The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute.
The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion – Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there.
Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.
The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute.
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The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held, and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion-Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there.
*
Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.
A comprehensive, sensitive view of one of the most controversial hangings of modern India
On 13 December 2001, the Indian Parliament was attacked by a few heavily armed men. Eleven years later, we still do not know who was behind the attack, nor the identity of the attackers. Both the Delhi high court and the Supreme Court of India have noted that the police violated legal safeguards, fabricated evidence and extracted false confessions. Yet, on 9 February 2013, one man, Mohammad Afzal Guru, was hanged to ‘satisfy’ the ‘collective conscience’ of society.
This updated reader brings together essays by lawyers, academics, journalists and writers who have looked closely at the available facts and who have raised serious questions about the investigations and the trial. This new version examines the implications of Mohammad Afzal Guru’s hanging and what it says about the Indian government’s relationship with Kashmir
The Shape of the Beast is our world laid bare by a mind that has consistently and unhesitatingly engaged with its changing realities and often anticipated the way things have moved in the last decade.
In the fourteen interviews collected here, conducted between January 2001 and March 2008, Arundhati Roy examines the nature of state and corporate power as it has emerged during this period, and the shape that resistance movements are taking. As she speaks about people displaced by dams and industry, the genocide in Gujarat, Maoist rebels, the war in Kashmir and the global War on Terror, she raises fundamental questions about democracy, justice and non-violent protest.
Unabashedly political, this is also a deeply personal collection that talks about the necessity of taking a stand and about the dilemma of guarding the private space necessary for writing in a world that demands urgent, unequivocal intervention.
Now with a new introduction by the author discussing the election of India’s new prime minister, Narendra Modi.
In eleven powerful, and closely argued, linked essays, Arundhati Roy takes a hard look at the underbelly of the world’s largest democracy. Beginning with the state-backed killing of Muslims in Gujarat in 2002, she writes about how ‘progress’ and genocide have historically gone hand in hand; about the murky investigations into the 2001 attack on the Indian Parliament; about the dangers of an increasingly powerful and entirely unaccountable judiciary; and about the collusion between large corporations, the government and the mainstream media. The volume ends with an account of the August 2008 uprising in Kashmir and an analysis of the November 2008 attacks on Mumbai. ‘The Briefing’, included as an appendix, is a compelling fictional text that brings together many of the issues central to the collection.
This second volume of Arundhati Roy’s collected non-fiction writing brings together fourteen essays written between June 2002 and November 2004. In these essays she draws the thread of empire through seemingly unconnected arenas, uncovering the links between America’s War on Terror, the growing threat of corporate power, the response of nation states to resistance movements, the role of NGOs, caste and communal politics in India, and the perverse machinery of an increasingly corporatized mass media. Meticulously researched and carefully argued, this is a necessary work for our times.
Portrait of India (1970) is a vivid account of 60s’ India and some of its most interesting figures – Indira Gandhi, Jaya Prakash Narayan and Satyajit Ray, among others. Travelling across the country from the Himalayas to Kerala, through its villages and cities, Ved Mehta’s observations of and insights into India remain relevant and thought provoking even today.
The Essential Ved Mehta is the definitive collection of the author’s work, containing excerpts from nearly all his writings, many of which first appeared in William Shawn’s New Yorker. It begins with his first book, the classic autobiography highlighting his blindness, Face to Face and goes on to feature, among others, his iconic books about India and his great family saga Continents of Exile. Each entry comes with a reflection by Mehta. Authoritative and illuminating, The Essential Ved Mehta is not just an introduction to this seminal writer but also a passionate record of a writer looking back upon his own work.
While Ramakrishna Paramhamsa has been the subject of innumerable volumes devoted to his life and teachings over the past century and a half, Ramakrishna Paramhamsa: The Sadhaka of Dakshineswar illuminates this enigmatic religious figure and stands out amidst the multitude of voices that crowd his story. It traces the several contradictions of nineteenth-century Bengal that the man embodied: between his Vaishnav roots and Sakti worship; between bhakti and gyan; and between a guru and sadhaka (spiritual practitioner).
Amiya P. Sen situates Sri Ramakrishna within the emerging social and cultural anxieties of the time as also the larger Hindu-Brahminical world that he was born into. This book also carries a brief but critical introduction to the moral and philosophical underpinnings of Ramakrishna’s vibrant theology that will be of interest to lay readers as well as those especially interested in the cultural and religious history of modern Bengal.
See also Amiya Sen’s His Words: The Preaching and Parables of Ramakrishna Paramahamsa
