Catagory: Non Fiction

The eleven stories cover a wide variety of themes, but all have in common the stylistic experimentalism which came to blossom fully in Tomb of Sand. There is an iconoclasm to Geetanjali Shree’s writing, especially beginning with this collection. Readers will soon learn that nothing is sacred to the author: narrative and genre conventions are summarily pushed off their pedestals and in their place we find…what? Entirely new ways of conceiving and presenting storytelling unfurl before us as we come to question our own rigid preconceptions of the short story genre. In one story, a woman spends all day compulsively walking in circles around her housing complex. There is no introduction, no explanation, no denouement. In another, a woman goes on a writer’s retreat, and in a pseudo-sci-fi turn of events, falls passionately in love with the sky. The other participants in the retreat are robots. In a third, “Butterflies” (included here), a narrator staying in a cottage in Kerala is overwhelmed with the grief over past events, but is surprised out of her self-indulgence by a mysterious group of young women who are either nurses or diabetes patients; she’s never sure which. Plots break, sentences shatter, grammar careens, new words are formed, and new narrative structures are erected and felled. Once Elephants Lived Here reveals to us the pathbreaking experiments that led to Geetanjali Shree’s magnum opus Tomb of Sand.

On a desolate, sinking island, a group of children witness their mothers living lives of cruelty and servitude.

Bought and sold by Amma, the sadistic madam who was once herself sold into slavery, the women have learned to accept their fate. Yet their children weave fantastic tales of escape, imagining that someday they will leave the island and enjoy a life of freedom.

When Kusum Khan, a young, educated woman from the city, is forcibly brought to the island, she too is subjected to Amma’s violent induction. Yet Kusum refuses to yield, and soon the collective complacency of her fellow prisoners turns into ferocity and defiance. Together, they begin a rebellion that will upend their island, their world and the very order of things. An earth-shattering drama of resistance and female power, Uprising gives voice to the silenced through the story of a revolution no one saw coming.

Is there a moment, so pliant, that we can nudge it towards any future we desire?
Sometimes I believe that there is such a moment. In a lifetime, once.

In an unnamed nation that’s about to rupture, Priyamvada (Poppy), a Hindu and Tariq, a Muslim are in love. In a few hours, Tariq intends to propose; Poppy intends to say yes. Both assume that they’ll fend off political blowback. For, surely, their privilege will protect them.
But will it? Will Poppy and Tariq sustain a love so wholesome, so cossetted, that it remains impervious to a dystopian state? Or will the two be rent apart by chance and circumstance? What will their lives look like as they plunge into a brave new future, together or apart?
Written in alternating chapters, Like Being Alive Twice trails fact and possibility—the tale as-it-was and the tale as-it-could-have-been-if-only—arranging and rearranging, tweaking and nudging; hoping to find a lasting peace in one or the other story; hoping, above all else, that such peace will prevail over murderous times.
Politically urgent, stylistically intrepid, and relentless in its commitment to scrutinizing love, loss and the language of privilege, Like Being Alive Twice tells of the frantic pursuit of life piled upon life, even as a bloodied world closes in.