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What Kind of a Traveller are You?

Don’t you agree that travellers are basically of a diverse breed?  For some, it can be the destination of self-discovery, while for others travelling to the same destination is like broadening their cultural horizons or going on a culinary quest.

Regardless of the type of traveller you are, journeying to any new destination is a form of rejuvenation and re-inventing in the times of rapid urbanisation, rising inflation, perpetually stress, that we all are sucked into.

From venturing into the deserts of Iran and Uzbekistan, to going up the Annapurna and the Pamirs, Sudha Mahalingam reveals what happens when you make a habit of encountering the unexpected in her book The Travel Gods Must be Crazy!

Below is a very accurate quiz of different traveller categories that we all fall into! Take this quiz to find out your tribe!

 

 

 

 

 

 

Read The Travel Gods Must Be Crazy before planning your next trip!

5 tips to emerge as a winner using strategies from Chanakya’s Art of War

We are constantly at war.

After a point, everyone realizes that they cannot walk away from such wars. Everyone has to fight—some win, some lose. This is where the difference in our attitude towards the war becomes known. We either accept defeat, or fight on to emerge a winner.

In Chanakya and the Art of War, Radhakrishnan Pillai takes us on a journey. The journey of Chanakya’s life experiences and challenges. We go back to his era and time. We draw inspiration and learn from his wisdom.

Here are five tips that you can follow to emerge as a winner:

Never fight a battle alone; take along a friend (mitra)

Chanakya’s solution for stress is as simple as talking to a friend. When we have a friend with whom we can share and express our problems, it makes a significant difference.

Listen to the wise (vriddha-sanyogah)

In the daily battles of life, senior citizens can be very helpful. The biggest advantage of senior citizens is that they have time and experience to offer. The younger generation has neither of the two. So, in reality, the two could fit together like a perfect jigsaw puzzle. It can be synergetic.

When dealing with the powerful, keep in touch with a higher power

Think through the situation and find out what makes the boss a boss after all.  The boss has more decision-making power than the employee. Now, what we need to remember is to learn how to crack the power of the boss.

Advisors can make you or break you

Gathering too much information is not good. We need to be selective in what we read and watch. We get into discussions that really do not matter to us. It’s ok to add our bit to some social updates happening around. But it is not worth thinking too much about such matters.

Know the strength and weakness of the opponent

Having a strategic mindset is an important skill one should be able to develop. A smart person is one who is able to accurately judge others. He is constantly studying and analysing, trying to understand what is going on in the mind of the person in front of him.


Chanakya and the Art of War draws upon lessons from the great teacher, philosopher and strategist Chanakya’s masterpiece, Arthashastra, which can help us overcome those speed breakers to become innovative and influential and realize our true potential.

Did It All Start With a Big Bang? ‘Origin Story’ States the Facts

At the heart of the modern origin story is the idea of increasing complexity. How did our universe appear, and how did it generate the rich cavalcade of things, forces, and beings of which we are a part? We don’t really know what it came out of or if anything existed before the universe. But we do know that when our universe emerged from a vast foam of energy, it was extremely simple. And simplicity is still its default condition.

Timelines give some fundamental dates for the modern origin story using both approximate absolute dates and recalculated dates, as if the universe had been created 13.8 years ago instead of 13.8 billion years ago. When divided as per the amalgamation of changes and developments that have made the earth what it is today, each big period can be grouped under a threshold. This makes it easier to get a sense of the chronological shape of the story of our origin and also helps us understand how we arrived at where we are today.

THRESHOLD 1: Big bang: origin of our universe

“The bootstrap for today’s most widely accepted account of ultimate origins is the idea of a big bang. This is one of the major paradigms of modern science, like natural selection in biology or plate tectonics in geology.”

THRESHOLD 2: The first stars begin to glow

“Free energy drove the emergence of the first large structures: galaxies and stars. The crucial source of free energy for this part of our origin story was gravity. …….Together, gravity and matter provided the Goldilocks conditions for the emergence of stars and galaxies.”

THRESHOLD 3: New elements forged in dying large stars

“Our third threshold of increasing complexity yielded new forms of matter: all the other elements of the periodic table. A universe with more than ninety distinct elements could do so much more than a universe with just hydrogen and helium.”

THRESHOLD 4: Our sun and solar system form

“Planetary bodies were chemically richer than stars, and much cooler, so they offered ideal Goldilocks environments for complex chemistry. And on at least one planet (our own), and probably on many more, that chemistry would eventually generate life.”

THRESHOLD 5: Earliest life on Earth

“Life as we know it arose from exotic chemistry in the element-rich environments of the young planet Earth almost four billion years ago. …….. life is built from billions of intricate molecular nanomachines.”

THRESHOLD 6: First evidence of our species, Homo sapiens

The appearance of humans in our origin story is a big deal. We arrived just a few hundred thousand years ago, but today we are beginning to transform the biosphere.”

THRESHOLD 7: End of last ice age, beginning of Holocene, earliest signs of farming

“Our ancestors lived as foragers for the first two hundred thousand years or more of our history. ……. In the past ten thousand years, human lifeways were transformed by a cascade of innovations that we describe as farming or agriculture .”

THRESHOLD 8: Fossil fuels revolution begins

“In just a century or two….. we humans have stumbled into the role of planetary pilots without really knowing what instruments we should be looking at, what buttons we should be pressing, or where we are trying to land.”

THRESHOLD 9: A sustainable world order?

“If we successfully manage the transition to a more sustainable world, it will become apparent that human history really constitutes a single threshold of increasing complexity culminating in the conscious management of an entire biosphere.”

The sun dies

“After a long period as a red giant, it will eventually blow away its outer layers, turn into a white dwarf, migrate to the bottom of the Hertzsprung- Russell diagram, and then sit there, cooling, for hundreds of billions of years.”

The universe fades to darkness; entropy wins

“It will turn out that everything that seemed permanent in our universe was actually ephemeral. Maybe even space and time will turn out to be mere forms, mere wavelets in a larger multiverse. Entropy will have finally destroyed all structure and order. At least in one universe. But perhaps there are more to get working on.”


Origin Story: A Big History of Everything reveals what we learn about human existence when we consider it from a universal scale.

Five Reasons You Should Read ‘Siyasi Muslims’

Hilal Ahmed’s new book, Siyasi Muslims does not aim at defining Muslim politics in India. Instead, it looks at the ways in which Muslim politics as a template is used to describe statements, actions and processes. In other words, it studies Muslim politics as a political discourse—an intellectual mode through which certain specific notions of Muslim identity in contemporary India are produced and sustained.

This listicle highlights the reasons why one should read this book:

Number Game

‘Siyasi Muslims’ traces the story of the census that transformed Muslims into a numerical entity. It also identifies the paradoxes of modern Indian Muslim identity and tries to answer a very basic question—how to address the highly diversified Indian Muslim community in intellectual terms.

Muslims of Hindutva

The book makes an attempt to understand the historically constituted anti-Muslim rhetoric of different forms of Hindutva. It also underlines the genealogy of a few questions that are asked to evaluate the loyalty and patriotism of Muslims.

Minoritization of Muslims

The narrative unravels the structure of the concept of Siyasi Muslims by looking at the legal–constitutional technicalities to understand the much talked about status of Muslims as an official minority.

Beyond Talaq-Talaq-Talaq

A very close attention is also paid to the triple talaq debate. Instead of suggesting what Muslim men do, it looks at the complex argument made by the Muslim women’s groups.

Muslim elites

It is an effort to make a serious attempt to reveal the class structure among Muslims in India. Using the official data of the Government of India and seminal works on Muslim classes, it offers a contemporary conceptualization of the idea of the Muslim elite.

 


Examining the everydayness of Muslims in contemporary India, Hilal Ahmed in Siyasi Muslims offers an evocative story of politics and Islam in India, which goes beyond the given narratives of Muslim victimhood and Islamic separation.

Memories from the 70s that take you back to your childhood!

If you grew up in the 1970s, then you’re probably used to the Gen Z assuming that you grew up  with fancy hairdos and listening to disco music. Although this assumption isn’t totally wrong, there was so much more to your childhood: The ’70s were a decade full of pre-Internet fun — like running around until sundown without anyone worrying.

The book Once Upon A Curfew talks about a turbulent period of Emergency and love amidst the difficulties. It is 1974. Indu has inherited a flat from her grandmother and wants to turn it into a library for women. Her parents think this will keep her suitably occupied till she marries her fiancé, Rajat, who’s away studying in London.  But then she meets  and falls in love with Rana, a young lawyer with sparkling wit and a heart of gold. When the Emergency is declared, Indu’s life turns upside down.

Now that you are starting to feel a little nostalgic, read on for some of good old 1970s memories! Here are some incidents from the book that will transport you back to the 70s India:

 

India Gate was an important meeting point for a stirring revolution.
 ~
The bylanes of Old Delhi would draw people, with famous haunts like Karim’s.
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Indira Gandhi’s much-talked about campaign was in full-swing.
 ~
Hindi Sahitya was very popular back in the 70s.
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When drinks were simply Campa Cola or the humble Shikanji.
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Bollywood had become an intrinsic part of the pop-culture.
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Kishore Kumar songs ruled the airwaves.
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The eyeliner game was pretty strong back in the 70s.
~
The decade of 70’s gave birth to many fashion trends.
 ~
Inflation, crime and taxes kept pace with the political havoc that was being wreaked.
~
Regal was easily the most illustrious cinema hall in central Delhi and a sought after venue for ballets, plays and Bollywood talkies.
~
On June 26, 1975, the then Prime Minister Indira Gandhi announced National Emergency on All India Radio. 

Get your copy of Srishti Chaudhary’s  Once Upon A Curfew today!

Books You Need to Read this Rainy Season!

There’s no better time than right now to sit down and curl up with a few good books and a steaming cup of tea by your side. Why not take a look at these versatile new reads coming up this July?

Roots to Radiance

Roots to Radiance

Do you wish you looked perfect, but don’t have the time or money for expensive treatments? Look no further than Roots to Radiance-your self-care bible to good skin, hair, teeth, nails, etc., and, most importantly, good health.
In Roots to Radiance, you will find 500+ tips and tricks that will help you stay in your ‘A game’.

By using its easy-to-make solutions drawn from traditional Indian wisdom, you can lessen and even replace chemicals with wholesome, natural ingredients that will enrich and enhance your daily beauty routine.
From refreshing life lessons to inevitable struggles and motivational inspiration, this book will help you sail through every beauty or life concern you’ve ever had.

 

Kargil

Kargil

Kargil takes you into the treacherous mountains where some of Indian Army’s bloodiest battles were fought. Interviewing war survivors and martyrs’ families, Rachna Bisht Rawat tells stories of extraordinary human courage, of not just men in uniform but also those who loved them the most. With its gritty stories of incomparable bravery, Kargil is a tribute to the 527 young braves who gave up their lives for us-and the many who were ready to do it too.

 

The Barefoot Surgeon

The Barefoot Surgeon

Sanduk Ruit was born into the lowest rungs of society in a tiny, remote Himalayan village in Nepal. After long and difficult treks to attend boarding school in Darjeeling and, later, the best of Indian medical colleges, he met the remarkable visionary and Australian ophthalmologist, Fred Hollows, whose invaluable mentorship would enable him to take on his lifelong mission to restore vision to the poorest of blind people across Nepal and the rest of Asia.

Despite relentless backlash from his shaken contemporaries in the global medical industry, Dr Ruit took his unmatched prowess in stitch-free cataract surgery, along with world-class medical care and equipment, to those whose lives were plunged into darkness; who were ostracized and abandoned for being blind with no access to proper treatment.

Dr Ruit is known as the ‘God of Sight’ for restoring the light to millions of people who have been prey to curable blindness and vicious poverty; this is his extraordinary story.

 

Bad Man

Bad Man

Growing up on the fringes of our capital city, Gulshan Grover moved to Mumbai to pursue a career in acting in the 1970s. At a time when most wannabe actors held out for the lead, he made a conscious choice to opt for villainous roles. He went on to portray many memorable characters, with a career-defining role in the 1989 blockbuster, Ram Lakhan, that established him firmly as the ‘Bad Man’ of Bollywood.

Many a mainstream potboiler of the era rode to success on his trademark one-liners and grotesque get-ups that have become part of Bollywood folklore. He subsequently moved on to the international arena, among the first actors from Mumbai to do so, in the process becoming one of India’s more recognizable faces in international cinema.

In this autobiography, Grover tells his story-the films, the journey, the psychological and personal toll of sustaining the ‘bad man’ image, the competition among Bollywood’s villains, the move to playing more rounded characters, and the challenge of doing international films.

 

The Rise of Goliath

The Rise of Goliath

What can best illustrate India’s journey in the last seven decades? Disruptions.

Almost every decade of India’s history since Independence has been marked by major disruptions.

India became independent through an act of disruption-Partition-that killed millions in communal violence and turned many more into refugees. The turn towards a model of state-led economic development delivered as big a shock to the economy as did the food crisis or the spike in crude oil price. If the Emergency in 1975 shook the foundations of India’s democracy, the unprecedented balance-of-payments crisis of 1990 turned India towards a path of economic reforms. Just as the reservation of jobs for backward castes changed the idiom of India’s politics, the movement for building a temple for Ram drove India closer to becoming a majoritarian state. No less disruptive have been the telecom revolution, the banking crisis, demonetization and the launch of the goods and services tax.

How did these disruptions impact India? How did they influence the rise of this Goliath?

This is the story of twelve disruptions that changed India. The book also provides a peek into the kind of disruptions India could face in the coming years.

 

The Making of Star India

The Making of Star India

When Rupert Murdoch, executive chairman, News Corporation, blew up more than $870 million buying Star TV from Richard Li in the early 1990s, analysts were dismayed. Why on earth had Murdoch invested in a pan-Asian broadcaster that was neither fish nor fowl?
More than twenty-five years later, with revenues of over $2 billion, Star India is one of the country’s three largest media firms. Murdoch’s instinct had done what a hundred investor summits could not: showcased the potential of the Indian media market to the world. Vanita Kohli-Khandekar tells the thrilling story of Indian television through its most notable protagonist: Star TV. The narrative is peppered with delicious anecdotes and a fascinating cast of characters that includes Rathikant Basu, Peter Mukerjea, Uday Shankar, Sameer Nair and the Murdochs, who loom large over every scene.

 

Unstoppable
Unstoppable

Kuldip Singh Dhingra, the patriarch of the Dhingra family and the man credited with building Berger Paints, has remained a mystery. He is low-profile, eschews media and continues to operate from a small office in Delhi. In this candid and captivating biography Kuldip reveals his story for the first time.

Kuldip lost his father to an accident early in his life. He and his brothers, Sohan and Gurbachan, started as shopkeepers in Amritsar. From an annual turnover of Rs. 10 lakh in 1970, the Dhingras have built a business with an annual turnover of over Rs. 7,500 crore today. They are among the top thirty richest families in India with a net worth of over $ 4.5 billion.

This never-before-told story of Kuldip moves from Amritsar to Europe to Delhi where he became the largest exporter to the Soviet Union in the 1980s. In 1990 the Dhingras bought Berger.

From dealing with KGB to negotiating with the flamboyant Vijay Mallya; from being pushed to sell arms to challenging big businesses-Unstoppable narrates what a man can achieve if he pursues his dreams relentlessly.

 

A Promised Land

A Promised Land

In the wake of the Partition, a new country is born. As millions of refugees pour into Pakistan, swept up in a welter of chaos and deprivation, Sajidah and her father find their way to the Walton refugee camp, uncertain of their future in what is to become their new home.

Sajidah longs to be reunited with her beloved Salahuddin, but her journey out of the camp takes an altogether unforeseen route. Drawn into the lives of another family-refugees like herself-she is wary of its men, particularly Nazim, the eldest son whose gaze lingers over her. But it is the women of the household whose lives and choices will transform her the most: the passionately beseeching Saleema, her domineering mother Khala Bi, the kind but forlorn Amma Bi, and the feisty young housemaid Taji.

With subtlety and insight, Khadija Mastur conjures a dynamic portrait of spirited women whose lives are wrought by tragedy and trial even as they cling defiantly to the promise of a better future.

 

Plastic Emotions

Plastic Emotions

Plastic Emotions is inspired by the life of Minnette de Silva-a forgotten feminist icon and one of the most important figures of twentieth-century architecture. In a gripping and lyrical story, Shiromi Pinto paints a complex picture of de Silva, charting her affair with the infamous Swiss modernist Le Corbusier and her efforts to build an independent Sri Lanka that slowly heads towards political and social turmoil.
Moving between London, Chandigarh, Colombo, Paris and Kandy, Plastic Emotions explores the life of a young, trailblazing South Asian woman at a time of great turbulence across the globe.

For the Love of God

For the Love of God

Between the third centuries BC and AD were written thousands of verses in Tamil that have collectively come to be known as Sangam literature. The expressions of love between a man and a woman in these love poems gave way to passionate expressions of devotional love, where the heroine became the devotee and the hero became God. Through the centuries of patriarchy, women negotiated varied levels of existence and largely went unnoticed until they found a path for self-expression through bhakti or devotion. While the dominant form of worship was to prostrate before God, women found innovative ways of personal expression, often seeing the lord as a lover, friend, husband, or even son. The individual outpourings and the unfettered voices of these women refused to be drowned in the din of patriarchy gathering momentum until this became a pan India movement.
In For the Love of God, Sandhya Mulchandani delves deep into historical accounts of these women who fell in love with God.

 

Caste Matters

Caste Matters

In this explosive book, Suraj Yengde, a first-generation Dalit scholar educated across continents, challenges deep-seated beliefs about caste and unpacks its many layers. He describes his gut-wrenching experiences of growing up in a Dalit basti, the multiple humiliations suffered by Dalits on a daily basis, and their incredible resilience enabled by love and humour. As he brings to light the immovable glass ceiling that exists for Dalits even in politics, bureaucracy and judiciary, Yengde provides an unflinchingly honest account of divisions within the Dalit community itself-from their internal caste divisions to the conduct of elite Dalits and their tokenized forms of modern-day untouchability-all operating under the inescapable influences of Brahminical doctrines.
This path-breaking book reveals how caste crushes human creativity and is disturbingly similar to other forms of oppression, such as race, class and gender. At once a reflection on inequality and a call to arms, Caste Matters argues that until Dalits lay claim to power and Brahmins join hands against Brahminism to effect real transformation, caste will continue to matter.

 

On Meditation
On Meditation

In today’s challenging and busy world, don’t you wish you knew how to quieten your mind and focus on yourself? In On Meditation, renowned spiritual leader, Sri M, answers all your questions on the practice and benefits of meditation. With his knowledge of all the various schools of practice and the ancient texts, he breaks down the complicated practice into a simple and easy method that any working man or woman, young or old, can practise in their everyday lives.

 

Manto and Chughtai: The Essential Stories

Manto and Chughtai

Ismat Chughtai and Sadat Hasan Manto were Urdu’s most courageous and controversial writers in the twentieth century. Featuring themes such as communal violence, the Partition, sex, relationships, and more, this collection features some of their most famous short stories.

 

The Body Myth

The Body Myth

Mira is a teacher living in the heart of Suryam, the only place in the world the fickle Rasagura fruit grows. Mira lives alone, and with only the French existentialists as companions, until the day she witnesses a beautiful woman having a seizure in the park. Mira runs to help her but is cautious, for she could have sworn the woman looked around to see if anyone was watching right before the seizure began.

Mira is quickly drawn into the lives of this mysterious woman Sara, who suffers a myriad of unexplained illnesses, and her kind, intensely supportive husband Rahil, striking up intimate, volatile and fragile friendships with each of them that quickly become something more.

The Best of Thomas Harris from his New Book, Cari Mora!

From the creator of The Silence of the Lambs, comes a yet another thrilling story Cari Mora. The author, Thomas Harris, in his new novel tells a tale of evil, greed and the consequences of dark obsessions.

Cari Mora makes for a compelling read binding its reader till the end. Here we give you a few intriguing quotes from the book:


“She sat for a little while beside the water. The wind off the bay was full of ghosts tonight—young men and women and children who had lived or died in her arms as she tried to stanch their wounds, fought to breathe and lived, or shivered out straight and went limp.”

*

“It was nice to be excited. To be going on a creep. To be getting back at Pablo in his infernal sleep . . .”

*

“He might just follow his heart. It was fun to see if he could keep from following his heart. Heart HEAD, head HEART, bump.”

*

“It is here. It is here. The gold is here. Es ist hier! He knew it. If the gold had ears it could hear him if he called to it from this spot where he stood in a parlor.”

*

“Monsters know when they are recognized, just as bores do.”

*

“A moment of reverie as he made up a little couplet.

I cannot see my reflection in the black pools of your eyes / You will be hard to break but, broken, what a prize!”

*

“’You are way too wicked to die,’ Antonio said, and poured the old man a drink from the bottle on the table.”

*

“The scars are more exotic than disfiguring. Like cave paintings of wavy snakes. Experience decorates us.”

*

“For that which befalleth the sons of man befalleth beasts; as the one dieth, so dieth the other; yes, they have all one breath; all are of the dust and all turn to dust again.”


 Cari Mora, Thomas Harris’ sixth novel, is the long-awaited return of an American master. Get your copy here!

Searching for a twenty-five million dollars in cartel gold, which is hidden beneath an imposing mansion on the Miami beach; many ruthless men have attempted to track it for years but in vain. Leading a group of men, Hans-Peter Schneider is on this quest. He is a man of unspeakable appetites and makes a living by catering to rich men with violent fantasies.

The caretaker of the mansion that sits on the coveted gold, Cari Mora, hails from a turbulent past wrought with violence. A native of Columbia, she is staying in Miami on a Temporary Protected Status. She catches the eye of Hans-Peter, owing to her beauty.

Puzzled by Persia: A Tale of Mis-Adventures from ‘The Travel Gods Must Be Crazy’

Dreaming of glorious sunrises and architectural marvels in exotic places, energy economist Sudha Mahalingam often landed up in situations that were uproariously bizarre or downright dangerous.

Punctuating her droll stories with breathtaking descriptions and stunning photographs, in her book The Travel Gods Must Be Crazy, Sudha invites readers on an unexpected and altogether memorable tour around the world!

One such destination was Iran, where she was pleasantly surprised at the safety, hospitality and the culture despite travelling solo and since just this one book couldn’t cover all of the author’s escapades, here’s an all exclusive and unforgettable episode from the author’s visit to Iran!

***************************************

When I land in Tehran airport on a balmy day in November, I have a split-second decision to make—who to go with. For, there are two placards displaying my name, one held aloft by a burly man who also has two other placards with other names. The other, with my name scrawled in English by hand, is held by a demure young woman in a stylish manteau, kohl-rimmed eyes scanning the crowds pouring out of the airport. Instinctively, my legs lead me to the woman. Both of us exchange smiles as she leads me out of the airport. I am not sure who she is, although I guess she is not from the conference secretariat. The burly man must be.

As soon as we had boarded the Mahan Airlines plane, we had been shown a video of how women should cover their heads and behave modestly. When it was time for landing, we were all instructed to don our hijabs or chadors and headscarves. I had already bought a hideous yellow-green one from the by-lanes of Nizamuddin Basti in preparation for my first visit to this mysterious country reeling under the Islamic Revolution. When I pull he chador over my head, I realise I am the only woman in a non-black garment in the entire plane. In the next few hours, it becomes apparent to me, I am the only one in non-black chador in the entirety of vas Persian landscape as well.

Haleh, I find out, is the elegant wife of Professor Abdul Majid Eskandari of Tehran University, with whom I had corresponded about my travel plans in Iran. When I had received an invitation to speak in an energy conference in Tehran, my cupidity asserted itself and I had planned to explore at least Shiraz and gorgeous Esfahan on this precious trip to a country relatively unknown to the world in 2003. Little did I know that I would end up going to that country several times over the decade. I needed local help to arrange bookings in Iran and a JNU professor had put me in touch with Eskandari. Honestly, I did not expect Eskandari to send his wife to fetch me from the airport.

If she is taken aback by my outrageous colour choice, Haleh reveals nothing of her surprise. She speaks only a smattering of English. We communicate mostly through gestures. When did that deter me from carrying on a conversation? I mime and clown and she is indulgent. She hails a taxi cab and we both hop in. ‘Have oil, will drive’ seems to be the motto of Tehranians. With a litre of benzene costing less than a Rupee then, Tehran’s wide avenues are choked with traffic and benzene fumes. Paykan after battered paykan jostles for space alongside swanky Volvos and Mercs. The avenues are broad and tree-lined, but the vehicles are bumper-to-bumper.

I crane my neck past the traffic to spot Mt. Damavand clothed in snow. Like Mt. Rainier in Seattle, Damavand is a beacon that beckons aspiring climbers from around the world, those that can manage a visa. We drive for the next hour through heavily trafficked roads to a beautiful suburb. When we alight at the apartment gates, Haleh punches some numbers on the security lock and we enter. As soon as we step into her apartment and shut the door, she yanks her scarf out to reveal gorgeous flaming red tresses that fall to her shoulders. Off comes the manteau too, to reveal a chic and tight Dolce & Gabbana t-shirt over sequinned jeans. I wonder why dress so stylishly when nothing can be seen outside of homes. But Iranian women love their fashion and their make-up regardless.

Haleh switches on the TV while she goes to fetch some lunch for me—boiled broad beans and rice. (Eskandari had been informed of my dietary peculiarities.) A Persian soap is playing on the small screen. Even in indoor domestic scenes, women are fully chadored and demure.

Haleh has a hairdresser appointment that day. She asks me through sign language whether I’d like to go with her. Why not? I am ready in a jiffy, donning my matronly and ugly chador outmoded by a century at least and she, in another stylish manteau and bespoke scarf from Cartier’s or Yves St. Laurent or some such. We head to the local market heaped with assortment of goods—luscious fruits, ersatz labels of fashion designers piled high, and household goods and heaps and heaps of dried fruits.

But we head straight to the salon where she is whisked away behind a screen to be fussed over by a posse of female hair dressers. I survey my surroundings, wondering how much more the hairdressers can do for her already gorgeous hair. Two of the salon’s windows are plastered with hundreds of price stickers with glamorous hairdos of every description and hue—flowing, curled, bobbed, coiffured, crew-cut, in blonde, brunette, black and even streaked—all presumably western women. As I pore over this window, mouth agape, I realise why. You can’t show women’s hair in public in Iran, not under any circumstances. So the hairdressers had come up with the ingenious idea of not showing the face, but only the hairdo. Each face is plastered with a price tag—a few thousand Turmans. May be because they can’t display their hair, Iranian women seem to be obsessed with coiffuring it.

This strict rule that forbid women from showing their tresses comes to haunt me elsewhere, too, although mine is nothing glamorous—limpid and grey. Three days later, I was in the conference, on the dais with two other speakers and three Iranian dignitaries—ministers and the head of the institute which had invited me. That was because I was one of the speakers in the very first session of the conference, after the inaugural address. There is a battery of cameramen and women, training their lenses on the stage to capture the minister’s inaugural address. Flashes pop. Even as I was blinking in the bright light, I feel a tap on my shoulder. A conference factotum whispers in my ear, asking me to pull my scarf tight—the hair in front was showing. Contrite and confused, I try to tuck as much of my unruly wisps into my scarf in the full glare of cameras and flashes.

That evening, Eskandari drops me off at Mehrabad airport to put me on a plane to Shiraz. The flight was late by two hours, but he assures me it is okay. I have been booked into the guest house in Shiraz University. The plane lands around 11 pm. As I step out, a cab pulls up beside me and I hop in. Another passenger comes running, yanks open the front door and dives in, muttering an apology to me. That’s when I realise it is not unusual for total strangers to share a ride. The cab deposits me at the gate of Shiraz University where I would be staying three nights. There is a bell pull at the gate which the cab driver pulls and waits for the caretaker to come and open the gate.

An elderly caretaker emerges from the shadows. Obviously, he was expecting me. The cab leaves only after I am let in. The caretaker leads me wordlessly through the winding internal roads to the reception of the women’s guest house. He gestures me to sit on the sofa and disappears into an adjoining room to re-emerge with a thermos in hand. At that hour, close to midnight, he whips out a glass mug and pours the reddish black tea into it and proffers a bowl of sugar cubes. I pick one and plop into my tea and he looks at me disapprovingly. He pours himself a glass too, bites the sugar cube between his teeth and sucks the tea through the sugar cube. That’s the way Iranians drink their tea. Anybody who does otherwise is deemed uncivilised, I suppose.

Over the next few days, I wander around majestic Persepolis, the ancient capital of the mighty Darius and Xerxes, elegant and sophisticated Shiraz and seductive Esfahan. For those of us whose childhoods were enlivened by tales of Haji Baba, the very mention of Esfahan might conjure up visions of busy bazaars laden with a profusion of goods of the oriental variety, mullahs hurrying down the labyrinthine alleys, exquisite mosques, minars and sprawling gardens at every bend and corner. Indeed, Esfahan today is all this and more. It is a modern city with wide roads, frequent air, train and bus connections from major Iranian cities, and is the seat of an accomplished modern university. If you go looking for your beloved Haji Baba, you might even find one. But you will also find elegantly dressed men and women promenading the sidewalks and tucking into feludae served in polystyrene foam cups. Horse-drawn tourist carriages jostle for space alongside fast cars and motorbikes and touristy shops packed with every conceivable kitsch alongside genuine Persian handicrafts vie with one another for the attention of your wallet.

Over the next many visits, Iran holds out many surprises for me. One thing that came across clearly is that it is absolutely safe for women, especially foreign women to travel alone in this country. I visited Qom, the mullah factory, Yazd, the desert caravanserai, Tabriz of Persian carpet fame and of course, Persepolis and Shiraz and drop-dead gorgeous Esfahan, all alone. I even visited the secretive Natanz town infamous for its uranium enrichment plant, but no one shooed me off.

At the stunning Loftullah mosque in Esfahan, I am first issued an entry ticket meant for locals. As I count the wads of Rials and Turkmans in confusion—even an entry ticket in Iran would run into thousands of Rials putting the Japanese yen to shame—the counter official asks me something in Farsi. I nod my head. He grabs back the ticket and issues me a dollar-denominated one which cost ten times as much! Wearing the stylish manteau which Haleh had kindly lent me doesn’t help. My Indian headscarf is a dead giveaway!


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5 things India should do to achieve greatness

What is it about the Indian psyche that makes us so incapable of fulfilling our promise as a nation? Why are we so averse to risk, resigned to mediocrity and mired in a collective lack of confidence? India has so much potential but seems forever stuck on the brink of actualization, unable to muster the political will and geo-economic force to clear the final bar. The stakes are higher than ever, and India’s moment is now.

Super Century by Raghav Bahl highlights the Indian psyche that makes us so incapable of fulfilling our promise as a nation and questions our constant aversion to risk, resignation to mediocrity and our collective lack of confidence.

The below points share what India must do in order to achieve the greatness that is it’s due:

Treat any friction in the India–US relationship as temporary and stay focused on the long-term prize: an unequivocal alliance.

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India’s leaders should consult with experts, from private industry as well as the public sector, to figure out how best to deliver top-quality, state-of-the-art service in each sector, make them operate with maximum efficiency and provide an effective safety net for society’s neediest.

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India’s leaders must be truly committed to liberating— rather than squelching, or redirecting—the ambitions of the Indian people. Only then will the nation fulfil the promise of all its potential both at home and in the world.

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Instead of treating tourists with indifference or worse, we need to recognize their value to India. Not only do they bring in desperately needed revenue, but they also expose us to new perspectives and raise our global profile.

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The ratio of allopathic doctors to citizens should double to 1 per 1000 by 2027, and India would also seek to increase the density of health workers— nurses and midwives, as well as doctors—to WHO’s ideal of twenty three per 10,000 people. There should be at least one medical college per district or 1.5 million people and a system for training community health workers.

Super Century offers a cogent and candid assessment of how we got where we are and a clear blueprint of what we need to do, both at home and in the world, to fulfil our promise going forward.

Living on the Street: Quotes from ‘The Bridge Home’ that will Leave you Teary-Eyed

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