An Indian ‘industrial novel’ from the winner of the 1990 Odisha Sahitya Akademi Award
Jagadish Mohanty’s Battles of Our Own is a rare work of modern Odia and Indian fiction. It seeks to delineate a world that is off the grid. Its action unfolds in the remote and non-descript Tarbahar Colliery-a fictional name for the over hundred-year-old open-cast Himgiri Rampur coal mine in the hinterland of western Odisha. A work of gritty realism in its portrayal of a dark and dangerous underworld where coal is extracted, the novel poignantly reveals the primeval struggle between man and brute nature.
Offering a complete experience of the ‘industrial novel’-face offs between trade unions and management, trade union rivalry, and clandestine deals between enemy camps-this work brings alive Mohanty’s literary genius, which takes us to a world beyond the simplistic binary division between the worker and the master. The novel unravels a complex, fractious, and nuanced picture of the human condition.
This sensitive and evocative rendering by Himansu S. Mohapatra and Paul St-Pierre captures the thrill, beauty, horror and tragedy of this fictional tour de force.
Some said children were out of the question, but she is a mother of two boys.
Some said she couldn’t handle business life, but she has interviewed over a hundred CEOs, and counting.
Some said she wouldn’t be able to write a book on mental health, but here it is.
Aparna Piramal Raje is happy, thriving and bipolar. And this is her story.
Part memoir and part self-help guide, Chemical Khichdi provides a pathway for anyone with a mental health condition and the family, friends, colleagues, and medical professionals that love and care for them.
Empathetic, candid and accessible, it outlines ‘seven therapies’ that have enabled Aparna to ‘hack’ her mental health and find equilibrium over the years, and shows how you or someone you know can also do the same.
Our coasts are large, vast wildernesses that witness the mystical pageantry of life. They have given us monsters and myths, they are fathoms deep and full of whispers, home to unknown creatures and sprawling ecosystems. They are chasms of beauty and frontiers of possibility. From the space between land and sea, revealed only at low tide, comes a coruscating kaleidoscope of colours and brilliance: the intertidal zone. And the marine lifeforms of these zones are capable of superpowers. Yes, superpowers! Of the kind that comic book characters can only dream of.
The Indian coastline hosts some magnificent intertidal species: solar-powered slugs, escape artist octopuses, venomous jellies, harpooning conus sea snails, to name just a few. It is as biodiverse as a forest wildlife safari, and twice as secretive. From bioluminescence and advanced sonic capabilities to camouflage and shapeshifting, these cloaked assassins are capable of otherworldly skill. Superpowers on the Shore by Sejal Mehta is a dazzling, assured look at some of the creatures with whom we share our world, our water, our monsoons, our beaches and the sandcastles therein.
Come witness the magic of our intertidal superheroes, their fragile beauty and their iridescent drama. Put on your waterproof shoes, pack a bottle of whimsy, bring your sense of wonder. And prepare to be mesmerized
You and your friend each have flights to catch at 8 p.m. and your destination cities are different. You decide to share a cab, but get caught in a rare traffic jam lasting several hours. You end up at the airport around midnight, and surely enough, both of you miss your flights. All quantifiable consequences of missing the flights-cost of tickets cancellation, paying for a new ticket, taking a cab back to the city, overnight stay, taking a cab back to the airport next morning, etc.-are expectedly identical for both. Now suppose the airline assistant tells you, ‘Sorry, your flight left as scheduled at 8 p.m. sharp.’ But your friend is told, ‘Oh, how very unfortunate. Your flight was almost four hours late and only just departed!’ Who feels the greater disappointment? You or your friend?
Neoclassical economics tells us that because both individuals are assumed rational, their regret levels ought to be identical since their economic consequences are identical. Behavioural economists, however, combine psychology with economics, and focus on how real people, with their cognitive biases, actually behave. The friend who just missed the flight does indeed experience greater disappointment than the one who missed the flight by a margin of four hours. Does that make one or the other irrational?
Irrationally Rational takes you through the journey of such rationality-irrationality arguments, showing why economics shorn of psychology may be incomplete. It is the first book of its kind, collating the works of ten Nobel Laureates largely responsible for the rise of behavioural economics, that makes understanding behavioural economics more fun and accessible.
The theme of the book is visualizing migrant lives and livelihoods. It is a book of photographs taken in the field by the Principal Investigators and the researchers in Guwahati and Jalandhar, over the course of the field based research funded by UK’s Economic and Social Research Council (ESRC) – Indian Council of Social Sciences Research (ICSSR), for the Collaborative Project “From the Margins: Exploring Low Income Migrant Workers Access to Basic Services”. The book will also include photographs taken by the migrants about their own lives and work. These latter images emerged from workshops conducted with migrants, organized by Dr. Jeevan Sharma [PI University of Edinburgh] Prof. Anuj Kapilashrami [Co-PI, University of Essex], and Ms. Anurita Hazarika of NEN, at the two research sites, Guwahati, Assam and Jalandhar, Punjab.
Gujarat, 1964. The agrarian system of renewable annual contract mandates fulltime labour on the houses and farms of landlords. In these bleak circumstances, Iso, a tanner by birth, graduates from being a child labourer to an adult serf on the estate of Mavaji. His life is one of humiliation, hunger and drudgery, and the only respite comes in the form of Diwali, Mavaji’s daughter. Between them exists a physical relationship that is shrouded in secrecy, shame and fear. Even as Iso creates distance between them, a chance encounter turns to violence and tragedy, and he faces the brutal sword of caste patriarchy.
Based on the blood-curdling murder of a Dalit boy by Rajput landlords in Kodaram village in 1964, Vultures portrays a feudal society structured around caste-based relations and social segregation, in which Dalit lives and livelihoods are torn to pieces by upper-caste vultures. The deft use of dialect, graphic descriptions and translator Hemang Ashwinkumar’s lucid telling throw sharp focus on the fragmented world of a mofussil village in Gujarat, much of which remains unchanged even today.
Ganesan returns, after four decades, to the town of his childhood, filled with memories of love and loneliness, of youthful beauty and the ravages of age and misfortune, of the promise of talent and its slow destruction. Seeking treatment for leprosy, he must also come to terms with his past: his exploitation at the hands of older men, his growing consciousness of desire and his own sexual identity, his steady disavowal of Brahminical morality and his slowly degenerating body. He longs for liberation-sexual, social and spiritual-but finally finds peace only in self-acceptance.
This translation of the groundbreaking Tamil novel Pasitha Manidam, first published in 1978, offers deep insight into the conservative and caste-conscious temple town of Kumbakonam, viewed here with dispassionately cold clarity as a society that utterly fails its own. Sudha G. Tilak deftly builds upon Karichan Kunju’s prose to expose this world, raw, real, without frills or artifice. The themes of masculinity, desire and sexuality, caged within caste and repression, all combine to give readers front-row seats to the many acts we put on for and as a community.
Jeet Thayil has compiled the definitive anthology of Indian poetry in English. This monumental undertaking, two decades in the making, brings together writers from across the world, a wealth of voices–in dialogue, in soliloquy, in rhetoric, and in play–to present an expansive, encompassing idea of what makes an ‘Indian’ poet. Included are lost, uncollected, or out of print poems by major poets, essays that place entire bodies of work into their precise cultural contexts, and a collection of classic black and white portraits by Madhu Kapparath. These images, taken over a period of thirty years, form an archive of breathtaking historical scope. They offer the viewer unparalleled intimacy and access to the lives of some of India’s greatest poets.
The story of four billion years of life on Earth
Looking forward to a book that explains life? Well, here it is! Explaining Life Through Evolution opens a window to the four billion year history of the millions of species we see on this planet. This book does not simply narrate the story of evolution: It brings to light who we are and where we came from. As humans we often focus on identifying our differences, no matter how small; Prosanta Chakrabarty demystifies our perceived differences and emphasizes our similarities. As more and more people take ancestry tests, sending their DNA samples and money to genealogy testing centres, we need to be educated on what the results actually mean scientifically; and we all have to decide together what it means socially. He thinks we should be celebrating the fact that our diversity comes from the same little drops of water and sunlight, each of us just shining a little differently as seen through the prism of evolution.
Prosanta encourages us to think of life as being like a book, one that is always in the making. What we see living around us today are just the last few pages. If we look out on to the millions of species that we share this planet with we can trace their histories, and ours, back through nearly four billion years of evolution. We can also think of all the living things around as the young leaves on an ancient and gigantic ‘Tree of Life’, all of us connected by invisible branches not just to each other, but to our extinct relatives and our evolutionary ancestors.
Evocative, comprehensive and thought-provoking, this is a book which will compel you to reimagine life.
Lily Tharoor was born in a small village in Kerala in the mid-1930s. From this humble beginning, she would live around the world, raise three global citizens, and inspire multiple generations with her drive to learn and achieve. Fiercely independent and ambitious, she pushed her children, including her son Shashi, to always think outside the box. The only ground firm enough to stand on, she told them, is the one written into existence by your own hand.
In Good Innings, Shobha Tharoor Srinivasan tells her mother Lily’s ‘extraordinary, ordinary’ story through a combination of personal reflections, life lessons, and philosophical insights. The result is a collection of teachable vignettes aimed to galvanize a new generation into growth and action. Every chapter starts with an anecdote which will encourage conversations and transformations in the reader’s life. Good Innings is an intimate account of the life of a beloved matriarch with a modest background and an iron will-a woman who learned from the school of life and now has lessons to share of her own.
