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6 Myths Around India that Bollywood Has Debunked or Upheld

From Raj Kapoor to Amitabh Bachchan to Shah Rukh Khan, Bollywood has been India’s best cultural ambassador all over the world. In her remarkable new book – Bollywood Boom – Roopa Swaminathan shows how Bollywood has the power to mould India’s fortunes by winning the hearts of people across continents.
Amidst its rising power to influence the world, Bollywood has both debunked and upheld few myths that surround India and Indians. Here’s a look at six of those popular myths!
Myth 1
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When lead characters in mainstream Bollywood films were supposed to have sex onscreen, the scenes showed the rubbing together of two flowers  or cutaway shots of birds chirping. But Bollywood has come a long way since! It’s a case of building up an already popular myth – that Indians don’t do sex, or they do it mysteriously – and then busting it some decades down the line.
Myth 2
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That’s one of the myths that Bollywood has busted in recent times. Indian girls do choose how their lives play out and that is well-represented by a plethora of modern characters in Hindi cinema. The female protagonist in Love Aaj Kal makes a mistake, gets married to the wrong guy but has the guts to break it off and walk into the sunset with the right guy at the end.
Myth 3
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When it comes to sex, Indians have increasingly started to explore and choose. The sentiment is reflected in this new era of Bollywood. In Ek Main aur Ek Tu, the female protagonist openly claimed to have slept with more than a few guys.
Myth 4
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Either your parents’ house or your home after marriage – apparently, those are the only options that two consenting adults in a romantic relationship can manage. That myth has been debunked! Salaam Namaste deals with the pros and cons of ‘living together’ before getting married
Myth 5
5
Gone are the days when the international community viewed India only as this mystical land, full of old-world charms. New Bollywood movies show India in its full range now. Much of the diaspora who travel to India do so after being fascinated by an India that they’ve seen in Bollywood films.
Myth 6
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Not every Bollywood film is laden with songs and dances. And certainly, not every aspect of Indian life is a high-volume drama. Increasingly, the new wave of Bollywood has brought to the fore other sensibilities of the Indian culture.
Do you, too, have a myth in mind that you think Bollywood has busted or upheld? We would love to know!
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3 Times Perumal Murugan Showed Us How Different Yet Similar Cities and Villages are

Celebrated Tamil scholar and writer, Perumal Murugan, was born in a family of farmers.. Murugan’s Current Show and Seasons of the Palm, translated to English from the Tamil originals, are set against the backdrops of a city and a village respectively. Drawing from his personal experiences, the writer draws striking contrasts between life in a city and life in the countryside.
Here are 3 times Perumal Murugan showed us how cities and villages are nothing but the two sides of the same coin.
When he showed us how different the experience of going to the theatre is in a city and a village.
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When he showed us how shops in a city were not the same as shops in a village.
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When his stories showed us the contrast in how the divine is evoked in the inhabitants of a city and a village.
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As Murugan takes us through the concrete jungles of the city and the dusty lanes of the village, tell us how you’ve experience the rural and urban differently.

When a Bomb Rocked the Wafi Mall in Dubai — An Excerpt from 'In the Name of God'

What happens when you have to choose between faith and logic? Temples are places of worship, oceans of tranquility, or so everyone thinks, till a series of murders threatens to destroy the carefully cultivated reputation of the royal family of Thiruvanathapuram.
In Ravi Subramanian’s latest novel, we follow Kabir Khan, Additional Director, CBI, as he breezes through a complex maze of fact and fiction, faith and deceit, religion and commerce to unravel the mystery and unmask the killers with only minutes left at his disposal. Slick, riveting and fast paced, In the Name of God is a truly gripping novel.
Here’s an exclusive excerpt from the book.
It was a deafening sound. The kind that is heard when metal crashes into glass, bringing the whole thing down. The ground shook. It almost felt like an earthquake.
Visitors at Wafi Mall, the largest and possibly most exquisitely designed luxury mall in the area, stood astounded. No one could fathom what was going on.
Gate 1 of the mall was to the right of the central courtyard and a few minutes away from the main parking lot. The ground floor, accessible from Gate 1, was home to a variety of luxury gold and jewellery and accessory brands—Chopard, Cartier, Damas, Rolex, Omega, Breitling and a few local biggies were within shouting distance from the gate.
Moments later another piece of glass came crashing down amid the perceptible sound of cars rumbling close by.
At precisely forty-eight minutes past noon—no one knew the significance of the time, if there was one—two Audi A6s, one black and one white, had driven up to Gate 1. It was not uncommon for cars to drive up to the mall entrance. It was some distance from the main parking and the mall clientele, the rich and famous of Dubai, were not used to walking with their shopping bags. Ordinarily, the cars stopped on the carriageway built for them, waited for a couple of minutes, picked up their masters and drove out. But at 12.48 that day, the two Audis did not stop at the main gate. However, that was only half as strange as the manner in which they drove up to the gate: The black Audi was furiously approaching in reverse, followed closely by the white one, their bonnets almost kissing each other.
By the time the lone security guard at the gate could react, the black Audi had already crashed through the glass-and-metal door with a deafening noise. It drove further into the mall, right up to the main lobby on the ground floor, and screeched to a halt, the white car following suit. It almost seemed as if the black Audi was the pilot car, clearing the way for the second car. But why was it being driven in reverse? No one knew. No one cared. All that anyone in the mall was worried about was saving his or her own life. What ensued was mass panic as scared shoppers started running helter-skelter.
Amidst the confusion, four masked men, all dressed in black, got out of the cars, while the drivers stayed back, keeping the engines running. Armed with Kalashnikovs, they fired indiscriminately in the air, sending the already panic-stricken crowd into a state of hysteria. Everyone assumed it was a terrorist attack. At the time, that’s what it seemed like. Nervously vigilant, the four men strode towards the aisle to the right of the entrance. It was narrow, short and housed only three shops: Cartier, D’Damas and Ajmal Jewellers. At any given point in time, the cumulative stock in all the three stores put together was worth over a hundred million dollars.
The leader of the group stopped in front of Ajmal Jewellers and gestured to the other three to take up their positions. It took just one bullet to neutralize the shop attendant who was furiously rolling down the safety grille. The men entered the store. Once they were in, they were cut off from the rest of the mall.
All anyone could hear was the sound of shattering glass and indiscriminate gunfire. In three minutes the men came out of the store and ran back to the two Audis. Each of them had a bag in one hand— clearly booty from Ajmal Jewellers. But as they were rushing, the last of the four tripped and fell. The bag slipped out of his hands and rolled ahead. The contents of the bag—jewellery and gemstones—spilled out on to the marble floor. ‘Damn!’ the leader swore. ‘Quick! Three more minutes and the cops will be here. We need to go!’ The fall had delayed them by forty-five seconds. They had to leave, else they would be sitting ducks for the Dubai Police. He continued towards the Audi even as his fallen team member recovered, and tried to gather the loot on the floor and put it back into the bag. He quickly got into the second Audi though he had not managed to collect everything that had fallen out of the bag.
Immediately the engines roared to life. The cars vroomed and this time, the white Audi reversed out of the shattered mall entrance followed closely by the black one. In no time, they had disappeared from sight.
The moment the cars left the mall, people rushed towards the jewellery showroom, a few stopping on the way to pick up the pieces of jewellery and curios that had fallen out of the robber’s bag.
Ajmal Jewellers was in shambles. Glass from broken windows and display units was strewn all over. There was blood everywhere. Seven people had been shot—six store staff and a sole shopper.
All of them were dead.
This is an excerpt from Ravi Subramanian’s ‘In the Name of God’.
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The Beginnings of the Syrian Christian Kitchen in Kerala

Long before the time of Christ, spice merchants and travelers from around the world would visit Kerala. The important seaport of Muziris or Cranganore was populated with Greeks, Syrians, Jews, and Chinese traders who lived in harmony with the people of the region. It was on one of these trading vessels, plying between Alexandria and the Malabar Coast, that Saint Thomas the Apostle is believed to have arrived in Cranganore in AD 52. He began preaching the Gospel to the people of these areas, and eventually established churches in Cranganore, Paravoor, Palur, Kokkamangalam, Niranam, Malayatoor, and Nillackel. Among those early conversions were several Namboodiri Brahmin families, from whom many of the present-day Syrian Christians trace their roots.
As legend has it, the upper caste Brahmins of Palur were converted after a miracle, whereby Mar Thoma (Saint Thomas) suspended water in midair as a testimony of his faith. Most of these early Christians followed the ancient Eastern Nestorian faith and were known as Malabar Christians until the advent of a Syrian merchant—Thomas of Canaan—who arrived in Muziris with four hundred Syrians, including several priests and a bishop. The Syrians were welcomed by the local Malabar Christians as the countrymen of Jesus and Saint Thomas. The two communities eventually intermarried and merged to become Syrian Christians, now recognized as one of the oldest Christian communities in the world.
The present-day Syrian Christians of Kerala are also known as Nazaranis, the followers of Jesus of Nazareth, and though they are now divided broadly into four sects—the Knanaya Christians, Jacobites, Marthomites, and Syrian Catholics—they share many common religious and social practices, and intermarriage is not uncommon. Collectively they retain a distinct identity and remain independent from other Christians in India because of their unique lineage. Life is centered around their liturgy and the observance of days of fasting and abstinence. They follow old Syrian church rites, chanting their singsong Syriac liturgy. The saga of the St. Thomas Christians is narrated in their song and dance forms—Margam Kali (the way of St. Thomas) and the Rabban Pattu (the songs of Rabban).
Syrian Christians are identified by their family names which reflect the profession of a family elder, place of origin, or sometimes nothing but pure whimsy. My own family, a large Syrian Catholic clan from Kanjirapally, is called Pallivathukkal, meaning “at the church gate,” as many centuries earlier my ancestors had settled near a church in Nillackel. My husband’s family name, Thekkekunnel, means “south hill.” Thadikaren, another family name, means “bearded man,” and the poetic Myladi means “peacock dance.” First names are biblical, and customarily the firstborn is named after a paternal grandparent and the secondborn after a maternal grandparent. Thereafter, aunts, uncles, and saints lend their names to the newborns. The second name is taken from the child’s father, but a Joseph George, say, may be anonymous until, when paired with his family name, he can be immediately placed as Joseph, the son of George of the Pottenkulam family. Syrian Christian names are distinctive and a George may also be known as Varkey or Varghese; a Paul can be Peeli or Paulose; and an Abraham can be called Avira or Ittira. Similarly, the female Syrian Christian name Rachel may be Raahel; Elizabeth can be Aley or Elamma; and Bridget, the melodious Uschita.
Most prominent Syrian Christian families are close-knit and connected by an intricate web of marriages. I have vivid memories of my mother and sisters spending hours disentangling family connections, the links being the women who married into each family. With many of these large clans expanding into several hundred members, some families now hold periodic kudumbayogams, family get-togethers which allow members of the family to reconnect.
Christianity in India has long been synonymous with education and the Syrian Christians have made a significant contribution to this field, partly by means of their large number of clergy. Today they have evolved into a distinct, indigenous community of agriculturists, scholars, industrialists, and professionals. A large number have moved to other cities in India as well as to distant lands, and though erudite and cosmopolitan, they are still attached to the traditions and customs of their ancestors.
Described as “Hindu in culture, Christian in religion, and Syro-Oriental in worship,” Syrian Christians enjoy the status of a prosperous and socially prominent community.
Sautéed Squid
Koonthal Varathathu
Squid turns rubbery if overcooked, so once marinated they must be quickly stir-fried and served hot, with a fresh sprinkling of lime juice. Serve with rice and accompaniments or as a snack.
Grind the garlic, chilli powder, turmeric, and pepper- corns to a coarse paste in a mortar and pestle.
Mix the garlic paste with the rice flour, salt, and lemon juice and rub into the squid. Let the squid marinate in the spices for at least 2 hours at room temperature.
Heat the oil in a skillet and add the squid. Stir-fry over high heat for 3 to 5 minutes, removing from the heat when the spices brown.
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This is an excerpt from Lathika George’s ‘The Suriani Kitchen’.
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5 Most Memorable Faiz Ahmed Faiz Shayaris to make your day poetic

Faiz Ahmed Faiz is widely regarded as one of the great Urdu poets of the twentieth century, and the iconic voice of a generation. Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love.
In The Colours of My Heart – a translation of Faiz’s selected, most memorable poems and ghazals by Baran Farooqi – readers will be able to experience a new dimension of the great poet’s genius. Here are five gems that display Faiz’s extraordinary flair for tender hope and quiet longing.
Beloved, Don’t Ask Me For the Love that Was – “Mujhse Pehli Si Muhabbat Mehboob Na Maang”
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Don’t ask me to love you the way I did before, my love
I’d imagined life to be bright and glowing because you were in it
What cared I for sorrows other than the joys of pining in your love?
It’s your beauty that keeps springtime intact upon the world
What else remains to be sought in the universe but your eyes?

Speak – “Bol”
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Speak, for your lips are free
Speak, for your tongue is still yours
Your upright body belongs to you
Speak, for your soul still is yours

Highway – “Shahraah”
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A long, desolate highway
Its gaze fixed on the far horizon
Spreading out its grey beauty
On the breast of the cold earth—
Like a grief-stricken woman
In her desolate home
Dreaming of her absent lover
Lost in thought, each part of her body immersed
in the idea of union. 

The Day of Death – “Jis Roz Qaza Aayegi”
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Kis tarah aayegi jis roz qaza aayegi
Shaayad iss tarah ki jis taur kabhi awwal-e shab
Be-talab pehle pahal marhamat-e bosa-e lab

Tyranny Giving Lessons in the Fidelity of Love – “Sitam Sikhlaayega Rasm-e Wafa Aise Nahin Hota”
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Sitam sikhlaayega rasm-e wafa aise nahin hota
Sanam dikhlaaenge raah-e khuda aise nahin hota

Enthralled by the verses of one of the greatest Urdu poets? Get The Colours of My Heart here!
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Demystifying the Revolt that Ignited India’s Freedom Struggle: 6 Important Points from the 1857 Petition

Zahir Dehlvi, an accomplished poet and young official in the court of Bahadur Shah Zafar, lived through the cataclysmic 1857 revolt that changed the course of history, marking the end of Mughal dominion and the instatement of the British Raj. Dehlvi’s memoir, written on his deathbed, chronicles the fading glory of the Mughal court and most importantly, pivots on the violent siege of Shahjahanabad.
Translated into English for the first time, Dehlvi’s memoir is intensely vivid and moving. Here are six defining moments from the petition made to the then Mughal Emperor by rebellious soldiers that demystify the great revolt.
Rebellious soldiers arrive in Delhi to petition Bahadur Shah Zafar
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When cartridges misfired
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The ‘meat’ of the matter
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Shooting religious sensibilities
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When an army was treated like outlaws

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Meerut, the epicentre of the revolt
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Get Zahir Dehlvi’s riveting account of the Revolt of 1857 here!
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5 Things Which Give you a Glimpse of Ecological Reality of India

Prerna Singh Bindra is one of India’s leading wildlife conservationist and writer. In her latest book, The Vanishing, she ponders on the crisis that the flora and fauna of India are facing today. She also asks some pertinent questions such as “Is development inimical to ecological security?” Furthermore, she talks about the steps India has taken towards safeguarding its forests and wildlife.
Here are 5 realities which give an insight into the current status of ecology in India.
Many times, environment sacrifices its elements to make way for development.
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India despite a 1.3 billion population, harbours over 60 per cent of the world’s remaining wild tigers.
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All contained in just over two per cent of the global land mass.
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India’s increasingly battered forests still harbour secrets—and species we thought had vanished, or did not even know existed.
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India’s people are remarkably accepting of predators in their midst.
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Did the facts leave you appalled? Tell us what are you doing to save the environment.
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Foreword from Anna Chandy’s Battles in The Mind by Deepika Padukone

I feel privileged to write this foreword for Anna Chandy’s book.
This book is about Anna Aunty’s life.  A life that has been strife with trauma, pain and difficulties. And yet what emerges from all of this is a person with immense grit, courage and acceptance.
Anna Aunty has been a family friend for years. I’ve literally grown up in front of her. She has more recently been my therapist when I went through clinical depression two years ago.
In all the years I’ve known her, I have experienced her to be authentic, effective, focused yet empathic. There is a sensitivity and acceptance towards life that is very rare to come by.
Anna Chandy is now the chairperson of The Live Love Laugh Foundation that we set up to create awareness about and destigmatize mental health in India.
Many of us are on our own journeys of self-discovery, or aspire to be. This book has something for all of us to connect with. More importantly, this book communicates energy, resilience and hope for people struggling with various kinds of mental health issues.
This is an excerpt from Anna Chandy’s Battles in the Mind.
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‘Only Idiots Aren’t Afraid of Flying’: Scaachi Koul and Her Fear of Flying

Only idiots aren’t afraid of flying. Planes are inherently unnatural; your body isn’t supposed to be launched into the sky, and few people comprehend the science that keeps them from tumbling into the ocean. Do you know how many planes crash every year? Neither do I, but I know the answer is more than one, WHICH IS ENOUGH.
My boyfriend finds my fear of flying hilarious at best and deeply frustrating at worst. For my twenty-fourth birthday, he booked us a trip to Southeast Asia for two weeks, the farthest I’ve been from home in more than a decade. Plenty of people take a gap year between high school and university to travel, or spend a summer back- packing through Europe to “find” themselves. (A bullshit statement if ever there was one. Where do you think you’ll be? No one finds anything in France except bread and pretension, and frankly, both of those are in my lap right now.) I never did this. I talked about wanting to, sure, listing all the places I would go one day, hoping to have my photo taken next to a crumbling edifice in Brazil or with a charming street merchant in Laos. When I was thirteen, my mom asked me where I’d get the money to travel and I said, “From you, of course.” She laughed me straight out of her kitchen nook. Travelling tells the world that you’re educated, that you’re willing to take risks, that you have earned your condescension. But do you know what my apartment has that no other place does? All my stuff. All the things that let me dull out the reminders of my human existence, that let me forget that the world is full of dark, impenetrable crags. I have, I think, a healthy fear of dying, and marching forward into the uncharted is almost asking for it. But it was my birthday, and my beautiful idiot boyfriend was offering to take me some – place exciting. He suggested Thailand and Vietnam, because he likes the sun and I like peanut sauces. I agreed, my haunches already breaking out in a very familiar rash.
As we made our way from Toronto to Chicago, then Chicago to Tokyo, then Tokyo to Bangkok, he was a paragon of serenity. (He’s older than me by more than a decade, and acts it whenever we do something new, largely because, comparatively, almost everything is new to me and nothing is new to him.) He was a latchkey kid, permitted to wander his small town in the ’80s and ’90s in a way that feels nostalgic to him and like the beginning of a documentary about child abduction to me. He smoked and drank and cried and laughed and was freer at twelve than I have ever been. While our plane started to taxi, I squeezed his meaty forearm as if I was tenderizing a ham hock—rubbing his white skin red and twisting his blond arm hair into little knots— and he just gazed dreamily out the window. When we took off, my throat started to close and I wanted to be home, stay home, never leave home.
I wasn’t raised with a fear of flying. My parents were afraid of plenty of things that would likely never affect us—murderers lurking in our backyard, listeria in our sandwich meat, vegans—but dying on a plane was all too mundane for them. We used to take plenty of trips together and separately, and lengthy air travel played an unavoidable role in their origin story. They emigrated from India in the late 1970s and flew back for visits every few years. For vacations or my dad’s business trips, they flew to St. Thomas and Greece and Montreal and New York. Mom didn’t like bugs and Papa didn’t like small dogs, but I don’t remember either of them being particularly fearful.
I wasn’t always afraid of flying either. When I travelled with my parents as a kid, air travel was exciting. I got to buy new notebooks and travel games, and flight attend- ants packed cookies and chips and mini cans of ginger ale in airsickness bags and handed them out to the kids mid-flight. 9/11 hadn’t happened, so our family wasn’t yet deemed suspicious at Calgary’s airport. I once loudly asked my brother while standing in a security queue how, exactly, people made bombs out of batteries while waving around a pack of thirty AAs intended for a video game. My parents let me eat a whole Toblerone bar and then I threw up in a translucent gift bag while we waited in line to board. I was alive!
Flying became a necessity by the time I was seventeen, the only way to stay connected with my family rather than a conduit for mile-high vomiting. When I graduated from high school, instead of doing what so many of my classmates did—a month in Italy here, three months in Austria there—I moved across the country almost immediately to start university. If I wanted to see my parents (and I did, as my homesickness burst wide open the second my parents dropped me off at my residence), I would have to fly. Three, sometimes four times a year, I’d take a four-hour flight to see people who I knew were at least legally obligated to love me.
But by my early twenties, years into this routine, something shifted and made room for fear to set in. Turbulence wasn’t fun anymore; it didn’t feel like a ride, it felt like the beginning of my early death. I’d start crying during take-off, sure that the plane would plummet. Flight attendants assumed I was travelling for a funeral and would offer extra orange juice or cranberry cookies to keep me from opening the emergency exit. Before I take off now, I text or email or call anyone I think would be sad about my death and tell them I love them and that the code for my debit card is 3264 and please help yourself to the $6.75 that may or may not still be in there, depending on if I purchased a pre-flight chewy pizza-pretzel, the World’s Saddest Final Meal. My stomach churns and my palms sweat and I think about all the things I should have said and done before his plane nosedives and the army finds parts of my body scattered across the Prairies. My legs in Fort McMurray, my arms in Regina, my anus somewhere in Edmonton.
This is an excerpt from Scaachi Koul’s ‘One Day We’ll All Be Dead and None of This Will Matter’
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Kafka on Screen: 5 Must-Watch Films Inspired by the Stories of Franz Kafka

Literary legend, Franz Kafka, has left generations of readers astounded with his fantastical stories, a style that has received its own special name – ‘Kafkaesque’. Alienation, existentialism, absurdity, all of it comes together in Kafka’s works to form a heady, surreal cocktail of words and imageries.
Several filmmakers have been inspired by Kafka’s stories, thereby creating some of the most visually stunning and eccentric works of cinema known to the world. Here are five outstanding adaptations of Kafka’s works one must watch:
The Trial (1962)
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Based on Franz Kafka’s novel of the same name, this 1962 film by director Orson Welles follows the story of a bureaucrat who is arrested and persecuted for a crime that is neither mentioned to the protagonist nor to the viewer. Not only is the film the filmmaker’s personal favourite, but over the years has also been touted as a cinematic masterpiece by critics.
Franz Kafka’s It’s a Wonderful Life (1993)
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Peter Capaldi’s Academy award winning short-film, Franz Kafka’s It’s a Wonderful Life, begins where writer Kafka started his deliciously dark tale of a man’s metamorphosis into an insect — on a piece of paper. The film explores the frustration of a writer confronting a creative block, as interruptions from the world around keep pouring in, only to make him wonder what it is that his protagonist transforms into when he wakes up. A banana? A kangaroo?
Franz Kafka’s A Country Doctor (2007)
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Multiple award-winning anime short-film, Koji Yamamura’s Franz Kafka’s A Country Doctor, is an interpretation of Kafka’s short story by the same name. A bizarre chain of events unfolds when a country doctor visits a young patient in the middle of the night. Strange, unearthly horses, distorted houses and people, a young boy who oscillates between death and the will to die, Yamamura’s beautifully dark visuals married to Kafka’s haunting story leaves the audience questioning and wanting more.
The Metamorphosis of Mr. Samsa (1978)
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What can be better than to watch your favourite story come alive in animation? The Metamorphosis of Mr. Samsa by Caroline Leaf is an animated short-film, using beach sand on a piece of glass. Fluid, shadowy images capturing the nightmarish nature of the original story, Leaf’s film is a stunning visual rendition of the most renowned work of Franz Kafka.
Watermelon Man (1970)
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Melvin Van-Peeble’s classic, Watermelon Man, is based on the premise of Franz Kafka’s Metamorphosis. When ‘white insurance salesman’, Jeff Berger, wakes up to find himself in a black man’s body, (much like Kafka’s Gregor Samsa finds himself in a beetle’s body when he wakes up) all hell breaks loose as he initially tries to scrub off his dark skin in many creative ways.  After finally accepting his reality of having transformed into a black man, Berger ironically finds himself in situations which he looked down upon as a man of white descent.
Tell us which ‘Kafkaeqsue’ film is your favourite.

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