More than thirty-five years after his death, Sanjeev Kumar remains a role model for all aspiring actors. He could light up the screen in underpants, paunch showing, in one of Hindi cinema’s most lovable song sequences, ‘Thande thande paani se nahana chahiye’ (Pati Patni Aur Woh, 1977). Entirely unselfconscious of his image as a star, he would often be cast as the father figure to a number of his contemporaries, most famously Sharmila Tagore in Mausam (1975) and Amitabh Bachchan in Trishul (1978), or as the elderly Thakur in Sholay (1975) and yet leave an indelible mark with his presence and his acting prowess.
After starting out in B-films in the 1960s, he caught the eye in Sungharsh (1967), where the manner in which he held his own against Dilip Kumar is now stuff of Hindi film folklore. Equally adept at comedy (Angoor and Manchali, for example) and dramatic serious roles (Anubhav and Koshish), he was truly an actor’s actor.
Hanif Zaveri and Sumant Batra’s biography provides a glimpse of star’s personal and professional lives, taking off from the traditional business of the Zariwalas, his romantic involvement with some of Hindi cinema’s biggest names, his lifelong battle with loneliness and his glittering achievements on screen. An Actor’s Actor is a succinct introduction to the life and films of a star who left us tragically at the young age of forty-seven but who continues to live through his unforgettable and remarkable contribution to Hindi cinema.
An unsparingly honest memoir by an actor who is known to lead life on her own terms. Neena Gupta’s most awaited auto-biography!
In Sach Kahun Toh, actor Neena Gupta chronicles her extraordinary personal and professional journey-from her childhood days in Delhi’s Karol Bagh, through her time at the National School of Drama, to moving to Bombay in the 1980s and dealing with the struggles to find work. It details the big milestones in her life, her unconventional pregnancy and single parenthood, and a successful second innings in Bollywood. A candid, self-deprecating portrait of the person behind the persona, it talks about her life’s many choices, battling stereotypes, then and now, and how she may not be as unconventional as people think her to be.
Starting in Wazir Bagh, a small mohalla in Kashmir, Vidhu Vinod Chopra’s life has been well and truly unscripted. Over the last thirty years, he has blazed a trail in Hindi cinema-even going on to direct a film in Hollywood. From someone who once released his student film though it was incomplete, because he ran out of money and film stock, he now has the distinction of heading one of the key production houses in India, VVC Films. The company has made some of the biggest blockbusters in recent times. Not only is he a film-maker par excellence, but he has also nurtured some of the brightest talents in the Hindi film industry, including directors Rajkumar Hirani, Pradeep Sarkar and Sanjay Leela Bhansali.
In Unscripted, Vidhu Vinod Chopra speaks to his long-time collaborator and scriptwriter Abhijat Joshi about his exceptional journey. Engaging and illuminating, the book provides a glimpse into the mind, method and madness of one of contemporary Hindi cinema’s best film-makers.
‘Excellent political biography of NTR. I enjoyed reading it. There is a lot of good stuff here’
SANJAYA BARU, author, political commentator
‘A very objective, lucid, truthful biography’
DR JAYAPRAKASH NARAYAN, founder, Lok Satta
‘…fair, even-handed and objective in assessing NTR’s political journey’
PARAKALA PRABHAKAR, author, political commentator
‘Found it impossible to put down the book till I completed it’
K. PADMANABHAIAH, chairman, Administrative Staff College of India
Nandamuri Taraka Rama Rao, widely known as NTR, was not merely a film star who strayed into politics and captured power in Andhra Pradesh. The actor-politician redefined the political culture in the state and scripted a new political idiom.
His rather dramatic entry into politics, the profound impact he left on the people of Andhra Pradesh and the vital role he played in national politics during his relatively short political life, however, have not received deserving recognition.
Maverick Messiah captures the different facets of NTR’s life in all their varied hues and puts in perspective the significant contribution of the actor-politician to the Indian political tapestry.
Guru Dutt is probably the only Indian film-maker who, within the parameters of the box office, made a personal statement with his cinema. His films stand testimony not only to his own genius but also to the creativity of his team, comprising stalwarts like cameraman V.K. Murthy, music director S.D. Burman and writer Abrar Alvi, among others. In Ten Years with Guru Dutt: Abrar Alvi’s Journey, Sathya Saran looks at the tumultuous yet incredibly fecund relationship between the mercurial director and his equally talented, albeit unsung, writer-a partnership that evolved over a decade until Dutt’s tragic death in 1964. Starting his career as a driver and chaperone to Dutt’s producer on the sets of Baaz, Abrar soon caught the attention of the director with his sharp ear for and understanding of film dialogue. With Aar Paar in 1954, Abrar rewrote the rules of dialogue-writing in Hindi cinema, until then marked by theatricality and artificiality. He followed it up with masterpieces like Mr and Mrs 55, Pyaasa and Kaagaz Ke Phool, before donning the director’s mantle with great success in Sahib Bibi Aur Ghulam. Brimming with lively anecdotes on how Abrar honed his skills by writing more than 300 love letters; how an accident involving a buffalo led to the discovery of Waheeda Rehman; and Guru Dutt’s visit to a kotha to get the ambience right for Pyaasa, this acclaimed book is a warm and insightful look at two remarkable artistes who inspired each other to create movie magic.
Kalidasa is the greatest poet and playwright in classical Sanskrit literature and one of the greatest in world literature. Kalidasa is said to have lived and composed his work at the close of the first millennium BC though his dates have not been conclusively established. In all, seven of his works have survived: three plays, three long poems and an incomplete epic. Of these, this volume offers, in a brilliant new translation, his two most famous works, the play Sakuntala, a beautiful blend of romance and fairy tale with elements of comedy; and Meghadutam (The Cloud Messenger), the many-layered poem of longing and separation. Also included is Rtusamharam (The Gathering of the Seasons), a much-neglected poem that celebrates the fulfillment of love and deserves to be known better. Taken together, these works provide a window to the remarkable world and work of a poet of whom it was said: Once, when poets were counted, Kalidasa occupied the little finger; the ring finger remains unnamed true to its name; for his second has not been found
In how many Hindi films has the hero beenafflicted by the Big C (cancer)? Who played adouble role in Sholay? Which early Dev Anandmovie had the song ‘Usne phenka leg break to mainemara chhakka?’ From Geet Gaata Chal (songs thatbecame movies) to Nishabd (ten silent scenes ofAmitabh Bachchan), every page in this bumperbook is going to engross and entertain you.
A copy of Bollybook belongs on your table, right next to your DVD remote.
Tania has a dream job as supervising producer at YTV, a leading entertainment channel. But things are not what they seem-YTV’s ratings and fortunes are dipping, and Tania is the one assigned to resurrect the 6 p.m. slot with a new talk show and a scantily clad host. But when a dying girl calls on the show, the fun and games come to a screeching halt. This turn of events gives Rajneesh Tiwari, the demi god of Indian news television, one of his most explosive ‘human interest’ stories of the year. Will life ever be the same for Tania or anyone involved in the doomed 6 p.m. slot?
Hindi cinema has cast a seductive spell over its spectators for close to a century now. Visually arresting, dynamic in outlook and pulsating with life, Bollywood has entertained and enthralled moviegoers over the years with its melodious music, its colourful drama and its lively plotlines. At the very heart of the Bollywood mystique is the towering presence of its galaxy of stars-demigods and divas who have shaped and defined popular cinema, and popular imagination, from one generation to the next.
Bollywood’s Top 20 is an exciting collection of brand new essays by renowned writers that pays tribute to Hindi popular cinema’s biggest stars of all time-from Ashok Kumar, Dilip Kumar, Dev Anand, Raj Kapoor, Nargis and Madhubala to Rajesh Khanna, Amitabh Bachchan, Aamir Khan, Shah Rukh Khan, Kajol and Kareena Kapoor-who are indispensable to the Bollywood pantheon. Each piece offers unique insights into the lives of Bollywood’s most exceptional legends-their struggles and triumphs, downfalls and scandals, and the inscrutable x-factor that made them carve a niche for themselves in an industry bursting with talented professionals and desperate hopefuls.
Bollywood Nation charts the evolution of Indian cinema from its mythological films in the early 20th century to its world-class gangster and terrorist melodramas of today. In doing so, the book investigates why and how our films have become so deeply embedded in the nation’s popular imagination. Is it merely that cinema is the only common form of mass national culture in a country that does not have either a common language or a common religion—or is it entwined with greater social, cultural and spiritual aspirations?
By narrating the story of India through the stories that our films tell us, Vamsee Juluri posits cinema as the voice of the nation and examines how it has shaped our understanding of our place in the world.
