Foreword by Mahesh Bhatt
‘A remarkable story’-Tina Ambani
Growing up on the fringes of our capital city, Gulshan Grover moved to Mumbai to pursue a career in acting in the 1970s. At a time when most wannabe actors held out for the lead, he made a conscious choice to opt for villainous roles. He went on to portray many memorable characters, with a career-defining role in the 1989 blockbuster, Ram Lakhan, that established him firmly as the ‘Bad Man’ of Bollywood.
Many a mainstream potboiler of the era rode to success on his trademark one-liners and grotesque get-ups that have become part of Bollywood folklore. He subsequently moved on to the international arena, among the first actors from Mumbai to do so, in the process becoming one of India’s more recognizable faces in international cinema.
In this autobiography, Grover tells his story-the films, the journey, the psychological and personal toll of sustaining the ‘bad man’ image, the competition among Bollywood’s villains, the move to playing more rounded characters, and the challenge of doing international films without relocating to another country or opting out of mainstream Hindi cinema.
National Award Winner: ‘Best Book On Film’ Year 2000.
Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film’S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan’S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa’S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.
A legend with a host of admirers like Amitabh Bachchan and Om Puri, Balraj Sahni led the golden era of Indian cinema. He was known to be true to his principles, a non-conformist often remembered for his portrayals of the underprivileged. This is the untold story of one of the most iconic leading actors of this country. Written by his son Parikshat Sahni, the book–packed with unseen photos–provides personal and intimate glimpses of Balraj Sahni as a man and an actor, as a husband and friend, as a parent and patriot. It celebrates the life, times and impact of a simple man who inspired an entire generation of actors and continues to do so even today.
Hailed as the first pan-Indian female superstar in an era which literally offered actresses crumbs, Sridevi tamed Hindi cinema like no other. Beginning her affair with the camera when she was four, this doe-eyed beauty conquered Tamil, Telugu, Malayalam and Kannada industries with performances etched in gold. Taking Hindi cinema by storm with Himmatwala in 1983, Sridevi emerged as one of the most iconic screen goddesses of India, playing characters that went on to become cultural touchstones.
A supreme artiste who had mastered all the nine rasas, her comedy was peerless, her dances legendary, her histrionics awe-inspiring and her life a study in contrast, electric on screen, strangely reticent off it. Besides reigning as queen bee for the longest spell among Hindi heroines, she also remains the only actress who was No.1 in Tamil and Telugu cinema as well.
Such was Sridevi’s megastardom that she emerged as the ‘hero’ at the box office, towering above her male co-actors. Challenging patriarchy in Bollywood like no other, she not only exalted the status of the Hindi film heroine but also empowered a whole generation of audiences. After a hiatus of fifteen years, she shattered the rules again by becoming the only Bollywood diva to make a triumphant comeback in 2012 with the globally acclaimed English Vinglish.
If her life played out forever in the limelight, so did her sudden demise in 2018. Charting five decades of her larger-than-life magic, this book celebrates both the phenomenon and the person Sridevi was. This is her journey from child star to one of our greatest movie luminaries who forever changed the narrative of Indian cinema.
Bubbling with indefatigable energy, Alyque Padamsee was a unique genius who had mastered both theatre and advertising. Famous for playing Mohammad Ali Jinnah in Richard Attenborough’s film Gandhi, he also created several iconic advertisement campaigns on Indian television.
A Double Life takes you on a memorable, sometimes hilarious, trip spanning nearly all the years of Padamsee’s brilliant career. It also offers you a chance to go backstage with the man dubbed ‘God’, as he unfolds thrilling scenes from his high-voltage life. With acute human insights that illuminate the book like flashes of lightning, Padamsee reveals the hidden stories behind the provocative ads for megabrands like Liril and Kama Sutra, and behind blockbuster productions like Evita and Jesus Christ Superstar.
Exactly sixty-five years ago, in 1955, the release of Pather Panchali heralded the arrival of a master in the world of cinema. Over the next forty years, Satyajit Ray came to be regarded as one of the world’s finest film-makers. Today, more than a decade after his death, he continues to be India’s most respected name in international film circles. Apart from a brilliant director, Ray was also a prolific writer of novels, short stories, and essays on cinema.
Speaking of Films brings together some of Ray’s most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations in the face of technological, financial and logistical constraints. Ray provides fascinating behind-the-scenes glimpses of the people who worked with him.
This first-ever translation of Bishay Chalachitra, a seminal collection of essays on cinema, Speaking of Films retains the lucidity and simplicity that is a hallmark of Ray’s writing, and gives an invaluable insight into the mind of a genius.
In Chandrasekhar Kambar’s timeless classic The Bringer of Rain: Rishyashringya, a village afflicted with a deadly famine eagerly awaits the arrival of the chieftain’s son, whose homecoming promises the return of rain. As the death toll rises, age-old secrets are unravelled and mythical forces step out of hiding. Will the sky relent?
Power and bloodshed run hand in hand in Kambar’s latest, Mahmoud Gawan. Set in the fifteenth-century Bahamani Sultanate, it follows Gawan’s rise to fame during a time of intense civil strife when empires routinely rose and fell.
Alluring and sublime, Two Plays is a must-read for anyone hoping to dip their toes into the rich waters of Kannada folklore and theatre.
Salman Khan turns fifty on 27 December 2015. Having made his film debut in 1988, he has found his place in the hearts of millions, with blockbuster movies ranging from Maine Pyar Kiya and Hum Aapke Hain Koun to the more recent Dabangg, Ek Tha Tiger, Kick and Bajrangi Bhaijaan to his credit. He is also well known for his magnanimity, including his work with the non-profit charitable organization, Being Human, which he runs.
Salman’s stint with controversies has been as long as his career. His personal life has often made headlines, as have his involvements in the blackbuck poaching case and the hit-and-run case. He has a reputation for getting hot under the collar and abusive when riled. These attributes have earned him the dubious title of the ‘bad boy of Bollywood’.
Which is the real Salman Khan? Why is he the way he is?
This book delves into Salman’s family lineage and his personal history to reveal interesting vignettes and unknown facts about the enigmatic and immensely popular superstar, and will help his many fans understand what ‘Being Salman’ is all about.
