Catagory: Non Fiction

Indira Gandhi’s ascent as prime minister of India in 1966 was entirely unforeseen. But she soon emerged as one of the most powerful political leaders of her times, who transformed the world’s largest democracy. She served as prime minister for a remarkable fifteen years, leaving behind a complex and deeply controversial legacy.

In this fascinating account, Srinath Raghavan tells the story of Indira Gandhi’s political career and the momentous changes that India experienced under her leadership. From her tentative start in high office to her remarkable electoral victories, the dark days of the Emergency of 1975–77, and her assassination at the hands of her bodyguards in 1984, Raghavan sheds new light on her politics and government, as well as on her adversaries and critics. He shows how the 1970s were the hinge on which the history of the country turned—and how Indira Gandhi transformed the new postcolonial nation into the India of today.

“An outstanding literary biography” AMITAV GHOSH

“Mukul writes beautifully, and brings to life a man who has often been misunderstood” BENJAMIN MOSER

“This book is a remarkable contribution to the world of Indian letters: ANNIE ZAIDI

Sachchidanand Hirananda Vatsyayan ‘Agyeya’ is unarguably one of the most remarkable figures of Indian literature. From his revolutionary youth to acquiring the mantle of a (highly controversial) patron saint of Hindi literature, Agyeya’s turbulent life also tells a history of the Hindi literary world and of a new nation-spanning as it does two world wars, Independence and Partition, and the building and fraying of the Nehruvian state.

Akshaya Mukul’s comprehensive and unflinching biography is a journey into Agyeya’s public, private and secret lives. Based on never-seen-before archival material-including a mammoth trove of private papers, documents of the CIA-funded Congress for Cultural Freedom and colonial records of his years in jail-the book delves deep into the life of the nonconformist poet-novelist. Mukul reveals Agyeya’s revolutionary life and bomb-making skills, his CIA connection, a secret lover, his intense relationship with a first cousin, the trajectory of his political positions, from following M.N. Roy to exploring issues dear to the Hindu right, and much more. Along the way, we get a rare peek into the factionalism and pettiness of the Hindi literary world of the twentieth century, and the wondrous and grand debates which characterized that milieu.

Writer, Rebel, Soldier, Lover features a formidable cast of characters: from writers like Premchand, Phanishwarnath Renu, Raja Rao, Mulk Raj Anand and Josephine Miles to Prime Minister Jawaharlal Nehru, revolutionary Chandra Shekhar Azad and actor Balraj Sahni. And its landscapes stretch from British jails, an intellectually robust Allahabad and modern-day Delhi to monasteries in Europe, the homes of Agyeya’s friends in the Himalayas and universities in
the US. This book is a magnificent examination of Agyeya’s civilizational enterprise.

Ambitious and scholarly, Writer, Rebel, Soldier, Lover is also an unputdownable, whirlwind of a read.

Discover the magic of Indian cinema’s greatest legend with this in-depth analysis which delves into the art and craft of the cinema of Dilip Kumar. This volume intricately explores film by film, scene by scene, song by song coupled with some of the most epochal and quintessential dialogues from the iconic films of the ‘world’s first Method actor’. It fosters a profound understanding of the psychological, behavioural, and improvisational aspects of film acting and cinematic character as interpreted by the greatest phenomenon of Indian cinema. It minutely observes and comprehends the intricate characterizations he meticulously portrayed across various genres: from tragedy to comedy, from romance to malevolence, and from a bumpkin to a sophisticate. He could seamlessly change his persona on screen from a gangster to a law-abiding cop as also convincingly portray triple roles with each character distinct from the other two.

Supported by astute research ensuring authenticity, it also explores the world of Hindi film music and those who made it an essential part of filmmaking in general and its significance to the films of Dilip Kumar in particular. Additionally, it also sheds light on the collaborative efforts of filmmakers, music composers, lyricists, writers, cinematographers and film critics and authors who contributed to the enduring legacy of his work.

This is a must read for fans of Indian cinema, celebrating the timeless legacy of the one and only Dilip Kumar.