With her days split between a passionate marriage and a high-octane television studio job, Homi is a thoroughly modern young woman-until one day she is approached by a yogi on the street. This mysterious figure begins to follow her everywhere, visible only to Homi, who finds him both frightening and inexplicably arousing.
Convinced that the yogi is a manifestation of fate, Homi embarks on a series of increasingly desperate attempts to prove that her life is ruled by her own free will, much to the alarm of her no-nonsense husband and cattily snobbish mother. Her middle-class Kolkata life, and the relationships that define her identity, are disturbed to the point of disintegration.
Following the inexorable pull of tradition, the mystic forces that run beneath the shallow surface of our modern existence like red earth beneath the pavements, Homi ends up in Benaras, the holy city on the banks of the Ganga, where her final battle with fate plays out.
Catagory: Fiction
Fiction main category
Kurukshetra
The empire that was Aryavarta fades under the shadow of doom. As the bitter struggle to gain control of the divided kingdom ensues, both Krishna Dwaipayana Vyasa of the Firstborn and the Secret Keeper of the Firewrights can only watch as their own blood, their kin, savage and kill on the fields of Kurukshetra. Restraint and reason have deserted the rulers who once protected the land and they manipulate, scheme and kill with abandon – for victory is all that matters.
At the heart of the storm stands Govinda Shauri, driven by fickle allies and failed kings, to the very brink of darkness. He may well be the greatest danger Aryavarta has faced yet, for he is determined to change things forever.
Reforging the forsaken realm in the fire of his apocalyptic wrath, Govinda prepares to destroy everything he loves and make the ultimate sacrifice for the sake of one last hope: that humanity will rise.
There will be revolution.
Kaurava
Emperor Dharma Yudhisthir of the Kauravas and Empress Panchali Draupadi rule over a unified Aryavarta, an empire built for them by Govinda Shauri with the blessings of the Firstborn and by the might of those whom everyone believes long gone – the Firewrights.
Now the Firewrights rise from the ashes of the past, divided as before in purpose and allegiance, and no one, it seems, can stand in the way of the chaos about to be unleashed on the land – not the Firstborn, not the kings of Aryavarta, and not Govinda Shauri.
As sinister plans are put in play and treacherous alliances emerge, Aryavarta transforms into its own worst enemy. Dharma Yudhisthir gambles away his empire, the tormented empress is forced into a terrifying exile and the many nations of the realm begin to take up arms in a bid to fight, conquer and destroy each other.
His every dream shattered, Govinda is left a broken man. The only way he can protect Aryavarta and the woman in whose trusted hands he had left it is by playing a dangerous game. But can he bring himself to reveal the terrible secrets that the Vyasa has guarded all his life – secrets that may well destroy the Firstborn, and the Firewrights with them?
The Romantics
Samar, a young man of limited means, moves to Benares, the ancient city of learning, to lose himself in the world of books. There he meets Rajesh, a poor student, and Catherine, a young French woman, who shows him a very different side of his own country—and self. A resonant and ambitious novel, The Romantics is both the story of a sentimental education and of the widening fault lines within contemporary India.
The Trotter-Nama
In the eighteenth century, Justin Aloysius Trotter, or the Great Trotter, tumbles earthward to his death while surveying his vast lands and admiring his wealth from a hot air balloon. Two centuries later, the Seventh Trotter, Eugene Aloysius, narrates the epic story of a family at the fraying ends of its past glory.
Laced with verses, advertisements, journal entries, elegies, quotations and learned interpolations, The Trotter-Nama is the chronicle of seven generations of Trotters as they struggle to hold on to their shifting identities. They are Indian at lunch and British at dinner; eat curry with a dessert spoon and dessert with a teaspoon. Over the years, the expanding clan of Trotters produces soldiers, artists, poets, politicians-even a dhoti-wearing nationalist. As their excesses slowly turn to improvidence and the family chateaux is turned into a hotel, their increasing numbers and declining fortunes strain against a rapidly changing country.
Allan Sealy’s epic comedy of manners about Britain and India’s motley offspring is as much a treat today as it was thirty years ago.
A Case Of Exploding Mangoes
In August 1988, Zia gets into the presidential plane, Pak One, which explodes midway. Who killed him? The army generals growing old waiting for their promotions, the CIA, the ISI, RAW, or Ali Shigri, a junior officer at the military academy whose father, a whisky-swilling jihadi colonel, was murdered by the army?
A Case of Exploding Mangoes is sharp, black, inventive, and utterly gripping. It marks the debut of a brilliant new writer
Manto
The gentle dhobi who transforms into a killer, a prostitute who is more child than woman, the cocky, young coachman who falls in love at first sight, a father convinced that his son will die before his first birthday. Saadat Hasan Manto’s stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto’s prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story.
In Custody
In this sensitive portrayal of human nature, Anita Desai, one of India’s foremost writers, paints an intimate portrait of lives impacted by the quest for identity and purpose. Deven, a Hindi lecturer in small-town Mirpore, lives a humdrum existence. A chance to interview Nur—India’s greatest living Urdu poet—offers him an escape from his dreary life. But the Nur he meets is an enfeebled man, surrounded by clashing wives and preying sycophants. Deven’s decision to be the custodian of Nur’s verse gives birth to an unusual alliance between the two. Stimulating and thought provoking, In Custody is a brilliant parable lamenting the gradual corrosion of culture and tradition in the face of modernity, and a dazzling study of the complexity of human relationships.
Fasting, Feasting
Plain, unmarriageable Uma has failed to outgrow her childhood home, with its bittersweet treats of puri-alu and barfi. Overprotected and starved for a life, she is smothered by her overbearing parents, successful sister Aruna, and Arun, the family’s disappointment of a son. Across the world in Massachusetts, where Arun has gone as a student, family life in an American suburb is bewilderingly different. The Pattons, who he lives with, appear strange and terrible. The women don’t appear to cook at all, though they stuff their shopping carts; the men barbecue huge chunks of meat; their daughter binges on innumerable candy bars. Increasingly, Mrs Patton is desperate to be a vegetarian, like Arun. But what Arun wants most is to be invisible. Moving from a traditional Indian household to an American one, Fasting, Feasting is a powerful exploration of hunger and plenty, and one of Anita Desai’s most socially acute novels.
Fire On The Mountain
Gone are the days when Nanda Kaul watched over her family and played the part of Vice-Chancellor’s wife. Leaving her children behind in the real world, the busier world, she has chosen to spend her last years alone in the mountains in Kasauli, in a secluded bungalow called Carignano. Until one summer her great-granddaughter Raka is dispatched to Kasauli – and everything changes. Nanda is at first dismayed at this break in her preciously acquired solitude. Fiercely taciturn, Raka is, like her, quite untamed. The girl prefers the company of apricot trees and animals to her great-grandmother’s, and spends her afternoons rambling over the mountainside. But the two are more alike than they know. Throughout the hot, long summer, Nanda’s old, hidden dependencies and wounds come to the surface, ending, inevitably, in tragedy. Marvellous yet restrained, Fire on the Mountain speaks of the past and its unshakable hold over the present.