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9 Quotes from Ashwin Sanghi that’ll get You Thinking

Ashwin Sanghi ranks among India’s highest selling English fiction authors. He has written several bestsellers (The Rozabal Line, Chanakya’s Chant, The Krishna Key and The Sialkot Saga). The author has also co-authored a New York Times bestselling crime thriller with James Patterson called Private India.
Included by Forbes India in their Celebrity 100 and winner of the Crossword Popular Choice, Ashwin also co-writes the 13 Steps series of self-help books (13 Steps to Bloody Good Luck and 13 Steps to Bloody Good Wealth) the rest are set to follow.
His latest work is the sequel to the Private India. Co-authoring, again, with James Patterson, the new book follows the character Santosh Wagh investigate, after bodies are discovered in a state government-owned house. The authorities, however, seem to be taking great pains to prevent the investigation. But why?
That, dear reader, is something you’ll have to find out in Private Delhi. Until then, immerse yourself in these thought-provoking quotes by this remarkable writer.
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Ashwin Sanghi and James Patterson’s sequel to Private India, Private Delhi sees Jack Morgan persuade Santosh Wagh to rejoin his global investigation agency and set up a new branch in Delhi.
It’s not long before Santosh is thrown headlong into a dangerous case which could implicate the highest members of the Indian government in a string of brutal murders. Get your copy today!

Mayank Austen Soofi talks about the cover photograph of ‘The Ministry of Utmost Happiness’

Mayank Austen Soofi, the renowned photojournalist, gets candid about behind the scenes of the cover and author picture shoot for Arundhati Roy’s much awaited novel – The Ministry of Utmost Happiness
Tell us about the photo used on the cover of Arundhati Roy’s new novel The Ministry of Utmost Happiness.
I’m a devotee of The God of Small Things. I’m also very attached to its cover, a picture of the surface of water with flowers and leaves and the sky reflected in it. I love it because you can keep looking at it. It is so particular and yet elusive, and you can never get enough. And that is exactly how the novel is. I think and I hope that this cover for The Ministry of Utmost Happiness will stir the same feelings in the reader. It’s a photograph of stone, which is the complete opposite of water. Yet I think the cover has that same quality of being particular as well as elusive.
How did you come about taking these photos?
She asked me to. She was very clear about what she wanted. I was nervous, but I tried to follow the brief as closely as I could.
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Why did she choose you to take these photos?
That’s a question you must ask her. All I can say is that I cannot believe this is happening to me. That my photograph will be on the cover of the second novel of the writer who wrote The God of Small Things!
What is she smiling about in that author photo?
She was thinking some very private thought, I think.
Your blog is called ‘The Delhi Walla: Your gateway to alternate Delhi, the city of Hazrat Nizamuddin Auliya and Arundhati Roy’. When did you start it and why is it called that?
I started my blog ten years ago, many years before I actually met Arundhati Roy. Delhi is where I live and work. There are two people here, who have shaped me and my way of thinking. One is her, a writer who seems to speak directly to me. The other one is the Sufi Saint Hazrat Nizammudin Auliya.

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The Ministry of Utmost Happiness, Arundhati Roy’s first novel in twenty years, is set to release in June 2017.

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Announcement: Soha Ali Khan’s debut book!

Penguin India is proud to announce that it will publish Soha Ali Khan’s debut book in 2017.
Titled The Perils of Being Moderately Famous, the book will be a collection of humorous, and sometimes bizarre, stories on her life as a royal princess (her official title is Nawabzadi Soha Ali Khan of Pataudi and Bhopal) and a ‘moderately famous’ celebrity, as she likes to call herself.
Soha Ali Khan: ‘If I had a dollar for every person who told me to write a book, I would have umm . . .  six dollars. I do love to read and I do that quite well (510 words a minute), so it can’t be much harder to write, right? I also have some time on my hands, as most actors often do (stop sniggering). I can use this time creatively to pen down memories, some insights from what surely must be a life less ordinary. I am a princess after all. Try not to imagine me saying that whilst stamping my feet in a silver sequined dress with a tiara on my head. And as a person of royalty, surely I am entitled to some royalties! But a word of caution—if you are hoping I will reveal the secret behind Kareena’s glowing complexion or how Bhai trains for an action film then, I am afraid you are barking up the wrong book. Although, in its pages there may be a passing reference to some of the idiosyncrasies of the more famous members of my family, the bulk of it, I’m afraid, is about . . . well, me. Just me. Is my life really worth writing about, or more to the point worth you paying to read about? Well, the good news is you’d be right not to wait for the movie.’
Editor’s Statement: ‘Having read a few chapters, I can safely say Soha was born to write. She has amassed a huge fan following not only for her movies but also for her witty repartee on Twitter, and her charm and wit continue to shine in this brilliant collection of personal essays where she recounts with self-deprecating humour some of the most poignant moments of her life—from growing up as a modern-day princess to life as a celebrity in the times of social media culture.’—Gurveen Chadha, Commissioning Editor 
About Soha Ali Khan: Soha is an Indian film actor who has appeared in movies such as Rang De Basanti, Tum Mile and Go Goa Gone. She studied modern history at Balliol College, Oxford and earned a Masters’ degree in International Relations from the London School of Economics and Political Science.
She is the youngest daughter of actor Sharmila Tagore and Mansoor Ali Khan Pataudi, the 9th nawab of Pataudi. Both her father and paternal grandfather, Iftikhar Ali Khan Pataudi, were former captains of the Indian cricket team. Her older brother is Saif Ali Khan and she’s married to actor Kunal Kemmu.
Soha’s most recent release was 31st October, a true story focussing on the aftermath of Indira Gandhi’s assassination.
Photo credit: Shivaji Storm Sen

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"Why is it that we barely know anything of Islamic lore?" – An Excerpt

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It was 11 a.m. on 21 September 2013. I had just sat down with my pen and notebook. I had been working on my historical novel, Idris, when news came of unidentified gunmen opening fire in one of Nairobi’s upscale malls.
The mass shooting had left 67 people dead and more than 175 people injured.
Amidst all the kerfuffle of reportage, one thing struck me in particular. An eyewitness was reported to have said that the attackers had asked Muslims to leave, declaring that only non-Muslims would be targeted. Among other aspects of the vetting process, the hostages were asked to name Prophet Muhammad’s mother as a litmus test that would distinguish Muslims from non-Muslims.

It seemed both astounding and horrific that a piece of information could have saved a life. But why was this information not out there for all to know?

In many parts of the world, including India, almost every non-Christian knows that Jesus’s mother was Mary and his father, Joseph; and of the story of Jesus’s birth and his crucifixion. Non-Hindus know that the Ramayana is about Rama and Sita and Rama’s battle against Ravana; that the Mahabharata is about the Kauravas and the Pandavas, that Krishna was an avatar of Vishnu. But even the most erudite among non-Islamic people know nothing about the Quran or what is in it.
If you had asked me then what Prophet Muhammad’s mother’s name was, I would have stared back too, clueless.
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Teaching a faith demands expertise; but what of the accompanying lore that goes into fleshing out the wisdom? Why is it that we barely know anything of Islamic lore? Religious preachers have always sought parables to explain a tenet. But even in isolation and removed from doctrine, these allegorical stories have an appeal of their own. The storyteller in me roused and shook herself.

Acts of terrorism perpetrated by Muslim fundamentalists had already made many non-Muslims wary of the religion. And I thought this was grossly unfair to Islam and what it taught. I had been brought up as a secular individual and felt a calling to clear this misinterpretation in my own way.

No religion preaches hate or violence. No religion condones killing or the taking of human life. However, flawed interpretations do lend a religion a misguided twist that it does not claim in the first place. Those with vested interests manipulate aspects of a religion to justify heinous crimes and the massacre of innocents. And so it had happened with Islam. And yet why was it that no one was actually trying to redeem the understanding of Islam?

Why was no one willing to try and make Islam more accessible to the world so that the teachings in the Quran would be seen for what they truly are—a call to righteousness and peace—and not for what we have beguiled ourselves into believing?

During the writing of Idris, I had studied the Quran and tried to understand what I could of its lessons and the associated Islamic fables. But now I had another purpose. I had already written two books on mythology for children. One was based on Hindu mythology and the other drew on lesser-known world myths. I would now try and write about Islamic lore— stories culled from the Quran and the Hadith. And I was certain that the book had to be for children—for young minds are what we need to invest in for a chance of change.

Let children everywhere—Hindu, Christian, Muslim, Jewish, Buddhist, Jain or otherwise—discover the stories from the Quran and delight in them and learn from them. Stories are, after all, stories; and no religion can stake claim to them.

In what could only be termed providential, I found a translation of a book of stories drawn from Ibn Kathir’s Al-Bidayah Wan-Nihayah (The Beginning and the End). The author was born in AD 1300 and died in AD 1373. A Sunni scholar and historian of great repute, Ibn Kathir hailed from the Shafi’i school of Islamic law and lived during the reign of the Mamluk Sultanate in Syria.
Suddenly I knew where to begin. And then, as it usually happens with each book I write, two characters—a cat and a camel, in this case—appeared from nowhere, and I had my epiphany on how to take the book forward.
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This is a book for young readers. But it is also a book for anyone who wonders what the Quran contains, apart from the teachings of a religion.

In fact, al-Quran literally means ‘the reading’; and how can a work that means this most beautiful of phrases be limited to just being a scripture? The wealth of its stories, and the lyricism, poetry and flow of its narrative make it as much a literary text as a holy book.

I have been told that I am entering dangerous territory. That, as a Hindu writing about the holy book of Islam, I’m inviting trouble. That to me smacks of prejudice more than anything else. How can any religion close its doors to someone who knows nothing of it? How does one learn about a religion unless one is given access to it?

And that is my only act of faith here. To lead from ignorance to the beginnings of knowledge; from prejudice to comprehension; and to reaffirm, in these times that are wreaked with discrimination and terror, that all religions are the same. That all religions just strive to make of us better human beings.
If only we would make an effort to understand their truth.
PS: The name of Prophet Muhammad’s mother is Amina.


A djinn in the form of a baby camel and Prophet’s favourite cat come together in their shared exploits and a mutual education. As their chance meeting and tender bond is delicately explored, we are offered a fascinating array of teachings from the Quran. Read more in Muezza and Baby Jaan

7 Things About Nadeem Aslam that will Leave You Spellbound

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When a young Nadeem Aslam – sixteen years of age – fled from his native Pakistan and settled in England, he barely knew the English language. Back home, Urdu-medium schools had dotted the country and English education had been rare and for the affluent few.
In England, as a teenager, learning and writing in English became Nadeem Aslam’s burning desire – a language in which he would go on to produce highly influential works. As part of his self-imposed “crash-course” to learn English, he started by copying out entire novels by hand and studying the content! “That’s how I learned English, looking at the sentences,” Nadeem Aslam says.
Today, as one of the leading writers from the subcontinent who has made an indelible mark on the international stage, Nadeem Aslam has left behind striking footsteps to follow. Here are few of the fascinating things about him that are going to leave you captivated!
Educating himself and developing as a writer.
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In the company of solitude.
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Words flowing from his mind into his hand, then down the pen, and onto the page – blood becoming ink!
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Breaking out!
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Suffering with pleasure.
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A writer builds his own world!
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Excellence is a consequence of hard work and preparation, isn’t it?
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7 Facts You Probably Didn’t Know About Alice in Wonderland

Today, on the birthday of one of the greatest writers of all time, Lewis Carroll, we bring to you some facts you might not have heard of the book that gave him legendary status.
Alice in Wonderland came out in 1865 and was an instant success. The book is widely credited with changing the landscape of children’s literature, adding nonsensical fun to what had been a genre obsessed with moralizing.
1. The illustrator and the first edition.2Prominent English illustrator John Tenniel was commissioned to create the accompanying art for the story. When he saw an early copy of the book, Tenniel was upset with how badly his drawings had been reproduced forcing Carroll to spend almost half of his annual salary to get it reprinted. Luckily, once it was published, Alice in Wonderland was an instant success. The rejected printings were later sold in the U.S.
2. The real Alice.1Alice was the name of the daughter of Henry Liddell, the dean of Christ Church College at Oxford, where Carroll taught mathematics. Carroll met the dean and Alice’s older brother first and that was how he came to know the entire family.
3. Alice’s Hour in Elfland.3Carroll was inspired to write the story when he was coming up with a story for the young Alice Liddell on a boating trip. He tried out a few different titles for his novel, the original – presented to the 10-year-old Liddell was ‘Alice’s Adventures Underground.’ When it was picked up he decided to call it Alice’s Hour in Elfland. Another rejected idea was ‘Alice Among the Fairies’.
4. Carroll and the newfangled mathematical theories.7Carroll was a very conservative mathematician and he detested the new forms of math emerging at the time compared to the algebra and Euclidian geometry he favoured. Mathematicians say that riddles like the one the Mad Hatter asks Alice about a raven being like a writing desk, were a reflection on the increasing abstraction that was going on in mathematics in the mid-1800s.
5. The original manuscript.4The original manuscript – the hand-written and illustrated version, belongs to the British Library and it rarely leaves London. When New York City’s Morgan Library managed to get hold of it for an exhibition, here’s what The New York Times had to say about it:
[I]t is accompanied by security measures whose details are cloaked in obfuscation befitting Tweedledum and Tweedledee. Jamie Andrews, the head of cultural engagement for the British Library, said that it was not checked on the flight over (‘We don’t freight things like that’), but he would not say exactly where it was on the plane or who exactly was with it
 It did cause a minor stir at the airport. “I showed the customs form to the customs guy at J. F. K.,” Mr. Andrews said. The man looked at the declared value of the manuscript, a number Mr. Andrews would not divulge. “And he said, ‘Jeez, son, what have you got in there, the crown jewels?’ And in a sense it is our crown jewels.”
6. Alice and brand licensing.5Carroll was one of the first authors to work with manufacturers to bring out related products. This is one of the main reasons why Alice’s tale is so popular, even amongst people who haven’t read it. He understood the importance of tie-ins, designed a postage stamp case decorated with images of Alice and allowed her image to adorn cookie tins and other products.
For fans eager to learn more about the origins of Alice’s tale, he produced a facsimile of the original manuscript, a rare move for an author of his day. Later, he even created a shorter version of the book for toddlers.
7. Alice in Wonderland has never been out of print…6..It has also been translated into 176 languages. The sequel, Through the Looking-Glass and What Alice Found There, sold out within seven weeks of its publication.

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The popularity of Alice in Wonderland, even after more than 150 years, reminds us that Lewis Carroll’s magnum opus has passed the test of time. We hope these facts serve to make you admire him more.

My First Earning – An Excerpt

June 1979
For several days, I stayed at home. Initially, I helped my mother in her household chores. I also liked to look after the cattle. I woke up early in the morning, took the cattle for grazing along the hills and also helped in milking the cows. When I prepared the husk for the cattle, it used to get stuck all over my body. My mother then helped me tidy up. After my bath, I would bathe the cattle and in the evening, I again took them for grazing. This routine continued for around three months. By now, the monsoon had arrived and the work at the farm was increasing. Hence, I changed my routine and started taking an interest in working at the farm. The processes of plantation intrigued me and I began to help my father in the farm.
One day, when I was with my father, the mat (account- keeper) came to him and informed him about a plantation job available in the village. He said that every worker would be paid a sum of Rs 5 per day.
As soon as I heard that, my eyes gleamed with excitement. For me, a sum of Rs 5 per day was a huge amount. It struck me that not long ago, we didn’t even have Rs 2.50 for my school fees. Compared to that, Rs 5 seemed like a jackpot! I was motivated to work hard for it.
I was lost in excitement. Earning this money would help me pay the fees of two of my siblings. I felt as if I had landed an incredible opportunity. I wanted to do the job anyhow and informed the mat about my intentions. He looked at me with scorn and left the place. His reaction was natural as I was only eight years old at that time and the task demanded power and stamina. No eight-year-old was fit for the job.
But my mind would not take no for an answer. I needed the job and was ready to work hard for it. However, I was an eight-year-old at the end of the day and had to ask my father for help. Initially, he was reluctant and refused to listen, but later, my determination to help with the family’s situation made him talk to the mat.
The very next day, I was in front of the mat once again. My father tried to convince him about my abilities. I was disappointed by his earlier refusal to let me work for him and did not want to be subjected to it again. He initially hesitated but when I reassured him of my dedication, he agreed and explained how to go about the work.
The work was with the forest department for its new campaign to plant some trees in the village. I had to work at the plant nursery, which was situated some 4 kilometres down the hill. I had to collect the plants, carry them on my back, travel uphill to the village for another 4 kilometres and plant them. Once all the trees were planted, I had to go back again and get more seedlings.
It was the day before I was to start work. The excitement about my new job didn’t let me sleep. The next day I woke up before sunrise. Once awake, I saw that it was raining outside. In the hills, when there is heavy rainfall, it becomes difficult to walk down the hill. The soil becomes wet and there are high chances of losing balance, slipping on the mud and hurting oneself badly. Hence, we were often advised to not go down the hills during heavy rains. That day too, because of the harsh weather, I was told by my parents to not go out. But nothing would deter me. I felt as if this job was the biggest milestone I had crossed in my life and not even the heaviest rains could stop me.
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I didn’t listen to my parents and rushed out of my house. Since I had been told to reach the place by 8 a.m., I picked up my pace. The way to the nursery in the heavy downpour wasn’t easy at all. I slipped a few times and the constant rains made it more and more difficult. But I didn’t look back and continued walking.
When I reached the nursery, to my utter shock and confusion, I couldn’t see a single soul there. There was absolutely no one around! I was in despair. The sudden happiness and excitement of reaching the nursery, working and earning was shattered. I roamed about and found a guard sitting there. When I inquired, he replied that due to the heavy rains no one had shown up yet. Seeing my dejected face, he suggested that I could wait if I wanted for them to arrive.
I decided to wait. By now, the rain had slowed down. It was merely a drizzle and yet no one came. The guard told me to come back the next day. I left the place completely dejected. I didn’t sleep a wink that night. It was a dark and foreboding night. The moon was nowhere to be seen as if it was hiding behind a curtain of clouds. Just like the moon, I felt lost in desolation, trying to hide my feelings and my tears in a ragged blanket. I had been looking forward to my first earning but the day ended with no money in my hands. The rains had completely stopped by then and the sky was pitch- dark and still. I kept on tossing and turning throughout the night, waiting for sleep.
In the morning, I woke up with the same enthusiasm. The gloom of the previous night seemed like a forgotten thing. I got ready and rushed to the nursery. Fortunately, the work was in progress and the presence of the mat was a sign of relief for me. After talking to him, I picked up a sack full of seedlings and a spade. The mat instructed me to complete at least two rounds in the day, so I carried the sack of plants on my shoulder and went up the hill with great enthusiasm. At that time, I felt as if the sack of plants was no ordinary sack; it was a magic box which would gift me my first earning. I kept on walking briskly for the next two hours, planted the seedlings at the designated place and walked down to the nursery to collect more seedlings. The same routine continued for the entire day. I was so involved in the work that I even skipped lunch. Food was the last thing on my mind.
By evening, I realized that I had actually enjoyed the work and had developed an interest in planting the seedlings. When I went to the nursery, the mat was happy as I had completed three rounds of planting. He took out a small bag from his pocket and took out a note with five written on it and gave it to me.
That moment is still fresh in my mind, as if it was only yesterday. It was an inexplicable feeling, something that till date counts as one of my happiest memories. My first earning! I was on cloud nine.
When I reached home, my mother was still in the kitchen waiting for me. I looked around for my father and spotted him lying on a khaat, a string bed, in the courtyard. I gave him the money. He stared at me for a few minutes. I saw tears welling up in his eyes but at that time I was too young to understand his emotions. He slowly patted my back and told me to give the money to my mother.
Perhaps, this was the moment when I stopped being a child. In just a day, I had shed the cloak of childhood and became an earning member of my family.

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An inspirational and emotional roller coaster, The Man who became Khali is a no-holds-barred account of a man who not only went on to win the World Heavyweight Championship but also conquered his inner demons and physical anomalies.
This is the story of how Dalip Singh Rana became the international icon – The Great Khali! Get your copy today at Amazon.in or from any leading book store near you.

6 Sessions to Look Out for at JLF ’17

It’s that time of the year!
10 years since the first JLF, the Festival has grown into the world’s largest free event of its kind. Having hosted 1300 speakers and welcomed nearly 1.2 million book lovers, its success has been astonishing and heartwarming.
Some of the biggest Penguin authors have rocked the stage at JLF and this year promises to be even better. From commercial superstars to critical bigwigs, this year we are getting the crème de la crème from our author roster.
Here are a few of the sessions you’ll not want to miss at the Festival.
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Gulzar and Pavan K. Varma in conversation
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People usually run out of superlatives when talking about the evergreen Gulzar. One of the greatest artists to ever grace the JLF, Gulzar Sahib’s session, along with Pavan K. Varma, will be on his latest work – Suspected Poems. You’ll not want to miss his musings on poetry, literature and the state of the world.
Tabish Khair
Manju Kapur and Tabish Khair in conversation with Ashok Ferrey
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Currently teaching English at Aarhus University in Denmark, Tabish Khair was born and educated in Bihar. At the session, the former journalist will be talking to Ashok Ferrey about the context and inspiration for his works. He will also talk about his book Jihadi Jane, a powerful novel about two Muslim girls who decide to join ISIS.
You can also catch him at the Festival along with Saeed Naqvi, Qaisra Shahraz, Sadia Dehlvi and Ornit Shani as they talk of the conflicts and polarities of being an Indian Muslim in an increasingly divided world.
Ashok Ferrey
Ashok Ferrey, Kyoko Yoshida and Marina Perezagua in conversation with Sunil Sethi
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Ashok Ferrey will be in conversation with Sunil Sethi on the pursuit of fiction that involves a leap of faith between material and literary reality. He will be joined by other notable contemporary writers as they also discuss how writers enter and access fictional journey. The bestselling Sri Lankan author will also explore the devil within as he discusses his latest book The Ceaseless Chatter of Demons.
From talking about the thin red line between a person’s beliefs and politics with Tabish Khair to joining Ashwin Sanghi on his talk about the art of writing thrillers, Ashok Ferrey will also be at various other sessions with other authors.
Ravinder Singh
Ira Trivedi and Ravinder Singh in conversation with Lucy Beresford
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Romantic fiction reaches out across time and history to every successive generation with tales of love. The King of Romance, Ravinder Singh’s session is about love in contemporary India. The author who is known for writing from the heart, about the heart will speak about the psychology and the changing mores of love in our times.
Devdutt Pattanaik
Devdutt Pattanaik introduced by Amrita Tripathi
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Ancient Greece and India have both bequeathed a lasting body of myth to the world. In his latest work Olympus, Devdutt Pattanaik attempts to understand how an Indian reader raised on a steady diet of local myths and legends might respond to classical Greek mythology. By reversing the gaze, he explores the fascinating connections between these stories and sagas. At the Festival, Pattanaik will talk about both the mythologies and their lasting legacy.
Devdutt Pattanaik will have two more sessions at JLF – on the history and legacy of the Vedas and on his book The Girl Who Chose.
Arshia Sattar
Arshia Sattar and Volga in conversation with Vayu Naidu
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A symbol of chastity and loyalty, the goddess Sita has evolved into a feminist icon for her silent strength and endurance. In her session, Arshia Sattar will talk about her highly acclaimed translation of the ‘Uttara Kanda’. She will talk about the sacrifice, choice and the complex moral universe of the Ramayana.
Arshia Sattar will also be in various other sessions at the Festival discussing atheism in the ancient world to understanding the brilliant A.K. Ramanujan.

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The themes of equity and democracy run through the Festival’s veins bringing humanitarians, historians, politicians, business leaders, sports people and entertainers together on stage. Access to these renowned thinkers along with some of the finest writers in the world provides a potentially life-changing opportunity to visitors.
We hope to see you at Jaipur!

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Flashback 2016: 5 Kickass Moments from JLF ’16

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One of the most iconic literary festivals in the country kicked off today with a mesmerising keynote address by Gulzar. There are fascinating sessions lined up at the event, and the atmosphere is filled with energy as readers and writers from across regions gather to celebrate love for and of books.
As we gear up for the talks and discussions that are in the offing, we look back at last year’s edition, and we bring to you five bright moments that will make you want to attend the festival this year!
When Margaret Atwood talked about ‘The Global Novel’
Chiki Sarkar started the session by asking the authors – Colm Toibin, Aleksander Hemon, David Grossman, Sulaiman Addonia, Sunjeev Sahota, and of course Atwood – when and how did the novel form become the popular form of literature?
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Gulzar’s talk broke records – literally!
Looking back fondly in a self-confessed nostalgia towards the world around him, the great poet moved the audience with prose after prose. The audience was so involved that neither the chatter of young children nor the constant trickle of people at the outskirts of the arena could distract a soul.
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“What makes South Asians laugh?”
In a roller-coaster ride full of laughter and comic relief, Sidin Vadukut, Meera Syal and Suhel Seth took us back to an innocent age – an age where the word ‘tension’ was not part of our vocabulary, an age where we could just enjoy wit without worrying about its ramifications.
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Eating Books – A Cosmopolitan Cuisine: Anjum Hasan and Nilanjana Roy in conversation with Jerry Pinto
The talk revolved around what it means to write about literature and who are writers and what they are writing about today.
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On the British Empire: Tristram Hunt and Shashi Tharoor, moderated by Swapan Dasgupta
The session started off with a definition of imperialism and moved on to its growth with differing opinions on it. Shashi Tharoor was at his delightful best!
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Incarnations, Reincarnations: Sunil Khilnani in conversation with William Dalrymple
The session, headed by Sunil Khilnani and William Dalrymple, was about Khilnani’s book ‘Incarnations: India in 50 Lives’. The landmark book puts together the stories of some of the most iconic Indians who made a difference.
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We hope these stories from JLF ’16 motivated you to head out and attend JLF ’17. See you there!

5 Quotes from Winnie-the-Pooh that Define Life

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Life may not always be straight as an arrow – in fact, it rarely is. Sometimes, it is like a pretzel – twisted and confusing. Sometimes, it is like a roller-coaster – alternating between the crests and troughs.
These heartwarming views on life from the classic Winnie-the-Pooh by AA Milne show that often the solutions lie in the simplest of things!
Here’s celebrating AA Milne’s birthday with these short, easy . . . and delicious takes on life!
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Keep calm and flow on!
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Come out of corners – corners are despicable!
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What’s life without a friend that’s as sweet as honey!
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And, finally, isn’t love the stuff life is made of?
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And here’s to the creator of the fantastic Winnie-the-Pooh – Happy Birthday, A.A. Milne!

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