conjures a d ynamic portrait of spirited women whose lives are wrought by tragedy and trial even as they cling defiantly to the promise of a better future.
Isha is a girl who loves animals but struggles in the confines of school. When she is sent away to live with her grandparents on the Indian countryside, she discovers a sacred grove where a young Bengal tiger has taken refuge. Isha knows that the ever-shrinking forests of India mean there are few places left for a tiger to hide. When the local villagers also discover the tiger, Isha finds herself embroiled in a life or death cultural controversy.
Isha’s crusade to save the tiger becomes the catalyst of an arduous journey of awakening and survival across the changing landscape of modernizing India. Her encounters with tribal people, elephants, and her search for the wild jungle are the source of her revelations about the human relationship to the natural world. The Girl and the Tiger is a gripping story of determination, discovery and coming of age.
A swimming instructor is determined to re-enact John Cheever’s iconic short story, ‘The Swimmer’, in the pools of Mumbai. A famous Indian chef breaks down on a New York talk show. A gangster’s wife believes a penguin at the Mumbai Zoo is the reincarnation of her lost child. An illegal immigrant in Vancouver plays a fateful game of cricket. A kindly sweets-shop owner’s hope for a new life in Canada leads to a terrible choice.
By turns quirky and clever, poignant and powerful, Anosh Irani’s stories deftly reveal the human condition in all its vitality and vulnerability. Bookending the seven tales in this collection is a gorgeous, emotionally raw ‘translation’ of the author’s singular experience of being an immigrant, ingeniously blurring the line between fiction and fact as it shuttles between two worlds-Vancouver, where he miraculously realized his seemingly impractical dream of becoming a writer; and Mumbai, the city he could never fully leave behind.
Filled with moments of great beauty and clarity, Translated from the Gibberish confirms Anosh Irani as a unique, inventive and vitally important voice in contemporary fiction.
Will a series of brutal killings destroy the very foundation of Parsuvarta, an ancient kingdom?
A series of murders have taken place in Parsupur, the capital city of Parsuvarta. Kasyapa and Agastya, two students training to become priests, are asked by their guru to investigate the deaths. Around the same time, there is great turmoil brewing in the city-a palace coup and a battle for supremacy between the traditional Indra worshipers and the new sect of Varuna followers.
It is an age when Vedic gods are worshiped, religious sacrifices are performed regularly, commerce flourishes and kings are guided by their loyal head priests. But beneath this façade of order lie prejudices and political rivalries, jealousy and power games. This is why the murders, which at first seem to be unconnected, soon lead in the same direction. It is now up to Kasyapa and Agastya to find out the common thread and identify the killer.
The First Aryan is a one-of-its-kind murder mystery set in the Vedic times.
SHORTLISTED FOR THE BOOKER PRIZE 2019
In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age.
Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, an ageing travelling salesman who falls in impossible love with a TV star. Together with his imaginary son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.
Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.
After Nehru, Victor Jai Bhagwan is Mahatma Gandhi’s favourite Indian-a brilliant young man with the temperament of a leader and fiercely committed to his country. Though Victor adores and respects Gandhi, he disagrees with the Mahatma’s vision for the future of India. He returns from university in England determined to bring the benefits of modern industry to the subcontinent, and within a few years of India’s independence, becomes the country’s biggest tycoon. But this is not the only ideal of Gandhi’s that he defies: facing a midlife crisis, he falls passionately in love with a tantric god-woman (who keeps a tiger as her pet and has a dubious past). She introduces him to the pleasures of unbridled sexuality, but also becomes the reason for his downfall.
Comic, tender and erotic by turns, Burial at Sea is vintage Khushwant Singh.
It is the summer of 1947. But Partition does not mean much to the Sikhs and Muslims of Mano Majra, a village on the border of India and Pakistan. Then, a local money-lender is murdered, and suspicion falls upon Juggut Singh, the village gangster who is in love with a Muslim girl. When a train arrives, carrying the bodies of dead Sikhs, the village is transformed into a battlefield, and neither the magistrate nor the police are able to stem the rising tide of violence. Amidst conflicting loyalties, it is left to Juggut Singh to redeem himself and reclaim peace for his village. First published in 1956, Train to Pakistan is a classic of modern Indian fiction.
With her days split between a passionate marriage and a high-octane television studio job, Homi is a thoroughly modern young woman-until one day she is approached by a yogi on the street. This mysterious figure begins to follow her everywhere, visible only to Homi, who finds him both frightening and inexplicably arousing.
Convinced that the yogi is a manifestation of fate, Homi embarks on a series of increasingly desperate attempts to prove that her life is ruled by her own free will, much to the alarm of her no-nonsense husband and cattily snobbish mother. Her middle-class Kolkata life, and the relationships that define her identity, are disturbed to the point of disintegration.
Following the inexorable pull of tradition, the mystic forces that run beneath the shallow surface of our modern existence like red earth beneath the pavements, Homi ends up in Benaras, the holy city on the banks of the Ganga, where her final battle with fate plays out.
The empire that was Aryavarta fades under the shadow of doom. As the bitter struggle to gain control of the divided kingdom ensues, both Krishna Dwaipayana Vyasa of the Firstborn and the Secret Keeper of the Firewrights can only watch as their own blood, their kin, savage and kill on the fields of Kurukshetra. Restraint and reason have deserted the rulers who once protected the land and they manipulate, scheme and kill with abandon – for victory is all that matters.
At the heart of the storm stands Govinda Shauri, driven by fickle allies and failed kings, to the very brink of darkness. He may well be the greatest danger Aryavarta has faced yet, for he is determined to change things forever.
Reforging the forsaken realm in the fire of his apocalyptic wrath, Govinda prepares to destroy everything he loves and make the ultimate sacrifice for the sake of one last hope: that humanity will rise.
There will be revolution.
