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Meet the Wimpy Author of ‘Diary of an Awesome Friendly Kid’!

Here’s introducing the newest Wimpy Kid author – Rowley Jefferson! Rowley’s best friend Greg Heffley has been chronicling his middle-school years in thirteen diary of a Wimpy Kid journals… and counting. But it’s finally time for readers to hear directly from Rowley in a journal of his own.

In Diary of an Awesome Friendly Kid, Rowley writes about his experiences and agrees to play the role of biographer for Greg along the way. (After all, one day Greg will be rich and famous and everyone will want to know his life’s story.)

Let’s meet the author, Rowley Jefferson!


Rowley doesn’t like horror stories as we can tell from this incident.

“I’ve gotta tell the whole truth. I wet my pants when I was in the basement and heard those noises outside.”

*

Rowley has observed odd things about Greg’s stories.

“We’ve been friends for a long time and he’s told me a BUNCH of things that seemed a little shaky so now I’m kind of thinking not everything he’s told me is a hundred percent accurate.”

*

Rowley is composed.

“I knew that Greg was trying to make me mad but for some reason that song didn’t really bother me that much.”

*

Rowley might be a little naïve and gullible.

“Well I knew Greg was just trying to get out of giving me the candy he owed me so I tried to act like I thought this Good Boy award thing was dumb. But somehow Greg could tell I thought it was kind of COOL.”

*

Rowley is honest and doesn’t encourage cheating on tests.

“I whispered to Greg to go away because he was trying to CHEAT. But Greg said it’s not cheating since we were study partners and we both had the exact same information in our brains.”

*

Rowley is hardworking.

“I had to stay up for two more hours uncrinkling my notes and taping them into my notebook and was up ANOTHER half hour researching stuff on my dad’s computer.”

*

Rowley is a true friend to Greg.

“I know me and Greg don’t always get along but like Mrs Heffley said, sometimes friends get on each other’s nerves.”


Diary of an Awesome Friendly Kid: Rowley Jefferson’s Journal offers readers a new way to look at the Wimpy world—one fans won’t want to miss!

Books You Need to Read this Rainy Season!

There’s no better time than right now to sit down and curl up with a few good books and a steaming cup of tea by your side. Why not take a look at these versatile new reads coming up this July?

Roots to Radiance

Roots to Radiance

Do you wish you looked perfect, but don’t have the time or money for expensive treatments? Look no further than Roots to Radiance-your self-care bible to good skin, hair, teeth, nails, etc., and, most importantly, good health.
In Roots to Radiance, you will find 500+ tips and tricks that will help you stay in your ‘A game’.

By using its easy-to-make solutions drawn from traditional Indian wisdom, you can lessen and even replace chemicals with wholesome, natural ingredients that will enrich and enhance your daily beauty routine.
From refreshing life lessons to inevitable struggles and motivational inspiration, this book will help you sail through every beauty or life concern you’ve ever had.

 

Kargil

Kargil

Kargil takes you into the treacherous mountains where some of Indian Army’s bloodiest battles were fought. Interviewing war survivors and martyrs’ families, Rachna Bisht Rawat tells stories of extraordinary human courage, of not just men in uniform but also those who loved them the most. With its gritty stories of incomparable bravery, Kargil is a tribute to the 527 young braves who gave up their lives for us-and the many who were ready to do it too.

 

The Barefoot Surgeon

The Barefoot Surgeon

Sanduk Ruit was born into the lowest rungs of society in a tiny, remote Himalayan village in Nepal. After long and difficult treks to attend boarding school in Darjeeling and, later, the best of Indian medical colleges, he met the remarkable visionary and Australian ophthalmologist, Fred Hollows, whose invaluable mentorship would enable him to take on his lifelong mission to restore vision to the poorest of blind people across Nepal and the rest of Asia.

Despite relentless backlash from his shaken contemporaries in the global medical industry, Dr Ruit took his unmatched prowess in stitch-free cataract surgery, along with world-class medical care and equipment, to those whose lives were plunged into darkness; who were ostracized and abandoned for being blind with no access to proper treatment.

Dr Ruit is known as the ‘God of Sight’ for restoring the light to millions of people who have been prey to curable blindness and vicious poverty; this is his extraordinary story.

 

Bad Man

Bad Man

Growing up on the fringes of our capital city, Gulshan Grover moved to Mumbai to pursue a career in acting in the 1970s. At a time when most wannabe actors held out for the lead, he made a conscious choice to opt for villainous roles. He went on to portray many memorable characters, with a career-defining role in the 1989 blockbuster, Ram Lakhan, that established him firmly as the ‘Bad Man’ of Bollywood.

Many a mainstream potboiler of the era rode to success on his trademark one-liners and grotesque get-ups that have become part of Bollywood folklore. He subsequently moved on to the international arena, among the first actors from Mumbai to do so, in the process becoming one of India’s more recognizable faces in international cinema.

In this autobiography, Grover tells his story-the films, the journey, the psychological and personal toll of sustaining the ‘bad man’ image, the competition among Bollywood’s villains, the move to playing more rounded characters, and the challenge of doing international films.

 

The Rise of Goliath

The Rise of Goliath

What can best illustrate India’s journey in the last seven decades? Disruptions.

Almost every decade of India’s history since Independence has been marked by major disruptions.

India became independent through an act of disruption-Partition-that killed millions in communal violence and turned many more into refugees. The turn towards a model of state-led economic development delivered as big a shock to the economy as did the food crisis or the spike in crude oil price. If the Emergency in 1975 shook the foundations of India’s democracy, the unprecedented balance-of-payments crisis of 1990 turned India towards a path of economic reforms. Just as the reservation of jobs for backward castes changed the idiom of India’s politics, the movement for building a temple for Ram drove India closer to becoming a majoritarian state. No less disruptive have been the telecom revolution, the banking crisis, demonetization and the launch of the goods and services tax.

How did these disruptions impact India? How did they influence the rise of this Goliath?

This is the story of twelve disruptions that changed India. The book also provides a peek into the kind of disruptions India could face in the coming years.

 

The Making of Star India

The Making of Star India

When Rupert Murdoch, executive chairman, News Corporation, blew up more than $870 million buying Star TV from Richard Li in the early 1990s, analysts were dismayed. Why on earth had Murdoch invested in a pan-Asian broadcaster that was neither fish nor fowl?
More than twenty-five years later, with revenues of over $2 billion, Star India is one of the country’s three largest media firms. Murdoch’s instinct had done what a hundred investor summits could not: showcased the potential of the Indian media market to the world. Vanita Kohli-Khandekar tells the thrilling story of Indian television through its most notable protagonist: Star TV. The narrative is peppered with delicious anecdotes and a fascinating cast of characters that includes Rathikant Basu, Peter Mukerjea, Uday Shankar, Sameer Nair and the Murdochs, who loom large over every scene.

 

Unstoppable
Unstoppable

Kuldip Singh Dhingra, the patriarch of the Dhingra family and the man credited with building Berger Paints, has remained a mystery. He is low-profile, eschews media and continues to operate from a small office in Delhi. In this candid and captivating biography Kuldip reveals his story for the first time.

Kuldip lost his father to an accident early in his life. He and his brothers, Sohan and Gurbachan, started as shopkeepers in Amritsar. From an annual turnover of Rs. 10 lakh in 1970, the Dhingras have built a business with an annual turnover of over Rs. 7,500 crore today. They are among the top thirty richest families in India with a net worth of over $ 4.5 billion.

This never-before-told story of Kuldip moves from Amritsar to Europe to Delhi where he became the largest exporter to the Soviet Union in the 1980s. In 1990 the Dhingras bought Berger.

From dealing with KGB to negotiating with the flamboyant Vijay Mallya; from being pushed to sell arms to challenging big businesses-Unstoppable narrates what a man can achieve if he pursues his dreams relentlessly.

 

A Promised Land

A Promised Land

In the wake of the Partition, a new country is born. As millions of refugees pour into Pakistan, swept up in a welter of chaos and deprivation, Sajidah and her father find their way to the Walton refugee camp, uncertain of their future in what is to become their new home.

Sajidah longs to be reunited with her beloved Salahuddin, but her journey out of the camp takes an altogether unforeseen route. Drawn into the lives of another family-refugees like herself-she is wary of its men, particularly Nazim, the eldest son whose gaze lingers over her. But it is the women of the household whose lives and choices will transform her the most: the passionately beseeching Saleema, her domineering mother Khala Bi, the kind but forlorn Amma Bi, and the feisty young housemaid Taji.

With subtlety and insight, Khadija Mastur conjures a dynamic portrait of spirited women whose lives are wrought by tragedy and trial even as they cling defiantly to the promise of a better future.

 

Plastic Emotions

Plastic Emotions

Plastic Emotions is inspired by the life of Minnette de Silva-a forgotten feminist icon and one of the most important figures of twentieth-century architecture. In a gripping and lyrical story, Shiromi Pinto paints a complex picture of de Silva, charting her affair with the infamous Swiss modernist Le Corbusier and her efforts to build an independent Sri Lanka that slowly heads towards political and social turmoil.
Moving between London, Chandigarh, Colombo, Paris and Kandy, Plastic Emotions explores the life of a young, trailblazing South Asian woman at a time of great turbulence across the globe.

For the Love of God

For the Love of God

Between the third centuries BC and AD were written thousands of verses in Tamil that have collectively come to be known as Sangam literature. The expressions of love between a man and a woman in these love poems gave way to passionate expressions of devotional love, where the heroine became the devotee and the hero became God. Through the centuries of patriarchy, women negotiated varied levels of existence and largely went unnoticed until they found a path for self-expression through bhakti or devotion. While the dominant form of worship was to prostrate before God, women found innovative ways of personal expression, often seeing the lord as a lover, friend, husband, or even son. The individual outpourings and the unfettered voices of these women refused to be drowned in the din of patriarchy gathering momentum until this became a pan India movement.
In For the Love of God, Sandhya Mulchandani delves deep into historical accounts of these women who fell in love with God.

 

Caste Matters

Caste Matters

In this explosive book, Suraj Yengde, a first-generation Dalit scholar educated across continents, challenges deep-seated beliefs about caste and unpacks its many layers. He describes his gut-wrenching experiences of growing up in a Dalit basti, the multiple humiliations suffered by Dalits on a daily basis, and their incredible resilience enabled by love and humour. As he brings to light the immovable glass ceiling that exists for Dalits even in politics, bureaucracy and judiciary, Yengde provides an unflinchingly honest account of divisions within the Dalit community itself-from their internal caste divisions to the conduct of elite Dalits and their tokenized forms of modern-day untouchability-all operating under the inescapable influences of Brahminical doctrines.
This path-breaking book reveals how caste crushes human creativity and is disturbingly similar to other forms of oppression, such as race, class and gender. At once a reflection on inequality and a call to arms, Caste Matters argues that until Dalits lay claim to power and Brahmins join hands against Brahminism to effect real transformation, caste will continue to matter.

 

On Meditation
On Meditation

In today’s challenging and busy world, don’t you wish you knew how to quieten your mind and focus on yourself? In On Meditation, renowned spiritual leader, Sri M, answers all your questions on the practice and benefits of meditation. With his knowledge of all the various schools of practice and the ancient texts, he breaks down the complicated practice into a simple and easy method that any working man or woman, young or old, can practise in their everyday lives.

 

Manto and Chughtai: The Essential Stories

Manto and Chughtai

Ismat Chughtai and Sadat Hasan Manto were Urdu’s most courageous and controversial writers in the twentieth century. Featuring themes such as communal violence, the Partition, sex, relationships, and more, this collection features some of their most famous short stories.

 

The Body Myth

The Body Myth

Mira is a teacher living in the heart of Suryam, the only place in the world the fickle Rasagura fruit grows. Mira lives alone, and with only the French existentialists as companions, until the day she witnesses a beautiful woman having a seizure in the park. Mira runs to help her but is cautious, for she could have sworn the woman looked around to see if anyone was watching right before the seizure began.

Mira is quickly drawn into the lives of this mysterious woman Sara, who suffers a myriad of unexplained illnesses, and her kind, intensely supportive husband Rahil, striking up intimate, volatile and fragile friendships with each of them that quickly become something more.

The Best of Thomas Harris from his New Book, Cari Mora!

From the creator of The Silence of the Lambs, comes a yet another thrilling story Cari Mora. The author, Thomas Harris, in his new novel tells a tale of evil, greed and the consequences of dark obsessions.

Cari Mora makes for a compelling read binding its reader till the end. Here we give you a few intriguing quotes from the book:


“She sat for a little while beside the water. The wind off the bay was full of ghosts tonight—young men and women and children who had lived or died in her arms as she tried to stanch their wounds, fought to breathe and lived, or shivered out straight and went limp.”

*

“It was nice to be excited. To be going on a creep. To be getting back at Pablo in his infernal sleep . . .”

*

“He might just follow his heart. It was fun to see if he could keep from following his heart. Heart HEAD, head HEART, bump.”

*

“It is here. It is here. The gold is here. Es ist hier! He knew it. If the gold had ears it could hear him if he called to it from this spot where he stood in a parlor.”

*

“Monsters know when they are recognized, just as bores do.”

*

“A moment of reverie as he made up a little couplet.

I cannot see my reflection in the black pools of your eyes / You will be hard to break but, broken, what a prize!”

*

“’You are way too wicked to die,’ Antonio said, and poured the old man a drink from the bottle on the table.”

*

“The scars are more exotic than disfiguring. Like cave paintings of wavy snakes. Experience decorates us.”

*

“For that which befalleth the sons of man befalleth beasts; as the one dieth, so dieth the other; yes, they have all one breath; all are of the dust and all turn to dust again.”


 Cari Mora, Thomas Harris’ sixth novel, is the long-awaited return of an American master. Get your copy here!

Searching for a twenty-five million dollars in cartel gold, which is hidden beneath an imposing mansion on the Miami beach; many ruthless men have attempted to track it for years but in vain. Leading a group of men, Hans-Peter Schneider is on this quest. He is a man of unspeakable appetites and makes a living by catering to rich men with violent fantasies.

The caretaker of the mansion that sits on the coveted gold, Cari Mora, hails from a turbulent past wrought with violence. A native of Columbia, she is staying in Miami on a Temporary Protected Status. She catches the eye of Hans-Peter, owing to her beauty.

Puzzled by Persia: A Tale of Mis-Adventures from ‘The Travel Gods Must Be Crazy’

Dreaming of glorious sunrises and architectural marvels in exotic places, energy economist Sudha Mahalingam often landed up in situations that were uproariously bizarre or downright dangerous.

Punctuating her droll stories with breathtaking descriptions and stunning photographs, in her book The Travel Gods Must Be Crazy, Sudha invites readers on an unexpected and altogether memorable tour around the world!

One such destination was Iran, where she was pleasantly surprised at the safety, hospitality and the culture despite travelling solo and since just this one book couldn’t cover all of the author’s escapades, here’s an all exclusive and unforgettable episode from the author’s visit to Iran!

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When I land in Tehran airport on a balmy day in November, I have a split-second decision to make—who to go with. For, there are two placards displaying my name, one held aloft by a burly man who also has two other placards with other names. The other, with my name scrawled in English by hand, is held by a demure young woman in a stylish manteau, kohl-rimmed eyes scanning the crowds pouring out of the airport. Instinctively, my legs lead me to the woman. Both of us exchange smiles as she leads me out of the airport. I am not sure who she is, although I guess she is not from the conference secretariat. The burly man must be.

As soon as we had boarded the Mahan Airlines plane, we had been shown a video of how women should cover their heads and behave modestly. When it was time for landing, we were all instructed to don our hijabs or chadors and headscarves. I had already bought a hideous yellow-green one from the by-lanes of Nizamuddin Basti in preparation for my first visit to this mysterious country reeling under the Islamic Revolution. When I pull he chador over my head, I realise I am the only woman in a non-black garment in the entire plane. In the next few hours, it becomes apparent to me, I am the only one in non-black chador in the entirety of vas Persian landscape as well.

Haleh, I find out, is the elegant wife of Professor Abdul Majid Eskandari of Tehran University, with whom I had corresponded about my travel plans in Iran. When I had received an invitation to speak in an energy conference in Tehran, my cupidity asserted itself and I had planned to explore at least Shiraz and gorgeous Esfahan on this precious trip to a country relatively unknown to the world in 2003. Little did I know that I would end up going to that country several times over the decade. I needed local help to arrange bookings in Iran and a JNU professor had put me in touch with Eskandari. Honestly, I did not expect Eskandari to send his wife to fetch me from the airport.

If she is taken aback by my outrageous colour choice, Haleh reveals nothing of her surprise. She speaks only a smattering of English. We communicate mostly through gestures. When did that deter me from carrying on a conversation? I mime and clown and she is indulgent. She hails a taxi cab and we both hop in. ‘Have oil, will drive’ seems to be the motto of Tehranians. With a litre of benzene costing less than a Rupee then, Tehran’s wide avenues are choked with traffic and benzene fumes. Paykan after battered paykan jostles for space alongside swanky Volvos and Mercs. The avenues are broad and tree-lined, but the vehicles are bumper-to-bumper.

I crane my neck past the traffic to spot Mt. Damavand clothed in snow. Like Mt. Rainier in Seattle, Damavand is a beacon that beckons aspiring climbers from around the world, those that can manage a visa. We drive for the next hour through heavily trafficked roads to a beautiful suburb. When we alight at the apartment gates, Haleh punches some numbers on the security lock and we enter. As soon as we step into her apartment and shut the door, she yanks her scarf out to reveal gorgeous flaming red tresses that fall to her shoulders. Off comes the manteau too, to reveal a chic and tight Dolce & Gabbana t-shirt over sequinned jeans. I wonder why dress so stylishly when nothing can be seen outside of homes. But Iranian women love their fashion and their make-up regardless.

Haleh switches on the TV while she goes to fetch some lunch for me—boiled broad beans and rice. (Eskandari had been informed of my dietary peculiarities.) A Persian soap is playing on the small screen. Even in indoor domestic scenes, women are fully chadored and demure.

Haleh has a hairdresser appointment that day. She asks me through sign language whether I’d like to go with her. Why not? I am ready in a jiffy, donning my matronly and ugly chador outmoded by a century at least and she, in another stylish manteau and bespoke scarf from Cartier’s or Yves St. Laurent or some such. We head to the local market heaped with assortment of goods—luscious fruits, ersatz labels of fashion designers piled high, and household goods and heaps and heaps of dried fruits.

But we head straight to the salon where she is whisked away behind a screen to be fussed over by a posse of female hair dressers. I survey my surroundings, wondering how much more the hairdressers can do for her already gorgeous hair. Two of the salon’s windows are plastered with hundreds of price stickers with glamorous hairdos of every description and hue—flowing, curled, bobbed, coiffured, crew-cut, in blonde, brunette, black and even streaked—all presumably western women. As I pore over this window, mouth agape, I realise why. You can’t show women’s hair in public in Iran, not under any circumstances. So the hairdressers had come up with the ingenious idea of not showing the face, but only the hairdo. Each face is plastered with a price tag—a few thousand Turmans. May be because they can’t display their hair, Iranian women seem to be obsessed with coiffuring it.

This strict rule that forbid women from showing their tresses comes to haunt me elsewhere, too, although mine is nothing glamorous—limpid and grey. Three days later, I was in the conference, on the dais with two other speakers and three Iranian dignitaries—ministers and the head of the institute which had invited me. That was because I was one of the speakers in the very first session of the conference, after the inaugural address. There is a battery of cameramen and women, training their lenses on the stage to capture the minister’s inaugural address. Flashes pop. Even as I was blinking in the bright light, I feel a tap on my shoulder. A conference factotum whispers in my ear, asking me to pull my scarf tight—the hair in front was showing. Contrite and confused, I try to tuck as much of my unruly wisps into my scarf in the full glare of cameras and flashes.

That evening, Eskandari drops me off at Mehrabad airport to put me on a plane to Shiraz. The flight was late by two hours, but he assures me it is okay. I have been booked into the guest house in Shiraz University. The plane lands around 11 pm. As I step out, a cab pulls up beside me and I hop in. Another passenger comes running, yanks open the front door and dives in, muttering an apology to me. That’s when I realise it is not unusual for total strangers to share a ride. The cab deposits me at the gate of Shiraz University where I would be staying three nights. There is a bell pull at the gate which the cab driver pulls and waits for the caretaker to come and open the gate.

An elderly caretaker emerges from the shadows. Obviously, he was expecting me. The cab leaves only after I am let in. The caretaker leads me wordlessly through the winding internal roads to the reception of the women’s guest house. He gestures me to sit on the sofa and disappears into an adjoining room to re-emerge with a thermos in hand. At that hour, close to midnight, he whips out a glass mug and pours the reddish black tea into it and proffers a bowl of sugar cubes. I pick one and plop into my tea and he looks at me disapprovingly. He pours himself a glass too, bites the sugar cube between his teeth and sucks the tea through the sugar cube. That’s the way Iranians drink their tea. Anybody who does otherwise is deemed uncivilised, I suppose.

Over the next few days, I wander around majestic Persepolis, the ancient capital of the mighty Darius and Xerxes, elegant and sophisticated Shiraz and seductive Esfahan. For those of us whose childhoods were enlivened by tales of Haji Baba, the very mention of Esfahan might conjure up visions of busy bazaars laden with a profusion of goods of the oriental variety, mullahs hurrying down the labyrinthine alleys, exquisite mosques, minars and sprawling gardens at every bend and corner. Indeed, Esfahan today is all this and more. It is a modern city with wide roads, frequent air, train and bus connections from major Iranian cities, and is the seat of an accomplished modern university. If you go looking for your beloved Haji Baba, you might even find one. But you will also find elegantly dressed men and women promenading the sidewalks and tucking into feludae served in polystyrene foam cups. Horse-drawn tourist carriages jostle for space alongside fast cars and motorbikes and touristy shops packed with every conceivable kitsch alongside genuine Persian handicrafts vie with one another for the attention of your wallet.

Over the next many visits, Iran holds out many surprises for me. One thing that came across clearly is that it is absolutely safe for women, especially foreign women to travel alone in this country. I visited Qom, the mullah factory, Yazd, the desert caravanserai, Tabriz of Persian carpet fame and of course, Persepolis and Shiraz and drop-dead gorgeous Esfahan, all alone. I even visited the secretive Natanz town infamous for its uranium enrichment plant, but no one shooed me off.

At the stunning Loftullah mosque in Esfahan, I am first issued an entry ticket meant for locals. As I count the wads of Rials and Turkmans in confusion—even an entry ticket in Iran would run into thousands of Rials putting the Japanese yen to shame—the counter official asks me something in Farsi. I nod my head. He grabs back the ticket and issues me a dollar-denominated one which cost ten times as much! Wearing the stylish manteau which Haleh had kindly lent me doesn’t help. My Indian headscarf is a dead giveaway!


Get a copy of The Travel Gods Must Be Crazy for more such breathtaking adventures!

5 things India should do to achieve greatness

What is it about the Indian psyche that makes us so incapable of fulfilling our promise as a nation? Why are we so averse to risk, resigned to mediocrity and mired in a collective lack of confidence? India has so much potential but seems forever stuck on the brink of actualization, unable to muster the political will and geo-economic force to clear the final bar. The stakes are higher than ever, and India’s moment is now.

Super Century by Raghav Bahl highlights the Indian psyche that makes us so incapable of fulfilling our promise as a nation and questions our constant aversion to risk, resignation to mediocrity and our collective lack of confidence.

The below points share what India must do in order to achieve the greatness that is it’s due:

Treat any friction in the India–US relationship as temporary and stay focused on the long-term prize: an unequivocal alliance.

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India’s leaders should consult with experts, from private industry as well as the public sector, to figure out how best to deliver top-quality, state-of-the-art service in each sector, make them operate with maximum efficiency and provide an effective safety net for society’s neediest.

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India’s leaders must be truly committed to liberating— rather than squelching, or redirecting—the ambitions of the Indian people. Only then will the nation fulfil the promise of all its potential both at home and in the world.

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Instead of treating tourists with indifference or worse, we need to recognize their value to India. Not only do they bring in desperately needed revenue, but they also expose us to new perspectives and raise our global profile.

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The ratio of allopathic doctors to citizens should double to 1 per 1000 by 2027, and India would also seek to increase the density of health workers— nurses and midwives, as well as doctors—to WHO’s ideal of twenty three per 10,000 people. There should be at least one medical college per district or 1.5 million people and a system for training community health workers.

Super Century offers a cogent and candid assessment of how we got where we are and a clear blueprint of what we need to do, both at home and in the world, to fulfil our promise going forward.

Living on the Street: Quotes from ‘The Bridge Home’ that will Leave you Teary-Eyed

Meet India’s 5 Most Notorious Serial Killers from ‘The Deadly Dozen’

A schoolteacher who killed multiple paramours with cyanide; a mother who trained her daughters to kill children; a thug from the 1800s who slaughtered more than 900 people, a manservant who killed girls and devoured their body parts.

If you thought serial killers was a Western phenomenon, think again!

These bone-chilling stories in The Deadly Dozen by Anirban Bhattacharya will take you into the hearts and heads of India’s most devious murderers and schemers, exploring what made them kill and why?

Here are the inner working of some of the minds of India’s most gruesome killers:

GOWRI SHANKAR A.K.A. AUTO SHANKAR

“Two things fuelled Shankar’s existence—rage and sex. Mixed together, it was a deadly cocktail that would take him down the road to hell. His carnal desires were always streaked with violence, which was symptomatic of his depraved mind.”

THUG BEHRAM- THE WORLD’S MOST DANGEROUS SERIAL KILLER

“Behram became an expert at ‘casting’ the rumaal quickly and accurately so it landed on the Adam’s apple and in a swift move, extinguished people’s lives. Today, the infamous rumaal can be seen online, preserved in the private museum of an unknown collector.”

STONEMAN- INDIA’S MOST ELUSIVE SERIAL KILLER

“The modus operandi was simple. The killer chose his victims from among the pavement-dwellers, especially those who slept alone, far away from a group. The killer would crush the victim’s head with a single boulder, weighing as much as 30 kg. In most cases, the victims did not have relatives or associates who could identify them.”

RAMAN RAGHAV A.K.A. INDIA’S JACK THE RIPPER

“Raghav was a hunter and a scavenger. He killed because he had to. He was always short of money. In such a circumstance, any other person would have resorted to petty theft or burglary. But Raghav had an abundance of sinister urges. As Shakespeare wrote in King Lear, ‘As flies to wanton boys are we to th’ gods. They kill us for their sport.’”

ANJANABAI, SEEMA GAVIT AND RENUKA SHINDE -CHILD KILLERS OF INDIA

“With no source of income, greed for money and a total disregard for the law, Anjana continued chain snatching and pickpocketing on temple premises. She roped in her daughters as well. Renuka was a natural and Seema was told it was a game. By her third time, Seema had begun to enjoy it. Their tiny hands could dip into pockets and open bags quite effortlessly, pulling out their contents. The trio often came under the scanner of the police. They were picked up several times. But the shrewd matriarch would grease the palms of the cops and they would be let off.”


Grab your copy of The Deadly Dozen today!

Five ways everyday fruits and vegetables come to your rescue!

There is no magic pill, diet, exercise programme or mantra that can help you lose weight or prevent or heal a disease. The magic pill is a lifestyle.

In The Magic Weight Loss Pill, the authors, Luke Coutinho and Anushka Shetty have tried to bring you the best lifestyle changes that have helped thousands of people across the globe to lose weight and keep it off and prevent and heal disease. Luke’s expertise in the field of lifestyle and integrative medicine and Anushka’s real-life experience of using lifestyle to lose weight and maintain the fitness levels required of an actor will be applied in this book to help people lose weight and gain health!

Here are some essential fruits and vegetables that you must include in your diet!

 

  • The great Indian diet naturally has enough food that is anti-inflammatory foods, such as turmeric,  cinnamon, garlic, onions and cooked tomatoes. So make sure you include all of these in your diet in sufficient quantities. All fruits and vegetables are also anti-inflammatory.

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  • Raw foods are best absorbed on an empty stomach as they require digestive enzymes different from those for cooked food to be broken down into nutrients, sugar and fibre. Absorption is highest when fruits and raw vegetables are eaten on an empty stomach.

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  • One of the main reasons people accumulate abdominal fat is because alcohol depletes choline, a fat blasting B vitamin that acts directly on the genes that cause fat storage in the abdomen. Bananas are rich in choline and help the body replace it.

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  • Excess uric acid is not a good sign because it is biofeedback from your body that your kidneys aren’t working properly. Raw potato juice has the ability to break down and flush out uric acid from your body. So if you suffer from this condition, drink one glass of this juice in the morning and one at night.

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  • Certain fruits like pineapple are rich in an enzyme called bromelain. Bromelain is an important enzyme when it comes to keeping your body alkaline and reducing inflammation even in the most chronic cases of rheumatoid osteoarthritis.

Get your copy of The Magic Weight Loss Pill today!

Four Moments that Show how the 70s was the Decade of Smugglers

Sufi is the story of two boys who grew up in Dongri, Mumbai.

 

One of them, Iqbal Rupani, aided and abetted by a corrupt policeman, is drawn towards criminal activities in his teens. As he becomes powerful and influential as a racketeer and smuggler, he creates a puritan code of conduct for himself: no drinking, no smoking and no murders. He comes to be known as ‘Sufi’ because of his principles and philosophical manner of speaking. The other boy, Aabid Surti, grows up to become a famous author.

How did the lives of these two boys, which began on such a similar note, diverge so drastically? This book presents an astonishing real-life story, with the sweep and scale of Kane and Abel, told by one of India’s most beloved storytellers.

Here are some true-to-life examples from the book that bring to light the era of smuggling!

 

‘The boatmen lifted the crates from the steam launch and handed them over to men who passed them on to others standing in a row. The crates were loaded on to the truck, Lastly, an unconscious Iqbal was also hauled out in the same way as the crates’

 

‘The procession of three vehicles crossed the bridge to enter Panvel and turned towards Bombay – past a tea stall where a waiting customs official in mufti noted down the registration numbers of all three vehicles and, barely able to conceal his smile, headed for the nearest phone booth’

 

‘In this so-called legal trade, unlike the criminal world of smuggling, a person’s word did not carry any weight. This was a cut-throat business. Those whom he(Iqbal) had dismissed as uneducated, unsophisticated Marathas were in fact the prawn mafia.’

 

‘Those days, the government had imposed a 240 per cent customs duty on the import of stainless steel. Understandably, a rise in customs duty led to an increase in price. And when the price increases, it boosts smuggling.’

 

Read Sufi by Aabid Surti for a true-to-life story of Kane and Abel!

Fascinating Folk Tales from ‘Cities and Canopies’

Native and imported, sacred and ordinary, culinary and floral, favourites of various kings and commoners over the centuries, trees are the most visible signs of nature in cities, fundamentally shaping their identities. Trees are storehouses of the complex origins and histories of city growth, coming as they do from different parts of the world, brought in by various local and colonial rulers.

Drawing on extensive research, Cities and Canopies by Seema Mundoli and Harini Nagendra is a book on nature’s own museums.

Here are some interesting tree-related folk tales and myths from the book:


The silk cotton in folklore is termed as a ‘parrot’s despair’.

“Folk tales mention parrots eagerly pecking at the tasty looking seed pods and being disappointed to find they contain mostly inedible cotton.”

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Trishanku, the ruler of Ayodhya is believed to be responsible for the creation of the coconut tree

“King Trishanku was seized by the desire to go to heaven alive…. But the gods, who would not accept this unusual route of approach, complained to Indra, who pushed him down. Pushed up by Vishwamitra and pushed down by Indra, the unfortunate Trishanku remained suspended for a while. Tired of holding him up with his magic powers, Vishwamitra propped him up with a long pole. The pole became the trunk of the coconut. Trishanku’s head is the fruit or the coconut.”

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Can trees predict the future? Many believed they do

“Mythologies from Greek to English talk of oracle trees—trees that can predict the future. Alexander the Great was believed to have received a warning from a Wakwak tree of the end of his life and the destruction of his empire.”

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The frangipani is abundant around temples and graves due to its immortality

” The tree symbolizes immortality owing to its ability to produce flowers and leaves even after being uprooted. Its flowers adorn graves throughout the year. Great power is accorded to the seed of the tree as a cure for bites from the venomous cobra. Folk beliefs claim that the tree has no pods, as the cobras destroy them out of fear.”

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Many ancient human societies long believed that people can talk to trees.

“In ancient Persian, Chinese and Indian mythologies, there are frequent references to the Wakwak or Vagh Vagh tree, which bears fruits that look like human heads. When the fruits ripen, the trees begin to talk, say a number of beloved old fairy tales.”

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There are a number of tales about the tamarind from different parts of India.

“One legend from Sambalpur says that there was a fight between Bhasmasura, the asura chief, and Mahadev (Shiva). Bhasmasura hid in the tamarind tree, but Mahadev opened his third eye. The magical power from his third eye shattered the leaves of the tamarind tree, making them small forever.”


Cities and Canopies is a book about both the specific and the general aspects of these gentle life-giving creatures. AVAILABLE NOW.

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