Fiction main category
Jo Gam Hamse Zyada Ho, Khushi Nazdik Hoti Hai,
Chamakte Hain Sitare, Raat Jab Taarik Hoti Hai.
Jab Naam Sahil Ho
To Gir Gir Ke Sambhalna Padata Hai.
To Mar Mar Ke Jeena Padata Hai.
Kadam Ladakhadate Hon to Bhi
Majbooti Se Pairon Par Khada Hona Padta Hai.
Neelam Ki Maut Ne Usake Wajood Ka
Purja Purja Bikher Diya Tha
To Bhi Apni Vyaktigat Trasadi
Se Ubarana Lazmi Tha.
Hans Kar Dikhana Zaroori Tha
Bhale Hi Dil Rota Ho.
Young Chintamani Dev Gupta, on holiday in a bird camp near Lake Sattal, is transported via a wormhole to the days of the Mahabharata. Trapped in time, he meets Ghatotkacha and his mother, the demoness Hidimba. But the gentle giant, a master of illusion and mind-boggling rakshasa technology, wields his strength just as well as he knows the age-old secrets of the forest and the elemental forces. And in his enlightening company, Chintamani finds himself in the thick of the events of the most enduring Indian epic.
An intense yet tender look at a rare friendship as well as the abiding puzzles of the past, this is a fascinating read.
‘Letting go of her was not easy but winning her back was harder than anything I could have ever imagined’
After nearly losing the love of his life to a terrible accident, Ronnie realizes how much he loves Adira and what an idiot he had been to hurt her. What’s more, her overprotective mother now takes care of her, and does not like Ronnie being anywhere near her daughter.
He’s going through hell-unable to go back in time and fix things, unable to say what he missed saying to her, ‘I love you . . .’
All he wants now is a second chance, to trace his steps back into a loving relationship and win Adira over. It will not be easy because life is tough; love, even tougher.
Something I’m Waiting to Tell You is the sweet, intense conclusion of a story that started with Something I Never Told You, a book that will teach you a thing or two about soulmates.
A fascinating illustrated rendition of the all-consuming Mahabharata … A spectacular show of words and images dealing with love and death, loyalty and duplicity, conflict and concord, and much more …
Impelled by elemental forces of death, destruction and creation, Panchali, with electrifying visuals cinematically construed, reaches its climax: two consecutive games of dice. Marred by deceit, treachery and trickery, and fuelled by obsession, passion and rage, the gambling episode provides the preface to the coming, all-consuming Mahabharata war.
FROM THE AUTHOR OF ANTI-CLOCK, SHORTLISTED FOR THE JCB AWARD 2021
“A compelling narrative of shifting faiths and displaced gods. As realities and fantasies disentangle there appears in the nether regions an un-god, Nireeswaran, with no halo. A mind-boggling work from a master novelist.” M. MUKUNDAN, recipient of JCB Prize 2021
Is it possible for society to exist without religion? Nireeswaran, the most celebrated of Malayalam novelist V.J. James’ works, uses incisive humour and satire to question blind faith and give an insight into what true spirituality is.
Three atheists, Antony, Sahir, and Bhaskaran, embark on an elaborate prank to establish that God is nothing but a superstition. They instal a mutilated idol of Nireeswaran, literally anti-god, to show people how hollow their religion is. Their plan starts turning awry when miracles start being attributed to Nireeswaran-a man waking up from coma after twenty-four years, a jobless man ineligible for government employment getting a contract, a prostitute turning into a saint-leading hordes to turn up to worship the fake deity.
The trio is put in a quandary. Will they fight their own creation? Is their intractable minds an indication that atheism is a religion in itself? Belief and disbelief, it is possible, are two sides of the same coin.
‘A work of power, intimacy and magic’ Anees Salim, author
When Maneka Pataudi is arrested as the prime suspect for the murder of her ex-husband, she reveals a chilling tale of marital abuse and neglect.
But is her confession the truth or a lie? Is she telling the story as a victim or a perpetrator? And, is it better for women to kill for love or be killed for it?
Based on a true story (mostly), Boys Don’t Cry is a gripping, compelling and courageous novel that takes you behind the closed doors of a modern Indian marriage.
Altaf Hussein, a young Muslim student, has been abducted from his college hostel. The authorities have washed their hands off the matter and the police are accused of a cover up. Rumours claim he has gone to fight the jihad in Iraq. More sinister rumours have him tortured and murdered for opposing the Nationalist students who are on a rampage to create a Hindu homeland in India, driving out Liberal supporters like Altaf and their decadent ideals.
The divide between Liberals and Nationalists invades the Sengupta household in Kolkata when Joy, a bank manager, and Rohini, his schoolteacher wife-both compassionate humanists-learn the shocking news that their only son Bobby has become a leader of the Nationalist students and is implicated in Altaf’s disappearance. Disbelief turns to anguish when they encounter his belligerent ideology and his not-too-convincing denial of his role in the Altaf affair.
Out to solve the mystery of Altaf, Joy and Rohini discover conspiracy and hate, forbidden love and exceptional courage, come face to face with a world caught between the real and the ideal. But will they succeed in absolving their son of the heinous crime? Will Altaf be found after all? Or will they, and this fractured nation, pay the ultimate price for harbouring a fractured heart?
Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally say goodbye and move on.
Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. Renu sends an innocent Facebook message to the man she almost married, sparking an emotional affair that calls into question everything she thought she knew about herself. Akash slips back into bad habits as he confronts his darkest secrets-including what really happened between him and the first boy who broke his heart. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they’ve since created, between making each other happy and setting themselves free.
By turns irreverent and tender, filled with the beats of ’90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.
Translated from the Bengali by Bhaskar Chattopadhyay
From one of the greatest Bengali novelists of all time
Aranyak, written in 1939, is a famous Bengali novel by Bibhutibhushan Bandyopadhyay based on his long and arduous years in northern Bihar. There he came into contact with a part of the world that, even now, remains unknown to most of us. ‘Aranyak’ literally means ‘Of the Forest’.
This novel explores the simple and heart-warming story of a man who gets a job as an estate manager in Bihar, and slowly falls in love with the beautiful and tranquil forest around him. The dichotomy of urban and rural life comes alive, reflecting the great love that human beings and nature can share, one that Bandyopadhyay experienced in his heart. Written by one of the greatest Bengali authors, this haunting novel is rooted in guilt and sadness but also tremendous beauty.
Farhatullah Baig imagines a mushaira as it might have been in the last glory days of Delhi, during the mid-nineteenth century, lit by the glowing embers of the dying Mughal empire.
The Last Light of Delhi is the story of a last grand mushaira held in the city of Delhi circa 1845. Though the mushaira is fictional, the book is a cultural document of the age, taking the reader on a journey in time to a past when poetry flowed through the streets of the city. It paints a portrait of a lost world, of the life and living styles of the upper classes of Delhi in the decade before the fateful year of 1857.
Baig takes the reader into the sitting rooms of some of the most iconic people of the time, from Mirza Ghalib to Bahadur Shah Zafar, giving us a glimpse into their private lives, describing their homes, their manners, their ways of dressing and talking, filling his portraits with colour and detail so that the poets appear vividly before us-and when they begin to recite their poems in the mushaira, it seems as if each poet is speaking out from the pages of the book.
