Humankind’s unrelenting mistreatment of our planet has finally led to a seemingly futile awareness of our acute shortage of time. What separates us from an oblivion preceded by excruciating pain and strife? The characters of this unique book, inspired by legends from lore and literature alike, pursue paths they believe are best for them and for their world. They are unaware of the flaws that distort their dreams. Divided into three parts, Suniti Namjoshi’s Dangerous Pursuits turns righteousness and virtue upon their heads, making for an irreverent and ruminative exploration of the beginning of the end of the world.
In “Bad People”, Ravana, Shupi and Kumbh deflect the world from its destructive course, but perfection remains a distant dream. Ravana, of course, belongs to epic; but how does he fit into the twenty-first century? With the help of Grandma Ketumati’s balm, these three ‘bad’ people outwit our contemporary villains. In “Heart’s Desire”, an old woman seeks to make a bargain with the devil, but the devil isn’t interested, and she finds herself stuck with two angels instead. She and the angels do their best, but the old woman learns that the heart’s desires aren’t all that she had expected. And in “The Dream Book”, based on The Tempest, Caliban, Miranda, Prospero and the rest find that their dreams clash and are as pretty and pitiless as glass shards. Yet, each time their dreams crack, they dream again, reckless in this dangerous pursuit.
It is said that road to India’s power corridor runs through Uttar Pradesh, the most populous state of the country which sends eighty MPs to the lower house of the Parliament. Till date, most of the Prime Ministers of India belonged to this state and an electoral win in the state assembly paves the way for the formation of a central government.
The question is, do we have a barometer to guess the political pulse of the people? What are the political trends in the state? Which are the political, social, and economic factors that affect those trends?
Would extreme backward castes (EBCs) be successful in getting direct share in the power structure, which has been a dream so far for them?
This book written by veteran journalist Pradeep Srivastava tries to find out answers to these questions with in-depth analysis and in an easy to understand language.
In the recent past, many writers have acquainted readers with the composite culture of Assam. Moushumi Kandali makes a similar attempt in The Black Magic Women, but with a stark difference. She brings her characters out of Assam and places them in the mainstream, capturing their struggle to retain their inherent ‘Assameseness’ as they try to assimilate into the larger society.
The stories makes one pause, think and debate issues that range from racial discrimination (‘The Fireflies Outside of the Frame’) to sexual harassment (‘The Hyenas and Coach Number One’, ‘Kalindi, Your Black Waters . . . ‘) to the existential and ideological dilemma induced by the state’s complex sociopolitical scenario (‘The Final Leap of the Salmon’). The title story is revealing of how mainstream India perceives Assamese women-as powered with the art of seduction and black magic-as a result of which they face social discrimination that can range from racial slurs to physical abuse.
The writer ventures into a surrealistic mode, using a generous sprinkle of fable, myth and metaphors to deliver a powerful punch. With all the shades of emotion these ten stories from the North-east evoke, the reader cannot remain a passive observer.
Was Savarkar really a co-conspirator in the Gandhi murder?
Was there a pogrom against a particular community after Gandhi’s assassination?
Decades after his death, Vinayak Damodar Savarkar continues to uniquely influence India’s political scenario. An optimistic advocate of Hindu-Muslim unity in his treatise on the 1857 War of Independence, what was it that transformed him into a proponent of ‘Hindutva’? A former president of the All-India Hindu Mahasabha, Savarkar was a severe critic of the Congress’s appeasement politics. After Gandhi’s murder, Savarkar was charged as a co-conspirator in the assassination. While he was acquitted by the court, Savarkar is still alleged to have played a role in Gandhi’s assassination, a topic that is often discussed and debated.
In this concluding volume of the Savarkar series, exploring a vast range of original archival documents from across India and outside it, in English and several Indian languages, historian Vikram Sampath brings to light the life and works of Vinayak Damodar Savarkar, one of the most contentious political thinkers and leaders of the twentieth century.
Love can arrive unexpectedly and it’s addictive like drugs.
Shazia couldn’t escape from Martin’s charm. Despite being totally different from each other, they are insanely in love.
‘Love Drug’ is the narrative of their intense, magical love saga which will keep you captivated.
To learn more about these love birds, read Era Tak’s new novel ‘Love Drug’.
Ve Solah Din narrates the riveting story of the First Amendment to the Constitution of India-one of the pivotal events in Indian political and constitutional history, and its first great battle of ideas. Passed in June 1951 in the face of tremendous opposition within and outside Parliament, the subject of some of independent India’s fiercest parliamentary debates, the First Amendment drastically curbed freedom of speech; enabled caste-based reservation by restricting freedom against discrimination; circumscribed the right to property and validated abolition of the zamindari system; and fashioned a special schedule of unconstitutional laws immune to judicial challenge. Enacted months before India’s inaugural election, the amendment represents the most profound changes that the Constitution has ever seen. Faced with an expansively liberal Constitution that stood in the way of nearly every major socio-economic plan in the Congress party’s manifesto, a judiciary vigorously upholding civil liberties, and a press fiercely resisting his attempt to control public discourse, Prime Minister Jawaharlal Nehru reasserted executive supremacy, creating the constitutional architecture for repression and coercion.
What extraordinary set of events led the prime minister-who had championed the Constitution when it was passed in 1950 after three years of deliberation-to radically amend it after a mere sixteen days of debate in 1951?
Drawing on parliamentary debates, press reports, judicial pronouncements, official correspondence and existing scholarship, Sixteen Stormy Days challenges conventional wisdom on iconic figures such as Jawaharlal Nehru, B.R. Ambedkar, Rajendra Prasad, Sardar Patel and Shyama Prasad Mookerji, and lays bare the vast gulf between the liberal promise of India’s Constitution and the authoritarian impulses of her first government.
Humankind’s unrelenting mistreatment of our planet has finally led to a seemingly futile awareness of our acute shortage of time. What separates us from an oblivion preceded by excruciating pain and strife? The characters of this unique book, inspired by legends from lore and literature alike, pursue paths they believe are best for them and for their world. They are unaware of the flaws that distort their dreams. Divided into three parts, Suniti Namjoshi’s Dangerous Pursuits turns righteousness and virtue upon their heads, making for an irreverent and ruminative exploration of the beginning of the end of the world.
In “Bad People”, Ravana, Shupi and Kumbh deflect the world from its destructive course, but perfection remains a distant dream. Ravana, of course, belongs to epic; but how does he fit into the twenty-first century? With the help of Grandma Ketumati’s balm, these three ‘bad’ people outwit our contemporary villains. In “Heart’s Desire”, an old woman seeks to make a bargain with the devil, but the devil isn’t interested, and she finds herself stuck with two angels instead. She and the angels do their best, but the old woman learns that the heart’s desires aren’t all that she had expected. And in “The Dream Book”, based on The Tempest, Caliban, Miranda, Prospero and the rest find that their dreams clash and are as pretty and pitiless as glass shards. Yet, each time their dreams crack, they dream again, reckless in this dangerous pursuit.
WINNER OF THE INTERNATIONAL BOOKER PRIZE 2022
Winner of an English Pen Award
LONGLISTED FOR THE JCB PRIZE 2022
In northern India, an eighty-year-old woman slips into a deep depression after the death of her husband, and then resurfaces to gain a new lease on life. Her determination to fly in the face of convention – including striking up a friendship with a transgender person – confuses her bohemian daughter, who is used to thinking of herself as the more ‘modern’ of the two.
To her family’s consternation, Ma insists on travelling to Pakistan, simultaneously confronting the unresolved trauma of her experiences of Partition, and re-evaluating what it means to be a mother, a daughter, a woman, a feminist.
Rather than respond to tragedy with seriousness, Geetanjali Shree’s playful tone and exuberant wordplay results in a book that is engaging, funny, and utterly original, at the same time as being an urgent and timely protest against the destructive impact of borders and boundaries, whether between religions, countries, or genders.
Malloban is set in North Calcutta in the winter of 1929. The eponymous protagonist, a lower-middle-class office worker, lives in College Street-a locality known for its bookstores, publishing houses, and universities-with his wife Utpala and their daughter Monu. The novel unfolds through a series of everyday scenes of dysfunction and discontent: bickering about bathrooms and budgeting, family trips to the zoo and the movies, a visit from Utpala’s brother’s family which displaces Malloban to a boarding house, and the appearance of a frequent late-night visitor to Utpala’s upstairs bedroom. Meanwhile, the daughter Monu bears the brunt of her parents’ “unlove.”
Arguably the most beloved poet in modern Bangla after Tagore, Jibanananda wrote a significant number of novels and short stories discovered and published after his death. Malloban is his most popular novel.
