Born in Castries, the St Lucia capital, Sir Derek Walcott’s first poems, which were self-published, emerged in 1948. His work celebrated his Caribbean culture, enhanced by an encyclopedic knowledge and insight in world history, global cultures and triumphs of humanity.
As a youngster, he struggled with questions of race and his passion for British poetry, describing it as a “wrestling contradiction of being white in mind and black in body, as if the flesh were coal from which the spirit like tormented smoke writhed to escape.”
Sir Walcott won the Nobel Prize in 1992, two years after his epic book-length poem Omeros, which brought him worldwide acclaim, was published. His dazzling, painterly work earned him a reputation as one of the greatest writers of the second half of the 20th century.
Today, as we remember him, let us have a look at some of his quotes.
RIP Sir Derek Walcott.
A Lesser-Known Poem by Robert Frost that You Must Know Of
‘Out, Out—’
The buzz saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside him in her apron
To tell them ‘Supper.’ At the word, the saw,
As if to prove saws knew what supper meant,
Leaped out at the boy’s hand, or seemed to leap—
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
The boy’s first outcry was a rueful laugh,
As he swung toward them holding up the hand
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all—
Since he was old enough to know, big boy
Doing a man’s work, though a child at heart—
He saw all spoiled. ‘Don’t let him cut my hand off—
The doctor, when he comes. Don’t let him, sister!’
So. But the hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then—the watcher at his pulse took fright.
No one believed. They listened at his heart.
Little—less—nothing!—and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.
— Robert Frost
Master on Masters – An Excerpt
India is the only country in the world which has two traditions of classical music—those of the South or the ‘Carnatic’ and the North or ‘Hindustani’. However, I prefer to call it just music. The basis of all music in the world is the same—seven notes. Sa Re Ga Ma Pa Dha Ni in Indian classical music and Do Re Me Fa So La Ti in Western classical. If we include the half-tones that are the sharps and flats, we get a total of twelve notes. Music connects the whole world; it does not belong to any one race or religion.
The future of Indian classical music will always be bright. We are fortunate to have had such strong pillars of music like Swami Haridas, Swami Purandar Dasa, Swami Muthuswami Dikshitar, Syama Sastri, Swami Thyagaraja, Swathi Thirunal, Miyan Tansen and Baiju Bawra in our country. With their blessings, there are a large number of talented young musicians in India today. Indian classical music has always been, and will continue to be, an integral part of our identity. It does not belong only to the world of entertainment; it is a way of life based on dedication, surrender, faith, trust, spirituality, religion, and rigorous practice and discipline. No matter which gharana or guru a student of Indian classical music belongs to, they must surrender completely to their guru and to the Almighty. It is almost like entering a dark tunnel with the hope of seeing the sun someday. It might sound impractical, but this is how it is. There is no formula here. Many times, people ask me if their son or daughter will ‘make it’ as a classical musician. I have no answer to this question because there never was and never will be a magic mantra.
Over the years, I have seen a change in the attitude of disciples. While some are epitomes of dedication and grace, others want to become superstars overnight and, in the process, shift their focus away from their path to the extent of disagreeing and questioning what the guru has to say. Classical music is not for someone who is in search of glamour and overnight fame. Years and hours of practice and dedication go into the making of a classical musician.
Today, electronic and social media are largely encouraging the kind of music which is not classical. But true classical musicians are not created by the media. The listeners of our country are fairly selective. Nobody can impose an artist on them. The only way for a young musician to succeed is to work hard, practise rigorously and maintain strict discipline. This is not restricted to music alone, but extends to Indian rules of etiquette (tehzeeb and tameez) as well.
I disagree with those who say that Indian classical music is a dying art form. We must understand a few things here. It was never for the masses to begin with. It was originally performed only in private mehfils, with concert hall performances being a recent phenomenon. Today, classical musicians perform at venues like Carnegie Hall, Royal Albert Hall and Sydney Opera House to packed auditoriums. You are talking about an audience fighting against the ninety to hundred odd television channels at home! Likewise, in India, when I see huge venues filling up, I don’t think we can really complain. It is the responsibility of the artist to make the youth relate to their music. The kind of attention that Bollywood and the fashion industry are receiving today from mainstream media, Indian classical music got three decades ago! In the sixties and seventies, musicians would play ragas for two to three hours. Frankly, after maybe an hour, it was all repetition. However, due to this attitude of artists who perhaps wanted to prove a point, a section of listeners drifted away to easy listening. One must keep in mind that no books or shastras ever mentioned how classical music should be presented. By bringing it in sync with times, one cannot be faulted for diluting it at all.
I believe in being traditional, not conventional. In the early eighties, I had recorded an album of short pieces around ragas. At the time, I was criticized for not going into too much detail of the ragas, but I am happy that today this has become a trend. I see the great journey of Indian classical music being carried forward by brilliant young musicians who have a readymade repository—painstakingly put together by my contemporaries and me through years of hard work and research—to build on. Thanks to the Internet, websites like YouTube, gadgets like iPods, DVDs and CDs, we can be in every home in the world. It makes me happy to see dedicated young musicians who are also committed performers. I wish them a bright and successful future and I am sure that our classical music and legacy will flourish not only in India but all over the world. I am also heartened by the response of the rest of the world to our country and its musical tradition.
One area that touches me deeply is culture. Reared on a diet of tradition and continuity, it is challenging to live in a modern world with classical values. Yet, I chose to belong to a system where oral knowledge is passed from guru to student during actual music lessons. I often feel I am standing at a crossroads. Where do we go from here? How will classical music evolve? There is a deluge of pop and so-called fusion, remixed ragas and experimental music—great work is being done. The instant success of any of these, as opposed to the long hours of dedication required in the traditional set-up, sometimes stands in the way of progress. I think it is wonderful to imbibe from different cultures all over the world, but let’s not forget who we are or what we have to offer. We need to be, first and foremost, proud of ourselves, of our own accomplishments. Exposure to the arts is mandatory to ensure true appreciation of any medium. At the same time, while modernizing, we must not lose our traditional infrastructures. It will indeed be a sad day for all of us if our musical traditions, that date back more than 5000 years, were to be sacrificed at the altar of modernity. It is crucial that historic and contemporary cultures merge with one another to preserve a uniquely Indian way of life. We must ensure that modernization in our country occurs, as far as possible, in keeping with historical trends. We should be proud of these trends as they have brought us to where we stand today. We must never forget our roots.
6 U.P. Kahawats To Enrich Your Hindi
Uttar Pradesh or U.P. has some really colourful vibe to it. Not only is this vibrant state famous for its amazing food and culture, the Hindi spoken in the state is also rife with some amazing kahawats. These kahawats not only add spice to the Hindi people speak in the state, but also pass on some precious wisdom in the wittiest way.
Here are some kahawats to enrich your life:
Know some more of such amazing kahawats? Tell us in the comments.
6 Ways in Which You Can Master the Art of Thinking
Our thoughts frame our approach towards the various situations we come across in our lives, whether it be at home or at work. But the right approach for any problem is born out of the right kind of thinking, also known as aanvikshiki.
Chanakya in his book Arthashastra, gave us an indication of the various types of thinking he practiced and preached.
Here’s a list of six types of thinking Chanakya elucidated:
Both-Side Thinking
One of the reasons why Chanakya was considered brilliant was because he used to look at both sides of a situation. Looking at only one dimension cannot give us the full picture. When you look at both sides of an issue, your thinking evolves. Knowledge of the other viewpoint only enriches your thinking.
Alternative Thinking
There can be one solution to many problems. There can be many solutions to one problem. This is called alternative thinking. The problem and the solution are both in our minds. Train the mind in the right kind of thinking, and you will succeed, no matter what the problem is.
Leadership Thinking
Chanakya trained kings on how to think. An important aspect of the thought processes of a leader is selflessness. Leaders work for the benefit of others. Kautilya’s Arthashastra says the king has to take care of not only human beings but also animals, birds, plants, minerals, water bodies and all else that is part of his kingdom. Thus, according to Chanakya, leadership thinking is an all-inclusive thinking.
Creative Thinking
In his way of thinking, Chanakya stressed on the importance of being innovative and creative. He knew that creativity works only if we are at the right place at the right time. If we miss the right time, we may not get it again. Furthermore, he adds that creativity does not mean destruction. So, while creativity should be our focus, let us not be inhuman.
Lateral Thinking
Good leaders need to have good strategy. Through careful, well-planned strategies, we develop lateral thinking. Have you ever wondered in a game of chess, despite having the same number of soldiers, elephants, horses, and other pawns, why does only one emerge as the winner? The moves and the strategy used by an individual make all the difference. This is where lateral thinking comes in. To develop lateral thinking, first we need to understand our own thinking and next we need to understand the thinking of others. When we combine both, success in anything we take up is guaranteed.
Spiritual Thinking
Another type of thinking Chanakya wanted leaders to develop was spiritual thinking. Spiritual people are always active and dynamic. They are action-oriented. The spiritual energy in them gives them the strength to do better than the ordinary. With a foundation of spirituality, even the ordinary becomes extraordinary. Thus, among all the types of thinking brought out by Chanakya, the highest form is spiritual thinking.
These timeless teachings by Chanakya continue to serve us in our lives. Tell us if how you have benefitted from them.
10 Delightful Quotes that will Dazzle Your Day
“I’d rather people read my book twice than only half-way through,” Mohsin Hamid replied once when asked about his compelling and minimalist prose. It’s this splendid literary ambition that seals the position of Mohsin Hamid among the most brilliant writers of our time.
Here are ten exemplary quotes from his books that will leave you awe-struck!
Dazzled for the day? Grab your copy of Mohsin Hamid’s latest novel – Exit West – here and soak in the magic of his storytelling.
9 Things You Didn’t Know About the Pakistani Army
The military is one of the vital organs of the state. However, in Pakistan, the military plays a far more deep-rooted role in the politics of the country, and dominates all other institutions.
Ayesha Siddiqa, in her extensively-researched book, Military Inc. aims to explain the role of personal economic stakes in commercial ventures as a driver of the armed forces’ political ambitions.
Pakistan’s military runs a huge commercial empire. Here are nine facts that will give you a glimpse of the military’s involvement in the various institutions of the country:
Find out more about the army’s involvement in Pakistan’s economy in Ayesha Siddiqa’s Military Inc.
What Aurangzeb Loved: 6 Things that Moved His Heart
Aurangzeb was an enigmatic king. To quote Khafi Khan, the laudatory eighteenth-century historian of Aurangzeb’s reign, who, comparing Aurangzeb to the Persian ruler Jamshid said, “To attempt a summary of the major events of a fifty-year reign of an emperor the equal of Jamshid is to measure the ocean’s water with a pitcher.”
There were many layers to Aurangzeb, many things that inspired and moved his heart.
Here are six instances from Aurangzeb’s life that reveal his loves and passions!
He had a passion to carry the Mughal legacy forward and building a great career
He had a deep love for literature and poetry
Few know about Aurangzeb’s whirlwind romance
Leisure and music moved his heart
He had a passion for justice
And he loved mangoes!
Fascinated? Looking to read more about this Indian emperor who is often misunderstood? Get Audrey Truschke’s Aurangzeb: The Man and the Myth here!
How Tata Tea and Apple Came To Be — An Excerpt
Steve Jobs created Apple, one of the most successful brands on this planet. Apple is remarkable because it has married design and technology marvelously, time and again, generating sensuous products that millions of human beings across the world lust for. Jobs himself attributes a good part of this Apple magic to his curiosity.
In his famous commencement speech delivered at Stanford University in 2005, he gave an example of how, during his student days, he decided to take a calligraphy class at Reed College out of sheer curiosity. He said he learnt about serif and sans serif typefaces in this class, about varying the space between different letter combinations, about what makes great typography truly great. He called this learning experience beautiful, historical and artistically subtle in a way that science cannot quite capture.
He went on to say, ‘None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Apple Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them.’ He added, ‘Much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on.’ The sheer beauty of Apple products, which is a huge contributor to the brand’s success, owes something to its creator’s curiosity.
Just like Apple, so many great brands have their roots in the curiosity of marketers. Consider Tata Tea, the leading brand of tea in India today. This brand was born out of the curiosity of Darbari Seth, who was chairman of several Tata companies in the mid-1980s. He wondered why tea could not be packaged in an airtight polythene pillow pack (polypack), rather than in the cardboard cartons that were the norm at that time. His visits to various Indian towns had shown that consumers were very happy with these flat pillow packs for another commonly used kitchen product: salt. Seth had, a few years earlier, already launched the popular Tata Salt brand.
In addition, his own explorations into two very different spaces gave rise to some thoughts that he could toss around. From his numerous informal conversations with traders during the early days of Tata Salt, he had learnt that the strong smell of spices permeates all Indian kirana stores, which, in turn, taints various products stocked in these stores, including tea. Seth’s explorations into the world of science—he spent many decades working as a chemical engineer—had left in his mind the clear impression that polypacks made from a laminate of polythene and polyester would be significantly better than cardboard cartons, ensuring tea leaves were safe from these strong spice smells. So, driven by these curiosity inspired reflections, he went ahead and launched Tata Tea in laminate polypacks in 1987. This kept the plantation-packed tea fresh and untainted, and the brand went on to become a huge success.
I had the good fortune of working as a junior member of Seth’s team in Tata Tea during those years, and have seen at close quarters how curious he was by nature. I would accompany him on his visits to London, and I was often dumbfounded by the sheer number of questions he would ask me on just about everything. He inspired the creation of two of India’s strongest consumer brands—Tata Salt and Tata Tea. Interestingly, quite similar to how Microsoft copied the amazing typography of the Apple Macintosh, hundreds of other Indian tea brands have copied Tata Tea’s winning polypack. You will find them available across the country today.
5 Books You Should Read This Spring
Spring is the best season of all. With the flora at full bloom, you just want to stop and admire the beautiful scenes. Not only does spring signify beauty but it also signifies transition. So, what better way to enjoy the season than reading outdoors while basking in the sunlight.
Here’s a list of 5 books you should read this spring:
Anne of Green Gables
Mathew and Mariila Cuthbert were expecting a boy to show up from the orphanage. Little did they know, they will have the dreamy, talkative Anne to take care of their Green Gables. The descriptions of sights of Avonlea and Green Gables are so vivid that it makes you fall in love with nature even more.
Leaves of Grass
Strewn with vivid description of nature, Walt Whitman in this poetry collection professes his love for the universal elements, flora and the fauna. After reading the poems, we also cannot help but awe at the marvels of nature.
Heidi
This little girl was sent to live with her grandfather in the mountains. With each passing day, she grew to be fonder of the scenic beauty. But when she was sent to live in the city, even Clara’s friendship couldn’t make her miss the mountains any less. Honestly, even we wouldn’t have coped to live in the city after living amidst such beauty.
Catcher in the Rye
The protagonist of this story is standing at the brink of adulthood and is yet apprehensive to make the transition. He wants to own a rye field at the edge of a cliff where thousands of children play. He would then catch them if they come close to falling from the cliff. He just wants to be a savior of innocence when he is in the process of losing his.
The Room on the Roof
In a sleepy town of Dehradun, our boy Rusty flees from his house to live with his friends. Enamored by the beauty of his town, Indian customs, festivals and foods. He understands that his life will not be as hunky dory as he thought but he still does not give up on his pursuit of a happier life.
Can you think of any more books that depict change and nature’s beauty with equal panache? Tell us.