Girl to Goddess is a book of poetry written by popular Instagram poet Nishi. The poems in the book are deeply personal, touching on universal themes of struggle, pain and healing. Nishi writes candidly about her own struggles with finding happiness, dealing with relationships and the challenges she faced on her journey towards self-acceptance and self-love. She explores the idea of finding the inner divinity, or the goddess within, and how listening to this voice helped her find a sense of peace and purpose. She shares her personal journey of self-discovery and growth.
Through this collection of insightful poems, Nishi takes the reader on a journey of mistakes, failures, fears, lessons, perspectives and realizations about life, love and everything in between. She shares her vulnerabilities and opens up about her deepest emotions. Her words inspire readers to look inwards and embrace their own inner divinity, encouraging them to find their own path towards healing and self-love.
Girl to Goddess is a powerful and moving book of poetry that speaks to the struggles of the human experience and how one surmounts them. Nishi’s writing is a testament to the power of self-reflection and the importance of finding the goddess within, and her words will resonate with readers long after they’ve turned the final page.
The eight stories of this collection are about unforeseen terrors and adventures, surreal comedies, the apocalypses and the sublime poetry of everyday life. A disgruntled trucker sets out to kill his rival, ending up as the saviour of migrant workers trapped by a pandemic. A novice jailor breaks the law only to learn that nothing in this world is beyond pardon. A corpse dressed immaculately in a suit is discovered on a beach, the trail of the suspects stretching across continents in casinos and cruise ships. The nude paintings of a dead artist set the stage for a murder in a gallery. Hunt for a terrorist leads to a dangerous game of luring a prey out of its lair using a human bait. A man finds himself as the sole passenger of an airplane flying from one deserted airport to another. An innocent shopkeeper learns the wisdom of the Mahabharata on the verge of losing his innocence.
Written with words and marked by light and shadow, sounds and silence, these tales stalk a bunch of unruly actors performing roles that take on lives of their own.
Most expectant mothers talk to their unborn. But what if the unborn starts to respond?
Mahika is hoping that a baby will breathe new life into her dead marriage. But all her pregnancies meet the same fate, because no baby is perfect for Shivam, her genius geneticist husband. Until there is one. Rudra, the world’s first genetically altered foetus, is Shivam’s perfect creation and Mahika’s last hope.
The six-week-pregnant Mahika has just walked into her fertility clinic when she discovers an anonymous note that discloses the ugly truth behind her pregnancy. Before Mahika can come to terms with the fact that her husband’s quest for perfection has marked its territory in her womb, she finds herself locked in her own house. But then she discovers that her unborn son has extraordinary powers. As weeks pass by, Rudra calibrates and recalibrates his powers with one aim-Mahika’s freedom.
But Rudra needs more than his newly acquired powers to free his mother. He needs to betray his creator, his father. And he must do it before it’s too late.
Chauhan’s writing is resistance literature. It echoes the harrowing screams of a people long suppressed.
Fear and Other Stories is a reminder of the inherent dangers of the Dalit life, a life subjected to unimaginable violence and terror even in its most mundane moments. In this collection of short stories, veteran Gujarati writer Dalpat Chauhan narrates these lived experiences of exasperation and anger with startling vividity. His characters chronicle a deep history of resistance, interrogating historical, mythological and literary legends, foregrounding the perspectives of the disenfranchised.
Chauhan deftly wields his prose to counter dominant narratives, pointing out gaps and voicing the silences within. In ?The Payback, for a change, we see famished savarnas begging Dalit families for food that they scorn otherwise. The eponymous Fear follows the heroic but doomed resistance of Dalit youths fighting against savarna men with the ‘right’ to enter their homes and molest women inside. And the allegorical Cold Blood features a doctor who tries to leave behind his identity with his surname, only to be reminded of it when the savarnas accept his blood, but not water from his hands.
Hemang Ashwinkumar’s nimble translation introduces the English reader to Chauhan’s heart-wrenching stories while unmasking a rural Gujarat unrecognizable from its supposedly vibrant idylls. His introduction to the book not just contextualises Chauhan’s work, but is also a touching and thought-provoking commentary on the larger canvas of Dalit literature.
The political stature of the Pallava crown prince, Narasimha Varmar, has grown considerably after defeating the king of Ganga Nadu at the historic Pullalur battle. But he has more obstacles to overcome. Emperor Mahendra Pallavar, after restraining the Chalukya forces for nine months at the northern border of the Pallava kingdom, is on his way back to Kanchi and continues to oppose the crown prince’s relationship with the dancer, Sivakami.
Meanwhile, the Machiavellian Naganandi adigal has convinced Sivakami and Aayanar to leave their home in the forest against Narasimha Varmar wishes. And the Chalukya army marches towards Kanchi, causing destruction and damage across the countryside. Yet, the emperor remains unwilling to cross swords with them. Expecting the enemy to lay siege to the Kanchi fort, Mamallar must find a way to balance his duties as crown prince and his love for Sivakami.
Expertly weaving suspense, romance and drama, Kalki’s gripping narrative describes the tremendous efforts of the Pallavas to counter the Chalukya invasion and the growing intimacy between Mamallar and Sivakami in the action-packed second volume of Sivakami’s Vow: The Siege of Kanchi.
Folklore pervades childhoods, families and communities and is the language of the illiterate. Even in large, modern cities, folklore-proverbs, lullabies, folk medicine, folktales-is only a suburb away, a cousin or a grandmother away. Wherever people live, folklore grows. India is a country of many languages, religions, sects and cultures. It is a land of many myths and countless stories. Translated from twenty-two Indian languages, these one hundred and ten tales cover most of the regions of India and represent favorite’s narratives from the subcontinent. A.K. Ramanujan’s outstanding selection is an indispensable guide to the richness and vitality of India’s ageless oral folklore tradition.
The Indian Epics Retold collects three of R. K. Narayan’s best narratives on Hindu tradition and culture. The Ramayana and The Mahabharata are an intrinsic part of our legacy. Narayan’s Ramayan is based on the Tamil version of the verse by the poet Kamban. Narayan’s love for Rama’s character and his admiration for Kamban’s beautiful poetry is conveyed through this work. For The Mahabharata and for Gods, Demons and Others, Narayan referred to the original Sanskrit version of Mahabharata and other puranas. The stories follow the original text as closely as possible and make for a wonderful read for the young and old.
Saadat Hasan Manto’s first collection of stories was published in the 1940s, but his stories have an enduring relevance. Now read by more people than ever before, the simple clarity of his stories about arginalized people, his astute understanding of the complexity of human nature and the poignancy of his stories on Partition transcend spatial and temporal boundaries many of his characters are legendary and his taut narratives are a great source of insight into the human condition. Widely regarded as one of the greatest short-story writers of the Subcontinent, Manto is now, a hundred years after his birth, also acknowledged as one of the most powerful voices of his time. An enigma in his lifetime, and plagued by financial troubles, alcoholism and legal persecution in the last years of his life, he draws a posthumous wave of near-universal admiration. Aatish Taseer’s sensitive translation captures the lyricism and power of Manto’s voice. Manto, Selected Stories, with two new stories, is a collection to be savoured by new readers and old fans of Manto alike.
Mano Majra is a place, Khushwant Singh tells us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the ‘ghost train’ arrives, a silent, incredible funeral train loaded with the bodies of thousands of refuges, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endures and transcends the ravages of war.
Regarded as one of the most heart-rending testimonials of the partition of 1947, the Train to Pakistan is an ideal novel for those who wishes to learn more about India’s past and is looking for more than the socio-political scenario behind the partition.
Bakha is a proud and attractive young man. Nonetheless he is an Untouchable- an outcast in India’s caste system. Into this vivid recreation of a single day in the sweeper and toilet-cleaner Bakha’s life, Anand pours a vitality, fire, and richness of detail that earn his place as one of the most important Indian writers of the twentieth century.
