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Careful what you wish for

All Time Favourites for Children celebrates Ruskin Bond’s writing with stories that are perennially loved and can now be enjoyed in a single collectible volume. Curated and selected by India’s most loved writer, this collection brings some of the evocative episodes from Ruskin’s life. It brings together many known charming, endearing characters such as the iconic Rusty, the eccentric Uncle Ken and the ubiquitous grandmother, and a smattering of new ones that are sure to be firm favourites with young readers, especially middle schoolers. Heart-warming, funny and spirited, this is a must-have on every bookshelf!

All-Time Favourites FC
All-Time Favourites||Ruskin Bond

Here’s a taste of what’s in store in this exciting collection of stories. An extract from the story of a parrot who could, but ‘wouldn’t’ talk. ‘What goes around comes around’ is a complete mood in this one.

~

‘Kiss, kiss!’ Aunt Ruby would coo, putting her face close to the barge of the cage. But the parrot would back away, its beady little eyes getting even smaller with anger at the prospect of being kissed by Aunt Ruby. On one occasion, it lunged forward without warning and knocked my aunt’s spectacles off her nose.

After that, Aunt Ruby gave up her endearments and became quite hostile towards the poor bird, making faces at it and calling out, ‘Can’t talk, can’t sing, can’t dance!’ and other nasty comments.

It fell upon me, then ten years old, to feed the parrot, and it seemed quite happy to receive green chillies and ripe tomatoes from my hands, these delicacies being supplemented by slices of mango, for it was then the mango season. It also gave me an opportunity to consume a couple of mangoes while feeding the parrot.

One afternoon, while everyone was indoors enjoying a siesta, I gave the parrot his lunch and then deliberately left the cage door open. Seconds later, the bird was winging its way to the freedom of the mango orchard.

At the same time, Grandfather came to the veranda and remarked, ‘I see your aunt’s parrot has escaped!’

‘The door was quite loose,’ I said with a shrug.

‘Well, I don’t suppose we’ll see it again.’

Aunt Ruby was upset at first and threatened to buy another bird. We put her off by promising to buy her a bowl of goldfish.

‘But goldfish don’t talk!’ she protested.

‘Well, neither did your bird,’ said Grandfather. ‘So we’ll get you a gramophone. You can listen to Clara Cluck all day. They say she sings like a nightingale.’

I thought we’d never see the parrot again, but it probably missed its green chillies, because a few days later I found the bird sitting on the veranda railing, looking expectantly at me with its head cocked to one side. Unselfishly, I gave the parrot

half of my mango.

While the bird was enjoying the mango, Aunt Ruby emerged from her room and, with a cry of surprise, called out, ‘Look, my parrot’s come back! He must have missed me!’

With a loud squawk, the parrot flew out of her reach and, perching on the nearest rose bush, glared at Aunt Ruby and shrieked at her in my aunt’s familiar tones: ‘You’re no beauty! Can’t talk, can’t sing, can’t dance!’

Aunt Ruby went ruby-red and dashed indoors.

But that wasn’t the end of the affair. The parrot became a frequent visitor to the garden and veranda and whenever it saw Aunt Ruby it would call out, ‘You’re no beauty, you’re no beauty! Can’t sing, can’t dance!’

The parrot had learnt to talk, after all.

6 Quotes You Must Read on Gender and Sexuality

While many use religion to justify why they are being unfair to a person’s gender and sexuality, Devdutt Pattanaik in his books The Pregnant King and Shikhandi And Other Queer Tales They Don’t Tell You shows how mythologies across the world appreciate what we deem as queer.
Here are 6 quotes on what it means to be a man, a woman, or a queer.
What it feels to be a woman
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Repercussion of Patriarchy
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The meaning of queer in different mythologies
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Should the queer hide or be heard like the thunderous clap of the hijra?
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The functions of the forms
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Traces of feminism in Hindu mythology
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Read Devdutt Pattanaik’s The Pregnant King and Shikhandi And Other Queer Tales They Don’t Tell You and make sense of queerness and the diversity in society.

A glimpse into the unraveling of infidelity

Sometimes when you’re desperate to leave the past behind, the past is eager to catch up!

Anuradha leaves Gurgaon when Dhruv chooses his family over her. She thinks that chapter of her life has ended, and starts afresh in Mumbai. But strangely, it seems her past is trying to catch up. Dhruv suddenly comes back into her life. Even as they try to figure out their relationship, horrible things start happening to people they know. Together, Anuradha and Dhruv need to find out who it is that cannot bear to see them together. Who is carrying out these shocking crimes? Are they really soulmates cursed to stay apart, or is there some karmic debt they have to repay?

Read on for a look at the psychological aftermath of an extra-marital affair.

Only the Good Die Young
Only the Good Die Young || Akash Verma

Mumbai has unnerved me every single time I’ve set foot here in the last few months. It wasn’t like this before. It used to be like any other city. Just that I frequented it more as my advertising agency, C&M, is headquartered here. But now, since you have been here for about a year, coming to this city has never been the same. Work still brings me here—a couple of times a month at least—for a sales review or a client meeting. But every time I am here, I feel like running to you first, clasping you to my chest and not letting you go. Yes, that’s what I still feel, Anuradha, after pushing you so far away from my life. The first few months after you left were tough—to come to work each day with you not being in office; to live without you in Gurgaon; not hearing your voice; and not feeling your touch. Despite having Shalini and the kids back in my life, there was this one large gash in my heart. However hard I tried, it refused to heal. It stayed there, untended and bleeding. My head feels heavy with the weight of a sack inside it.. ‘“Don’t do it!” didn’t we warn you?’ the pebbles inside the sack which rests in my head scream in unison. ‘You can’t love two people at the same time.’ ‘I didn’t do it knowingly. It wasn’t in my control,’ I protest. ‘Oh, come on! Liar, liar, pants on fire!’ squeals one. ‘You had a rock-solid marriage, a lovely family. Didn’t you know what you were getting into?’ ‘I know. All my fault. I thought I could handle it. I loved them both, you know. I just couldn’t stop.’ One of the pebbles has a throaty voice. It’s smaller than the rest. ‘Look where this “love” has led you to. No one’s happy. Neither Shalini, nor you and I guess not even Anuradha.’ ‘Well, who knows?’ I say. ‘Maybe she has found someone. Why “maybe”? I am sure she has someone in her life by now. She is young, beautiful, successful . . . she can easily be happy. Don’t you think so?’ The pebble glances at me, scrutinizing me. ‘Yes . . . maybe. Will you be happy if she has found someone?’ I clear my throat, ‘Why not? Yes.’ ‘Sure?’ I nod. ‘Yes. I will be happy as long as she is.’ ‘Do you want to meet her?’ the pebbles chorus. ‘No. It’s over, isn’t it? Why would I want that?’ ‘Ah, come on,’ one of them says. ‘It’s what you want the most. To meet her. Isn’t it?’ I fumble for an appropriate answer. Unsuccessful. I go quiet, then. The plane has landed. I get out of the airport and spot the driver holding a placard with my name on it. I purse my lips and force a smile; a familiar weakness sweeps over me. He signals to me to wait and hurries off to get the car when I nod. I glance at the passengers leaving the airport, people gathered around the arrival gate, greeting incoming passengers: relatives and friends. I wish you too were here, waiting for me, Anuradha . . .Such feelings seem even more unreal after the way our relationship ended. But then how is one supposed to conceal one’s true feelings from oneself? How can I hide that I love you? Even after you lied to me. Even after I promised my wife, Shalini, that our affair happened in the heat of the moment and was well over. How can my feelings for you ever cease to exist? Maybe I really am the asshole that the people I love think me to be. Shalini and you. Maybe I don’t deserve love from either of you. My relationship with my wife will never go back to what it was. I have done enough to scar it and I don’t know if those scars will ever fully disappear. ‘We have struck a compromise for our children, Dhruv,’ was what Shalini told me at the dinner table one day when the kids were asleep. ‘It can never be the same again,’ she had said. Shalini is a headstrong, self-made woman who sticks to her word in her personal life as much as she does when treating her patients.

Cars through the ages

Cars are such an intrinsic part of our lives that it is difficult to visualise a world without them. Although they are the second biggest villain when it comes to air pollution, some villains come in attractive packages and arouse varied passions in the human heart. Gautam Sen’s articulate and extremely readable look at cars, ‘The Automobile: An Indian Love Affair’ gives us a peek into the past and how this industry has evolved. An insight that traverses down the memory lane giving us snippets of information that creates a clearer picture of a familiar and well-loved subject. Knowing about the evolution of the automobile is never a dull subject because all of us regardless of what generation we belong to, have witnessed this gradual unfolding of the multitudinous avatars of the four wheeler.

The Automobile||Gautam Sen

The biggest patrons of cars in the early 20th century were the several princely states during the British Raj. For the Maharajas owning cars was more of a quirk than actually a means for transportation. There are exceedingly entertaining anecdotes of how the Maharaja of Bharatpur converted his Rolls Royce into a hunting car equipped with a howdah (a seat for elephants usually) and how another Maharaja after being insulted by the sales person in London proceeded to buy a whole fleet of luxury cars that would only carry the garbage of the city! Let’s not forget that the Indian royalty were genuine connoisseurs and patrons of the growing automobile industry. The love affair with cars in India continued as industrialists joined the royalty in their predilection for cars. Bentleys, Rolls Royces, Jaguars, Cadillacs and Mercedes Benz were some of the names that became commonly known amongst the upper class in the country. There are interesting instances of art collectors from princely families tracing and acquiring rare vehicles. Owing to a desire to embrace modernity a lot of these erstwhile owners of fancy luxury cars abandoned them, but for some it became a passion of a lifetime to salvage them.  Protap Roy a prince from Bengal and Roni Khan from Mumbai were two such individuals. Like-minded people created the Vintage and Classic Car Club of India and a passion for maintaining old cars as the auto heritage of India manifested in the shape of the Auto World Vintage Car Museum.

Moving on from the romance of the classical styles to the more functional ones over the decades post independence, the evolution of cars and their influence on society and culture is not without its own drama. In Hindi films we saw a surfeit of Impalas, and the films generally ended with a car chase where breaks would fail over a precipice. Fiats and ambassadors were the most common cars seen on Indian roads during the 60s and 70s. With the advent of the 80s the tiny Maruti made its debut on the scene and there was a rush to book this car of the future. In Indian villages folk songs were composed in praise of this car and the owner of a Maruti car was judged as someone quite successful in his life. However, these were still times when families owned just one car, the family car regardless of its size. Cars weren’t air-conditioned and it was quite an agony to be driving in the hot Indian summer with the car packed with the entire family.

Slowly with liberalisation and globalisation the Indian economy took off, and since cars are truly the barometer of the economic health of a country, a variety of new cars could be seen on the Indian roads. New competition made Maruti bring out more luxurious and larger cars into the market. Korean, Japanese, American motor companies were some that found a willing market in India.   Recent history is something we are all aware of, there are cars available for every taste and to suit every pocket. Easy car loans make it possible for the young to buy a car fairly easily. In fact now our problem is a surfeit of cars and the horrific traffic situation in larger towns. One also sees more women drivers on the roads as the easy availability of cars is synonymous with the independence and safety of women in our country. Most families have several cars to facilitate all the members of the family and most people are constantly looking to upgrade their mode of transport depending on their financial situation. A love for travel and adventure sports has brought in a variety of SUVs, larger utility vans as well as jeeps into the market. Culturally we aren’t really very different from the western world when it comes to emotions aroused by a car. So these lyrics from the Tracy Chapman song Fast Car make a lot of sense when it comes to young dreams:

You got a fast car

I got a plan to get us outta here

I been working at the convenience store

Managed to save just a little bit of money

Wont have to drive too far

Just ‘cross the border and into the city

You and I can both get jobs

And finally see what it means to be living.

Growing up body shamed

Five years earlier, a friend’s nasty comment made Ananya start hating her body. She decided to change into a new person; one who effortlessly fits into all kinds of clothes, who shuns food unless it’s salad, and who can never be called ‘Miss Piggy’ – and to cut everything from her ‘old’ life, including her best friend, Raghu, for being witness to her humiliation.

Ananya was on her way to becoming who she wished to be, but she’s continued to see herself as a work in progress.

One day, her parents announced that they were expecting a baby, which worried her. To make matters worse, Raghu reappeared in her life …

Andaleeb Wajid’s latest novel for young adults is a touching and funny story about a young girl’s journey to acceptance and self-love. Here’s a glimpse into her struggle as she finds her way.

~

Mirror mirror front cover
Mirror, Mirror||Andaleeb Wajid

I felt a little guilty about the way I had been treating Ma so I went looking for her. When I didn’t find her at home, I called her phone.

‘I’m back home. Where are you?’ I asked.

‘I left you messages. You didn’t see?’ Her voice was a little muffled. Where was she?

‘No. Why? Where are you?’

‘At the gynaecologist,’ she said. What? Already?

‘But you just found out yesterday!’

‘At my age, sweetie, you can’t be too careful,’ she said. ‘Okay, I have to go now.’ She hung up and I continued staring at my phone.

At her age?

Mom was just forty-three. But . . . having a baby at her age . . . I suddenly felt a spasm of fear. What if something went wrong and she died? All because of this stupid baby.

My throat closed with panic. I needed to talk to someone but didn’t want to call up Nisha. Obviously, I didn’t want to talk to Anirudh about it either. I called up Papa instead.

‘What is it?’ he asked, his voice coming muffled too.

‘Are you also at the gynaecologist’s?’ I asked, surprised.

‘Yes, of course,’ he said gruffly. ‘What is it, Ananya?’

‘I . . .’ I didn’t know how to tell him what I’d been thinking.

‘Nothing. I’ll see you at home,’ I said.

‘Okay,’ he said and he hung up too.

I sat on my bed, feeling out of sorts. I needed to do something. I needed to take my mind off this panic.

I rolled out my yoga mat and did a few stretches, and then sat down, trying to calm my mind. It wasn’t working. My mind was fixated on something else. Something with chocolate in it.

No, we’re not going there, I told my mind firmly.

Please?

One square of dark chocolate wouldn’t hurt anyone. I knew Ma kept a stash in the fridge but I had never ventured near it, as though afraid it would bite me.

 

Saliva pooled under my tongue and I felt an unbearable urge to just taste one little piece.

No. I knew exactly how to change that. I got up from the yoga mat and, bracing myself, walked over to the mirror.

That one piece of chocolate is going to show on your tummy, I told myself, making myself study my reflection. On your thighs. Do you want that?

I pinched my stomach and winced at the pain. Despite all the crunches, this was never going to go away, was it?

Fat bitch. Ugly cow. You’ll always be like this.

The thought of chocolate was no longer appealing. I sat in the hall, waiting for my parents to return home and when I heard the sound of the car, I got up to meet them at the door. I looked for an indication on Ma’s face that everything was all right. But she looked fatigued and anxious.

‘What is it? Are you going to die?’ the words tripped out of my mouth before I realized how silly I sounded.

Ma sidestepped me and walked towards the living room slowly. Papa followed her, looking grim, holding on to a file.

I held his thick wrist and he stopped. ‘What is it? You guys are scaring me,’ I whispered to him.

He looked confused. ‘Why are you scared? Everything is fine,’ he said. I didn’t believe him because his face looked drawn and worried.

Mir Taqi Mir: Scenes from the life of a pioneering poet

Mir Taqi Mir (1723-1810), known as the god of Urdu poesy (Khuda-e Sukhan), is widely admired for his poetic genius. The most prolific among all Urdu poets, he produced six divans. His deceptively simple poetry had an unusual mellowness and natural flow. Mir was the first poet to demonstrate the hidden beauty and genius of the Urdu language. From the raw Braj of Agra to the sophisticated Persian of Delhi and the mellow Awadhi of Lucknow, he wove them all into his verse. He took the half-baked Rekhta of the mid-eighteenth century to new heights, reaching the pinnacle of literary Urdu’s poetic and creative journey.

Gopi Chand Narang paints a poignant picture of the poet in The Hidden Garden, introducing readers of the grossly misunderstood poet, embellished with a substantial selection of Mir’s most memorable ghazals.

**

Mir was born in February 1723 in Akbarabad (as Agra was known then). He was named Mir Muhammad Taqi. When he grew up, he chose Mir as his takhallus (nom de plume). His ancestors had migrated to India from Hijaz in Iran a few generations ago. They first came to Dakan, then moved to Ahmedabad, and finally settled in Agra. His grandfather got the job of a faujdaar (a position in the Mughal army) and he lived a decent life; he died while he was travelling to Gwalior, leaving behind two sons. Mir’s father, a dervish who was called Ali Muttaqi out of reverence, pursued the path of inner knowledge from his early age. Over the years, he gained a lot of followers within and outside the community. He remained busy day and night, his eyes moist with tears, in the remembrance of God. He was a man of utmost humility,a man free of prejudice, a perfect Sufi. He never became a burden for anyone else. In his autobiography, Zikr-e Mir, Mir talks about his father in a highly respectful and reverent tone, dwelling at length about the lessons that his father gave him from his early years. Here, in a nutshell are some of the things he was told:

ai pisar i’shq bavarz, I’shq ast k dariin karkhaana mutasarrif ast:

Son, always adopt love because love is the dynamic force that binds and controls this universe. Nothing great can happen unless you put a lot of love into your endeavour. If you take love out of your life, it becomes barren. All things around you are the manifestation of love. Water is love, so is fire. Even death is love’s drunken stage. The night is the time when love sleeps; the day is when it wakes up. When you fill your heart with love, it attains perfection. Virtue is its union with love; sin arises when it separates itself from love. Paradise is attractive because it is filled with love; hell is a place of horror because there is no love to be found there. The practice of love is more significant than any prayer or pursuit of knowledge. Son, this world is nothing but a momentary excitement. Don’t indulge too much in it. Love for God is the only real thing. Prepare for the journey that starts after this life is over. My son, you are the treasure of my life. What kind of fire burns in your heart? What is your passion? What do you want to be in your life? (When Mir heard his father ask these questions, he had no answer; tears rolled down his cheeks.) Son, be a nightingale whose spring never ends. Admire beauty whose colours never fade. Keep your heart always strong. Always be ready to face odds in life. The world changes continuously. Do not be depressed when things get bad.

Front cover of The Hidden Garden
The Hidden Garden || Gopi Chand Narang

There is no doubt that these teachings had a lasting impact on Mir’s psyche, and he tried to live his life following these high ideals. Mir mentions that one day his father felt the urge to go to Lahore to meet another Sufi who gave sermons by the river Ravi. The old man reached Lahore with great difficulty, but to his disappointment, this so-called Sufi was a fraud who was deceiving poor people by muttering some words in Dari language which they did not understand. On his return journey, God rewarded his father by giving him a disciple, known as Sayyid, whom he brought with him to Agra, and this guest gradually became a member of the household. Sayyid taught Mir, who was seven years old at the time, to read the Quran. Mir called this person ‘uncle’ out of affection. His father and his ‘uncle’ became spiritual companions, andthey could not live without each other’s company. When Sayyid died, a part of his father died with him. Mir wrote, ‘My father threw away his turban, tore open his shirt, and scarred his chest with constant battering.’ On the third day after the death, when friends and admirers gathered to mourn, Mir’s father announced that from that day onwards, he should be called Aziz Murda—someone who has lost a dear friend or a companion. He became famous by this name, and he spent the rest of his life shedding tears each day.

**

Ninja Nani – The mystery hero

It is common for Nani to somersault around the room and backflip without a flinch. Her ninja senses jingle when there is danger in Gadbadnagar and the air then wibbles and wobbles around her. Nani steps out every night, catches robbers, helps people trapped in lifts and burning buildings, and saves stray pups and little birdies. Is it hard to believe?

Here’s an excerpt from the book where Nani gives a glimpse of her superpowers to young Deepu.

*

Ninja Nani and the Freaky Food Festival || Lavanya Karthik

‘So what happened? Where did you go? How?’ If Deepu’s questions had had feet, they would have tripped over themselves trying to get out of his head.

The door slammed as Papa rushed out of the house to get to his doctor.

Upstairs, another door slammed. Then they heard the SKREECH-THUD! of Mummy pulling her chair out and plonking herself in it. The muffled sounds of her talking on the phone followed.

Nani turned to Deepu. ‘I could tell you, or . . .’ She smiled and raised her hands. The air around her fingers fizzled! Little electric sparks danced.

Deepu gasped. ‘Is this . . .?’ he whispered.

Nani pressed her fingers gently to either side of Deepu’s forehead. Deepu’s brain sparked and frizzled! More jutsu!

‘The Ninja ThoughtMeld!’ Deepu shut his eyes tight, as images jumped and crashed and fizzed about inside his head. Morimori used it on his show all the time!

Who knows?’ said Nani’s voice, inside his head. ‘It’s this trick I picked up last week.’

‘Am I hearing your thoughts?’

You are! Pretty neat, huh? But wait, it gets better!’

She was right.

Deepu couldn’t just hear her thoughts, he could see them as well.

 

 

 

 

 

 

 

 

 

 

 

 

*

To know how Nani, Deepu’s own Superhero, fights the monsters and saves everyone from gadbad, read Ninja Nani and the Freaky Food Festival.

Budhini Mejhan – ‘The woman who persevered’

The story of  Budhini Mejhan is a nexus of several socio-political strcutures. She was ostrasized by her village and lost her job for an innocent gesture, which was seen as a violation of Santhal traditions. Through Sangeetha Srinivasan’s beautiful translation, Sarah Joseph’s literary sketch of Budhini Mejhan is vivacious, hopeful and endearing. Here is an excerpt:

~

Let us begin with the woman who persevered. Not how she recaptured the dancing ground, but how she ran incessantly without knowing whose land to set foot in. Waking up in the fourth phase of the night, she lit her stove and boiled some water. If she had a pinch of tea leaves or rice, she would have made some tea or gruel.

Front Cover of Budhini
Budhini || Sarah Joseph, Sangeetha Sreenivasan (Translator)

‘Oye, Ratni, wake up! We have to be there straight away. Please don’t wake your baba. The moment he’s up he will start whining, “Why toil over something in vain, Ratni’s ma? You have been running for a long time now, haven’t you? Will your complaints reach their ears? Better get back to sleep than wear off the soles of your feet.” But, Ratni, it doesn’t work like that; we should barge in and vex them as often as not. In the end, they will be forced to make a decision. Your baba is depressed, but could we endure more than this! Put your blankets over those boys, Ratni. Poor kids, they have been cold all night. Here, take this hot water. It’s not likely that Jauna Marandi will wait for us. His tongue has no bones. And if we don’t make it on time, he will go on grumbling about it till we get there.’

Languorous but still on her feet, Ratni staggered out of the house. Could this shack covered with asbestos sheets, tattered burlaps and rags, sandwiched between the walls of two multi-storeyed buildings, be called a home? Shoving the ragged fabric covering the back of the house aside, the child squatted on the ground and peed. From the mud kanda on the ground, she diligently filled water in a coconut shell and rinsed her mouth and face. She shuddered because of the cold.

‘Ratni Mei!’ Hearing her mother call out in a hushed voice, she went inside without delay. A little black dog followed her into the room, squeezed itself to make space between the sleeping boys and then curled up on the floor. Looking into her eyes, it wagged its tail in concern.

…‘We are very late, Ratni Mei. It seems Jauna Marandi has already left.’ Ratni’s mother was dejected. Loosening the knot at the end of her pallu, she took out some coins and counted. ‘Jauna had promised to take us for free. What should we do now! I saved these coins to buy medicine for your baba, but now we will have to spend them on bus tickets. But if you can walk, Ratni, there is a shorter route through the forest.’

Ratni didn’t say whether she could walk or not. Her teeth chattered, thanks to the cold.

While life saunters, the sun might as well rise in the west one day, marking the end of order. Then daybreak will turn into the hour of darkness. Like time suspended, nothing will be understood. Not everyone will overcome the bewilderment that is yet to come.

As Jauna’s jeep climbed up the road from Asansol to Dhanbad, an arm adorned with thick silver bangles suddenly appeared right in front of his vehicle. A strong arm! Nothing else was visible in the fog. Jauna forced his weight down on the brake pedal.

‘Get in,’ he bawled.

The DVC workers noticed the woman and child get into the jeep through the impenetrable fog. The woman wore a mud- coloured sari with a green border and the girl a crimson sweater. The child carried a bundle of clothes which she hugged close in a bid to protect herself from the insufferable cold. She looked not more than seven or eight. The woman had a grey shaded shawl wrapped around her and a lengthy red fabric bag on her shoulder. There was no seat. They hunkered down on the floor.

It was only the next day that Jauna Marandi realized, much to his shock, that the woman and child had boarded his jeep and alighted at the gates of the DVC to commit suicide.

~

Budhini is an exploration not only of the social laws of identity through the story of Budhini Mejhan but also the imbalanced burden that modernization and urbanization places on communities reliant on ecological methods of sustenance.

 

 

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