‘Devi stared through the window into the clear, starlit night. Beneath the blanket, her firsts were curled into little balls, her nails pressing into the skin. She thought again of The tiger wedding, and of the bridegroom.”Only him,” she repeated to herself. “I will marry only Machu.”‘ Coorg, 1878. Devi is born on the day of the herons, and Muthavva knows that her daughter will be special. Beautiful and spirited, the little girl quickly becomes the object of adoration of her entire family. When Devi meets Machu the tiger-killer, a hunter of great repute and a man of immense honour and pride, she falls passionately in love and vows to marry him. But a catastrophic twist of fate changes their lives forever and has consequences that affect generations to come.
Rich with powerfully realized characters and intensely vivid imagery, Sarita Mandanna weaves an unforgettable story in this lush and sweeping saga.
Catagory: Non Fiction
non fiction main category
Call Me Dan
Classic Aubrey Menen
Urbane, irreverent satire—four of Aubrey Menen’s best novels The novels in this omnibus edition are classic Aubrey Menen—brilliant and inventive, displaying his characteristic wit while laying bare people’s idiosyncrasies. Menen attacks affectation and hypocrisy with his crisp prose and true-to-life characters. Classic Aubrey Menen is an abiding testimony to a master craftsman. The Prevalence of Witches, A Conspiracy of Women, A Fig Tree, The Abode of Love.
Making India Work
For a nation that has one of the highest growth rates in the world, India is plagued by poverty and corruption. Sixty years after Independence, India accounts for around 36 per cent of the world’s poor. The deepening fault lines between the haves and the have-nots have given rise to skewed development and widespread discontent.
William Nanda Bissell, managing director of the successful Fabindia chain, believes India’s poverty is a direct result of its poor management by ruling elites who have mastered the art of winning elections but have no interest in the deeper issues of governance. He argues that economic development that consumes large amounts of natural resources and generates enormous pollution is not a luxury available to countries that are beginning their development now.
Instead, he proposes a radical new paradigm for development that delinks consumption from quality of life while strengthening the natural environment in the process. The central themes of Making India Work echo the ideas and beliefs that underpin the Constitution of India; but they venture beyond the hackneyed phrases of development to focus on strategies which can, Bissell believes, end poverty in India in five years.
Hard-hitting and provocative, this book is a result of Bissell’s journeys across rural and urban India, offering unique solutions to the challenges confronting its people.
Paradise And Other Stories
I Keep Vigil Of Rudra
One of the only collections of Vachana poetry in translation—a must read for all poetry lovers. Here I come, a ferryman without a body To the great flowing river. If you pay the price– Your mind That grasps and lets go, I shall take you across” Vachana poetry in Kannada literature attained its zenith in the twelfth century. Passionate, intensely personal, and ahead of their times, these free-verse poems speak eloquently of the futility of formal learning, the vanity of wealth and the evils of social divisions. The vachanas stress on the worship of Shiva, through love, labour and devotion, as the only worthwhile life-goal for the vachanakara—the vachana poet. This collection offers a selection of vachanas composed by a wide range of vachanakaras from different walks of life writing during that period. While some of these poets are well known even today, most have been forgotten. Translated fluidly and with great skill by H.S. Shivaprakash, I Keep Vigil of Rudra is not only an important addition to Vachana literature, but also a must read for lovers of poetry everywhere.
Where Gods Dwell
Two Virgins
She tossed and turned, her body an alien creature full of strange, strong impulses beyond her control. Saroja lives in a village with her parents, aunt and beautiful elder sister Lalitha. Saroja s life is uncomplicated, and simple things give her joy like the birth of a calf or a taste of one of Chingleput s sweets. Lalitha, on the other hand, believes she is too good for the village. Ambitious and spoilt, she has dreams of being a movie star that are fulfilled when a film-maker casts her in his documentary on village life. Overnight Lalitha becomes the talk of the town; her latent sexuality manifests itself and she uses her elevated status to her advantage. Basking in Lalitha s reflected glory Saroja tries to imitate her womanly wiles, which results in confused ideas about sexuality and ambition. But when the family is faced with a scandal, Saroja emerges with a practical outlook on life.
Children of A Better God
Anyone who took one look at Shweta could guess that she was suffering from some serious physical or mental disability. What future did the Shwetas of this world have? Shobha would raise her hands heavenwards and say, ‘Surely the same Creator who brought them to the earth will look after them? I believe they are children of God, hopefully a better God than the one who looks after us.’
When Anupurba comes back to India from the United States, reluctantly leaving behind a satisfying job as an art teacher, she does so with a sense of apprehension at this displacement from her comfortable, suburban American life. She never imagines that returning to India would turn out to be a profoundly transformational and life-changing decision. A chance meeting with an old college friend introduces her to Asha Jyoti, a school for children suffering from cerebral palsy. Overcoming her initial trepidation, she agrees to volunteer as a temporary art teacher. Anupurba teaches the children how to draw and paint but it is the children who teach her the real lessons: about suffering and survival, joyous friendship, love and laughter.
Children of a Better God is a deeply touching, tenderly written story about the agonizing challenges faced by children who have to live with lifelong disability, and the ways in which these very special children can powerfully enrich our lives with their grit, positive spirit and sheer courage.
The Nowhere Nation
‘What First Proof says is, buy the ticket, take your chances, come on board—the view is pretty good from where we sit.’—Time Out
In First Proof we continue to publish the best new writing from PBI – India. The selections in this sixth volume range from essays, short stories and poems to memoirs, ethnographies and profiles. You will discover exciting first-time writers and come across familiar names writing in new genres. You will also read some outstanding translations of writers from PBI – Indian languages. This collection is rich proof that variety continues to thrive in PBI – Indian writing.
CONTRIBUTORS:
Non-fiction
AnPBI – Indita Ghose
Annu Jalais
Begum Anis Kidwai and Ayesha Kidwai
Chatura Rao
K.R. Guruprasad
Mayank Shekar
S.G. Kabra
Sunanda Sikdar and Anchita Ghatak
Swati Kaushal
Fiction
Benyamin and Joseph Koyipally
Deven Sansare
Devika Rege
Kanchana Ugbabe
Makarand Sathe and Shanta Gokhale
Purnima Rao
Ranjan Nautiyal
Somnath Mukherji
Poetry
Ashoke Bhattacharya
Keyur R. Patel