Samar, a young man of limited means, moves to Benares, the ancient city of learning, to lose himself in the world of books. There he meets Rajesh, a poor student, and Catherine, a young French woman, who shows him a very different side of his own country—and self. A resonant and ambitious novel, The Romantics is both the story of a sentimental education and of the widening fault lines within contemporary India.
Catagory: Fiction
Fiction main category
The Trotter-Nama
In the eighteenth century, Justin Aloysius Trotter, or the Great Trotter, tumbles earthward to his death while surveying his vast lands and admiring his wealth from a hot air balloon. Two centuries later, the Seventh Trotter, Eugene Aloysius, narrates the epic story of a family at the fraying ends of its past glory.
Laced with verses, advertisements, journal entries, elegies, quotations and learned interpolations, The Trotter-Nama is the chronicle of seven generations of Trotters as they struggle to hold on to their shifting identities. They are Indian at lunch and British at dinner; eat curry with a dessert spoon and dessert with a teaspoon. Over the years, the expanding clan of Trotters produces soldiers, artists, poets, politicians-even a dhoti-wearing nationalist. As their excesses slowly turn to improvidence and the family chateaux is turned into a hotel, their increasing numbers and declining fortunes strain against a rapidly changing country.
Allan Sealy’s epic comedy of manners about Britain and India’s motley offspring is as much a treat today as it was thirty years ago.
A Case Of Exploding Mangoes
In August 1988, Zia gets into the presidential plane, Pak One, which explodes midway. Who killed him? The army generals growing old waiting for their promotions, the CIA, the ISI, RAW, or Ali Shigri, a junior officer at the military academy whose father, a whisky-swilling jihadi colonel, was murdered by the army?
A Case of Exploding Mangoes is sharp, black, inventive, and utterly gripping. It marks the debut of a brilliant new writer.
Manto
The gentle dhobi who transforms into a killer, a prostitute who is more child than woman, the cocky, young coachman who falls in love at first sight, a father convinced that his son will die before his first birthday. Saadat Hasan Manto’s stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto’s prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story.
In Custody
In this sensitive portrayal of human nature, Anita Desai, one of India’s foremost writers, paints an intimate portrait of lives impacted by the quest for identity and purpose. Deven, a Hindi lecturer in small-town Mirpore, lives a humdrum existence. A chance to interview Nur—India’s greatest living Urdu poet—offers him an escape from his dreary life. But the Nur he meets is an enfeebled man, surrounded by clashing wives and preying sycophants. Deven’s decision to be the custodian of Nur’s verse gives birth to an unusual alliance between the two. Stimulating and thought provoking, In Custody is a brilliant parable lamenting the gradual corrosion of culture and tradition in the face of modernity, and a dazzling study of the complexity of human relationships.
Fasting, Feasting
Plain, unmarriageable Uma has failed to outgrow her childhood home, with its bittersweet treats of puri-alu and barfi. Overprotected and starved for a life, she is smothered by her overbearing parents, successful sister Aruna, and Arun, the family’s disappointment of a son. Across the world in Massachusetts, where Arun has gone as a student, family life in an American suburb is bewilderingly different. The Pattons, who he lives with, appear strange and terrible. The women don’t appear to cook at all, though they stuff their shopping carts; the men barbecue huge chunks of meat; their daughter binges on innumerable candy bars. Increasingly, Mrs Patton is desperate to be a vegetarian, like Arun. But what Arun wants most is to be invisible. Moving from a traditional Indian household to an American one, Fasting, Feasting is a powerful exploration of hunger and plenty, and one of Anita Desai’s most socially acute novels.
Fire On The Mountain
Gone are the days when Nanda Kaul watched over her family and played the part of Vice-Chancellor’s wife. Leaving her children behind in the real world, the busier world, she has chosen to spend her last years alone in the mountains in Kasauli, in a secluded bungalow called Carignano. Until one summer her great-granddaughter Raka is dispatched to Kasauli – and everything changes. Nanda is at first dismayed at this break in her preciously acquired solitude. Fiercely taciturn, Raka is, like her, quite untamed. The girl prefers the company of apricot trees and animals to her great-grandmother’s, and spends her afternoons rambling over the mountainside. But the two are more alike than they know. Throughout the hot, long summer, Nanda’s old, hidden dependencies and wounds come to the surface, ending, inevitably, in tragedy. Marvellous yet restrained, Fire on the Mountain speaks of the past and its unshakable hold over the present.
Bombay Stories
Freshly arrived in 1930s Bombay, Manto saw the city like no one else, an ethnic melting pot that became ever more varied as migrant workers flooded in. It was to be Manto’s favourite city. His edgy, moving stories, often peopled with prostitutes and criminals, remain startling and provocative even a hundred years after his birth – in searching out those forgotten by humanity, Manto wrote about what it means to be human. At his centenary, Bombay Stories brings together Manto’s work from his years in that city for the first time. Matt Reeck and Aftab Ahmad’s contemporary, nuanced translation captures the idiom and the essence of Urdu’s most celebrated short-story writer’s work.
Censored, banned, demonized and ostracized: Saadat Hasan Manto’s short stories were considered obscene and downright dangerous during his lifetime and for years after. They still haven’t lost their power to shock and enthrall.
Clear Light Of Day
While their parents went to parties at Delhi’s Roshanara Club, the children of the Das family brought themselves up, reading Byron, listening to the gramophone, and watching over sad, alcoholic Mira masi. Many years later, the youngest, Tara—now a mother of two—has returned from America to the scene of her unusual, lonesome childhood.
Here, as always, is her sister Bim, doggedly single college-lecturer and caretaker of all. In her presence, Tara sinks into the blissful torpor of home, at once her dreamy old self but careful as ever around her older sister. For at the heart of this reunion are numerous tensions: Tara feels the persistent guilt of having, like the others, abandoned Bim; their autistic brother Baba is increasingly unquiet; and Bim has not spoken to their other brother, Raja, for years and refuses to go to his daughter’s wedding.
Clear Light of Day is vintage Anita Desai, a novel as wonderfully contemplative as a cup of afternoon tea.
Dozakhnama
Dozakhnama: Conversations in Hell is an extraordinary novel, a biography of Manto and Ghalib
and a history of Indian culture rolled into one.
Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’
Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.
