Taslima Nasrin is an award-winning novelist, poet, celebrated memoirist, columnist, physician, secular humanist and human rights defender. She has written 44 books out of which some have been translated into thirty different languages. Taslima Nasrin’s works have won her the prestigious Ananda Puraskar in 1992 and 2000. Her new, bold and evocative book, Split: A Life, opens a window to the experiences and works of one of the bravest writers of our times.
Here are ten facts you didn’t know about her.
—————–
Author Nanditha Krishna on the close relationship between Hinduism and Nature
There is a close symbiotic relationship between Hinduism and Nature. The basis of Hindu culture is dharma or righteousness, incorporating duty, cosmic law and justice. Every person must act for the general welfare of the earth, humanity, all creation and all aspects of life. Dharma is meant for the well-being of all living creatures. The verses of the Vedas express a deep sense of communion of man with god. Nature is a friend, revered as a mother, obeyed as a father and nurtured as a beloved child. In Vedic literature, all of nature was, in some way, divine, part of an indivisible life force uniting the world of humans, animals and plants.
Five thousand years ago, the Vedic sages showed a clear appreciation of the natural world and its ecology. There is a hymn to the rivers (Nadistuti Sukta) in the Rig Veda and a hymn to the earth (Prithvi Sukta) in the Atharva Veda. Throughout the Vedas there is a deep respect for life which is an important manifestation and expression of the gods. The need to protect and conserve biological diversity is exemplified in the representation of Shiva, Parvati, their two sons Karttikeya and Ganesha and their vahanas or vehicles – bull, lion, peacock and mouse respectively – who live in close harmony.
There is a very strong and intimate relationship between the biophysical ecosystem and economic institutions which are held together by cultural relations. Hinduism has a definite code of environmental ethics and humans may not consider themselves above nature, nor can they claim to rule over other forms of life. Every aspect of nature is sacred for the Indic religions: forests and groves, gardens, rivers and other waterbodies, plants and seeds, animals, mountains and pilgrimage centres. The sacred is still visible in modern India. All creation is a manifestation of the divine with no dichotomy between humanity and divinity. Religious practices are influenced by local environmental and festivals coincide with a natural phenomenon.
I fell in love with sacred groves attached to Hindu temples, where not a twig may be broken and which are the remnants of ancient forests where sages lived in harmony with nature; with rivers that gush from the hills and meander through the land; with the sacred tanks attached to each temple, the sacred plants and the animals respected by my religion; with the awe-inspiring mountains which reach up to the skies and where the Gods live. Every festival reminds us of the importance of nature in our lives. As the author of Sacred Plants of India and Sacred Animals of India I explored the divine relationship between human beings, plants and animals, which are an essential part of every Hindu prayer.
“The Earth is my mother and I am her child,” says the hymn to the Earth in the Atharva Veda. The human ability to merge with nature was the measure of cultural evolution. Hinduism believes that the earth and all life forms – human, animal and plant – are a part of Divinity, each dependant on the other for sustenance and survival. All of nature must be treated with reverence and respect. If the forests, clean water and fresh air disappear, so will all life as we know it on earth.
——————————————————
A historian, environmentalist and writer based in Chennai, Nanditha Krishna has a PhD in Ancient Indian Culture from Bombay University. She has been a professor and research guide for the PhD programme of C.P.R. Institute of Indological Research, affiliated to the University of Madras. Her latest book, Hinduism and Nature delves into the religion’s deep respect for all life forms, the forests and trees, rivers and lakes, animals and mountains, which are all manifestations of divinity. 
Will You Still Love Me, An Excerpt
Ravinder Singh is the bestselling author of I Too Had a Love Story, Can Love Happen Twice?, Like It Happened Yesterday, Your Dreams Are Mine Now and This Love That Feels Right . His new book, Will You Still Love Me is deeply moving, disturbingly close to reality, and love at its worst and its best.
Here’s an excerpt.
_______________________
Rajveer sat down on his seat and looked at her with newfound feelings. The spectacle of a sleeping beauty kindled a variety of emotions in his heart. Now that he could look at her without feeling self-conscious, Rajveer realized how attractive a woman Lavanya was! His eyes rested on the glowing skin of her face and her neck before they slid down to her waist, to the skin visible between the blouse and the long skirt she wore. He watched the rhythmic rise and fall of her chest as she slept. The tiny sleeves of her blouse clung to her elegantly shaped arms.
Rajveer took in the details of her beauty—her jet-black silky hair that lay softly on her shoulders, her not so long fingers that ended in shapely nails. She possessed a well-toned body many women only craved for. Lavanya wasn’t tall, yet her average frame possessed more than enough charm to be considered quite striking.
Then suddenly she turned her head in her sleep. It made Rajveer immediately retract his gaze. He thanked god that she hadn’t abruptly opened her eyes and caught him staring at her. He then looked around self-consciously to check if anybody else had noticed him doing so. He was safe, he realized.
To distract himself, Rajveer pulled out the Hello 6E from the seat pocket in front of him and began flipping through it. He occasionally checked on Lavanya too, who remained deep in sleep.
More than half an hour passed this way. By then, Rajveer had also pulled out his laptop from his luggage and had begun working on it. Just then he heard the captain’s voice letting passengers know that he had initiated the descent of the plane. This woke up Lavanya from her sleep.
‘Slept well?’ Rajveer asked. There was a sense of familiarity as he spoke and a certain softness.
She rubbed her palms over her face and then looked at him, ‘Yes. I feel so fresh now!’ She smiled.
Then reacting to the announcement that the use of lavatories was not allowed as they had begun descent, Lavanya quickly unbuckled her seat belt. She wanted to use the loo as soon as possible.
Caught by surprise, Rajveer had to quickly close his laptop, place the in-flight magazine on the middle seat, close the tray table, and then unbuckle himself, all in a rush. Lavanya didn’t have much time. She tried to manoeuvre through the narrow space between Rajveer’s legs and the seat in front. In the process, Rajveer’s knees rubbed against her skirt. Her touch and proximity felt like a jolt of electricity to him. Briefly he found himself staring straight at her bare, slender waist. Gosh! How much he wanted to feel that dewy skin on the tips of his fingers. He got a whiff of her perfume and he inadvertently took in a deep breath.
‘Sorry,’ Lavanya apologized for the discomfort to Rajveer. You are welcome, he said in his mind.
Sujata Massey Like You Never Knew Her
Mystery author Sujata Massey’s new book, A Murder on Malabar Hill, is based in 1921 Bombay. It is about a young, intrepid and intelligent girl with a tumultuous past, who joins her father’s prestigious law firm to become one of India’s first female lawyers.
The author holds a BA in Writing Seminars from John Hopkins University and started her working life as a features reporter for the Baltimore Evening Sun.
Here are six things you didn’t know about the author.
____
Quiz: Can You Be A CEO?
The Making of a CEO is the result of interviews and analysis of top-level CEOs across various sectors. The book has it genesis in a popular course Krishnan taught at IIMB, where the students interviewed and analysed twenty CEOs to learn how they charted a clear path to the top.
Do you have the potential to be a CEO? Here’s how you can check it out:
7 Quotes about 'The Tatas' that will make you pick a copy of 'Creation of Wealth'
Russi M. Lal started his career in journalism in 1948 at the age of nineteen. He was the director of Tata’s premier trust, the Sir Dorabji Tata Trust, for eighteen years as well as the co-founder and chairman of the Centre for Advancement of Philanthropy. The Creation of Wealth is R.M. Lala’s best-selling account of how the Tatas have been at the forefront in the making of the Indian nation.
Here are 10 phenomenal quotes about the Tatas from some of the most notable personalities of this country.
———————————–
To know how modern India came into existence, you must pick a copy of Creation of Wealth!
6 Times Jonahwhale Touched our Hearts
Ranjit Hoskote is the author of five major books of poems, including, most recently, Central Time, Vanishing Acts and eighteen works of cultural criticism. He is the editor of Dom Moraes: Selected Poems. His translations include I, Lalla: The Poems of Lal Ded. His latest, Jonahwhale, is a sophisticated project in anamnesia, that retrieves fragments and episodes from the multiple pasts that we inherit; it makes an inquiry into the unregarded legacies of the colonial encounter at sea rather than on land.
Let’s have a look at 6 most heart touching vignettes from the book.
—————————
1. Dunhuang
2. Kushan Dawn Song
3. Planetarium
4. Passage
5. The Refugee Pauses in Flight
6. The Swimming Pool
A Murder on Malabar Hill by Sujata Massey – An Excerpt
Sujata Massey is an award-winning and highly acclaimed mystery writer. She holds a BA in Writing Seminars from John Hopkins University, and started her working life as a features reporter for the Baltimore Evening Sun. Her new book, A Murder on Malabar Hill, is set against the backdrop of colonial Bombay and follows the gripping tale of an incomparable sleuth, a female lawyer, Perveen Mistry.
Let’s read an excerpt from this gripping narrative.
_______________________________________________________________________________
Sakina’s bedroom suite door was open. Inside, everything was as orderly as before; even the silver tray was gone. Perveen looked under the bed and in drawers and then lifted aside the picture to look at the locked safe door. The safe was certainly wide enough to accommodate the briefcase—but perhaps not deep enough.
Being in Sakina’s room alone made Perveen feel almost like a thief. She put her head out of the door, checking in the hallway for new sounds. Perhaps five minutes had passed since she had entered the room. It was too bad she didn’t know which room was Mumtaz’s.
Perveen glanced towards the brass jali that Sakina had said was the conversation place between the zenana and main house. If Mr Mukri chose to eavesdrop, he could only do so from there; that was the likely reason the wives were speaking in Razia’s faraway bedchamber rather than Sakina’s closer quarters. As Perveen studied the patterned brass border, a smear of red caught her eyes.
A dash of red, reminding her of the kumkum Hindu and Parsi women used to make a decorative marking between the eyes. But this red marking was slashed across the brass metalwork, and there were droplets and smudges on the floor. It could not be vermilion powder. With a growing sense of worry, Perveen stepped out of the doorway, taking care not to touch any of the red droplets as she approached the screen. Squatting, she could make out a shadowy mass just below the document slot.
Although she knew it was improper, Perveen lifted the long, wide brass lid that covered the slot. Her last calm thought was that this lid was about the same weight and size as the one on the mail slot in the door of Alice’s ancestral London townhouse.
Then she wanted to be sick.
On the other side, Mr Mukri lay collapsed, arms and legs skewed wildly, as if he’d tried to escape but failed. Half under him was the edge of her Swaine Adeney bridle-leather document case. Blood covered the back of his head and collar and ran in thick rivulets down his black suit jacket. Something long and silver protruded from his neck. Was it a knife? She didn’t care.
She couldn’t bear to look any longer.
Perveen put her hand to her mouth and stepped back. If she hadn’t looked through the slot, she wouldn’t have known he was dead. Now it was too late…
Across the Universe: The Beatles in India by Ajoy Bose – An Excerpt
Ajoy Bose has written a widely acclaimed book on the Emergency, For Reasons of State, and Behenji, the definitive political biography of Dalit leader Mayawati. A leading television commentator and columnist, he now uses his formidable investigative skills to look beyond politics, recreating the fascinating journey of the Beatles to India half a century ago. Full of characters and happenings delightful and evil, of comic excess and dark whimsy, Across the Universe: The Beatles in India, traces the path the Beatles took to India and the dramatic denouement of their sojourn at the Himalayan ashram.
Here’s an excerpt from this fascinating read.
—————————
Based on a raga recorded by Ravi Shankar some years ago on All India Radio, George’s song seemed quite independent of the rest of the album in its entirely Indian orientation played by Indian musicians with the rest of the Beatles out of the picture. The Indian musicians were recruited from the Asian Music Circle in Finchley, north London. They were Anna Joshi and Amrit Gajjar on dilruba, Buddhadev Kansara on tanpura and tabla player Natwar Soni. The song also featured lyrics that were overtly spiritual, seeking to explain the Hindu concept of maya, a veil of illusion that needed to be cast aside to find spiritual truth and happiness ‘within you’. The passion with which George played the sitar and the distinctive quality of the song impressed both Paul and John who were getting quite annoyed with his lack of enthusiasm towards the album. Both thought the song was great and did not appear to mind George having Indian musicians take over their studios and, for the first time, leaving them out of a Beatle song. Describing the song as ‘a great Indian one’ John said, ‘We came along one night and we had about four hundred Indian fellows playing here and it was a great evening, as they say.’ He would say later, ‘One of George’s best songs. One of my favourites of his, too. He’s clear on that song. His mind and his music are clear. George is responsible for Indian music getting over here.’ No longer the quiet Beatle, George, his imagination fired by Indian spirituality, could not stop talking about his new infatuation. He appeared along with John on the prestigious television show The Frost Report and gave innumerable interviews to a variety of publications declaring his adopted faith. When he was asked to give his choice of iconic personalities that the Beatles had decided to put on the Sgt. Pepper’s Lonely Hearts Club Band album cover, the four he chose were all Hindu seers, starting with his favourite Sri Paramahansa Yogananda and the three gurus who preceded him, Sri Yukteswar Giri, Sri Mahavatar Babaji and Sri Lahiri Mahasaya. On George’s insistence, these unfamiliar holy men from a distant land and an obscure faith brushed shoulders on the Sgt. Pepper’s cover with a variety of popular Western icons including Marilyn Monroe, Edgar Allan Poe, Karl Marx, Carl Jung and the champion swimmer Johnny Weissmuller who played Tarzan in Hollywood movies, among numerous others. In less than a year of meeting Ravi Shankar, George had virtually erased from his life all traces of his English working-class roots in Liverpool. The Harrisons became vegetarians, inspired by ahimsa, the Hindu pledge of non-violence to all living things. Pattie would shop at the local health food store in Esher for grains, pulses, vegetables and fruit, cooking not just nut cutlets and stews but also pakora, samosa, lassi and rasa malai. The scent of hash and joss sticks permeated the house. An ornate hookah sat on a low table in a sitting room which had no chairs, just cushions and rugs, according to George’s biographer Thomson. Thomson paints a compelling portrait of a Beatle who had by now fully embraced the culture and creed of a distant land. At his twenty fourth birthday party at his Kinfauns home, he played the sitar and then watched and recorded a concert performed in his honour by the great sarod player Ali Akbar Khan. No other Beatle attended. George wore a traditional cotton kurta and his guests included photographer Henry Grossman and the Byrds’ David Crosby and McGuinn, each arriving with vegetarian dishes for the buffet-style meal. It was, according to McGuinn, a charged occasion. ‘I remember being at that party with him in 1967 and I could feel the room change, there was something happening in the room. I looked at George and asked what was going on, and he said, “I’m transcending.”’ In 1966, a Vaishnavite Indian seer, Swami Bhaktivedanta Prabhupada, had founded a Krishna cult called ISKCON that would sweep the West captivating thousands of young men and women with its evocative ‘Hare Krishna’ chant. The swami asserted that by merely chanting the name of Lord Krishna, devotees could directly connect to the deity. When George came across a record of this chanting, he immediately fell under its spell. He played it to John who too was mesmerised by the repeated and almost hypnotic intonation of ‘Hare Krishna, Hare Rama’, a mantra that is routinely chanted every day by millions of devotees in India belonging to the Krishna sect of Hinduism. For the two Beatles, however, the ‘Hare Krishna’ chant seemed like a magical stairway to divinity. It was also another step towards the quest of the mantra that would take them to Rishikesh. George and John started chanting together whenever they met, forging a second bond in addition to their earlier connection over their shared first encounter with LSD.
For instance, both acid and mantra came together for the two during a sojourn out in the picturesque Aegean Sea in the month of July, when the Beatles went on a bizarre and ultimately abortive hunt to buy a Greek island to build their own kingdom. ‘Somebody had said we should invest some money, so we thought: “Well, let’s buy an island. We’ll just go there and drop out.” It was a great trip. John and I were on acid all the time, sitting on the front of the ship playing ukuleles. Greece was on the left; a big island on the right. The sun was shining and we sang “Hare Krishna” for hours and hours,’ George would fondly reminisce many years later. In that same month George waxed eloquent about both spirituality and India in an interview with Fifth Estate, a radical underground periodical. It would be his most explicit confession of embracing the Hindu faith and Indian culture and is worth quoting in detail. Answering a question on public curiosity about his new zeal for the chant, George expounded on the Hindu theory of Karma:
‘They get hung up on the meaning of the word rather than the sound of the word. “In the beginning was the word” and that’s the thing about Krishna, saying Krishna, Krishna, Krishna, Krishna, so it’s not the word that you’re saying, it’s the sound Krishna Krishna Krishna Krishna Krishna Krishna and it’s just sounds and it’s great. Sounds are vibrations and the more you can put into that vibration, the more you can get out, action and reaction, that’s the thing to tell the people.’
Pakistan’s Nuclear Bomb by Hassan Abbas – An Excerpt
In this inside view of Pakistan’s nuclear programme, Hassan Abbas profiles the politicians and scientists involved in the development of the country’s nuclear bomb, and the role of China and Saudi Arabia in supporting its nuclear infrastructure. Drawing on extensive interviews, the book also examines Pakistani nuclear physicist A.Q. Khan’s involvement in nuclear proliferation in Iran, Libya and North Korea.
Let’s read an excerpt from the book.
———————————-
When A.Q. Khan finally joined the PAEC in January 1976, a small uranium-enrichment programme code named Project 706 (also known as the Directorate of Industrial Liaison) had been in place under the management of Sultan Bashiruddin Mahmood since October 1974. Munir Khan was directly supervising the nascent project, but there is almost a consensus among experts that it was going nowhere before A. Q. Khan.119 A. Q. Khan was asked to report to Mahmood as director of research and development, but was unhappy about that, given his vastly superior qualifications. Bhutto had already approved the construction of a centrifuge research and development laboratory under an unassuming title: the Aviation Development Workshop (ADW).120 It was a good cover, as this was located in the old barracks at Chaklala Airport, between Islamabad and Rawalpindi.
Within a matter of months A. Q. Khan ran into trouble with Munir Khan and others involved in the project. One view is that personality clashes and a desire for more control over the project brought the two Khans and others into conflict. What is often ignored here is the fact that A. Q. Khan was used to working in environments where efficiency and discipline were valued very highly. He had risen in his professional career because of his hard work and professionalism. The PAEC was quite different, as he quickly found out. It was more individual driven, and A. Q. Khan found it difficult to adjust. Disappointed with the lack of support from Munir Khan, A. Q. Khan told the prime minister that he needed financial and administrative independence to be able to deliver. He bitterly argued that he ‘could have contributed at least ten times more’ if he had been allowed to operate the way he wanted to.121 Bhutto appeared receptive to A. Q. Khan’s demands, as he was well acquainted with bureaucratic culture in Pakistan. He could see that jealousies were at play. To remove the administrative hurdles and bickering that had developed between the two Khans, he decided to give A. Q. Khan independent control of the centrifuge project. He did so by administratively separating the centrifuge project from the PAEC; the new institution was named the Engineering Research Laboratories (ERL). It was inaugurated on 31 July 1976, under A. Q. Khan’s direct command. The ERL project remained a well-kept secret and, other than the prime minister, only Ghulam Ishaq Khan knew the specifics of A. Q. Khan’s operation. As is evident from A. Q. Khan’s recent writings (as a columnist for The News since 2015), he had complete freedom to hire and make appointments in the organization—and he was able to attract the best scientific minds in the country
