At present, there are hundreds of skin-care products promising effective results and miraculous changes. With a wide range of ingredients packed and presented on a platter, to judge and choose the ones that are truly beneficial for your skin is a task. How do you figure out which product is ideal for your skin type and which one is an absolute no-no?
Dr Anupriya Goel, an aesthetic dermatologist and a leading expert in non-surgical aesthetic medicine, shares some ways to help you understand the different elements of a product label. So, before you stock your shelves with random skin-care products, consider the given markers and know what all they offer.
Here’s an excerpt from her book on how one can read a product label like a pro.
*
How to Get Glass Skin || Dr Anupriya Goel
A Louis Vuitton and a Hidesign bag are both made of leather. Yet the price difference is a world apart. It’s up to you, the consumer, to choose the price point. A Hidesign bag is a really good-value leather bag. It’s the same for skincare. Expensive does not necessarily mean good. Not all that glitters is gold. Especially when it comes to skincare products. In fact, especially with skincare products, what’s inside a bottle or jar counts more than the packaging. But there’s a catch. How do you really know if the product you want to buy will deliver all that it claims to? After all, you do want value for every buck you spend.
The best way to know if a product is worth your money is to be able to understand the ingredients it contains. You already know what active ingredients you need to look out for that work best for your skin type and skin condition. Now let’s learn how to read a product label, so you are guaranteed those ingredients for what you are paying.
The elements of a product label
Even though the outer packaging of every product seems different, the story behind every label is rather similar. Every product that is legitimate needs to follow the FDA guidelines and state the following:
1. Brand name and product name
2. Description of the product/product type
3. List of ingredients
4. Net quantity of the product
5. Contact details of manufacturer
For example, in the picture, the brand name of the product is ‘Berkowits’ and the product name is ‘Nourish’. The product type is a conditioning shampoo. The net quantity of the product is 1 litre. The details of the
manufacturer are mentioned on the right hand side of the label (behind the bottle). It is extremely important to know the quantity of the product before you pay the bill, so check whether it’s giving you value for money.
Now, other than the information above, it is vital to understand the list of ingredients and the meaning of the symbols on every product.
What is an INCI List?
An INCI (International Nomenclature for Cosmetic Ingredients) list is simply the ingredients mentioned on the back of the product in their chemical and Latin forms.
For example, the chemical name for water is aqua.
Below are some INCI list names of common ingredients:
1. Aqua: water
2. Caprylic/capric triglyceride: liquid fraction of coconut oil
Some preservatives commonly used for natural cosmetics and skincare products: Benzyl alcohol, dehydroacetic acid, potassium sorbate, sodium benzoate.
You can find the complete list of preservatives and perfume agents on the INCI decoder website (www.incidecoder.com).
**
To know more about the ingredients in products, what the symbols on the packaging of products mean, and how does one read an INCI List, dive into the informative pages of Dr Anupriya Goel’s book How to Get Glass Skin.
This is a narrative about the clash within the royal family which traces the arc of gory violence and brutal bloodshed. In all of Raja Ratan Shah’s life, nobody had made him feel more insecure than his own bastard son, Teja. With no heir in sight, Teja felt entitled to usurp the power. This marked the beginning of a series of cockfights and conflicts.
Here’s an excerpt from the book which gives a glimpse of one of the many cockfights.
*
Fighter Cock || Sidharth Singh
One of Teja’s men brought a fierce-looking Aseel into the pit. The raja picked one of his Karianaths, a young battle stag that was taken inside the pit by its handler. The cocks were pitted by a touch of beaks, and the fight began. The Karianath was aggressive from the get-go, circling the Aseel in top spinner style, using quick footwork. The Aseel, a battle cock of some repute, stood its ground, weaving and bobbing, looking for an opening. As the Karianath tried to take the Aseel head-on, the Aseel jumped up in the air and came crashing down on its head, slashing its neck with a short-blade fitted on its left foot, killing it instantly. Half the crowd ‘ooh’ed in pity while the other half ‘aah’ed in joy. A lot of money exchanged hands. This was Teja’s sixth straight win of the night, and he was jubilant.
An old Bollywood hit played shrilly on loudspeakers installed around the arena. Teja and his henchmen danced wildly to the song, rousing the crowd to join in, and turned the arena into a rave. The raja plied Sheru with more mahua as he moved on to another ganja chillum, blowing smoke like a steam engine and descending further into the grip of lunacy. By now, Sheru was also drunk and had no choice but to drop his guard and enjoy this insane spectacle. The raja signalled for the music to stop and for the next fight to begin. Teja decided to field the winning cock once again while the raja entered his top fighter, the champion battle cock ‘Toofani’, in this bout.
As earlier, the cocks were pitted beak to beak and the fight began. Teja’s Aseel, overconfident from the previous bout, went for the kill immediately, attacking the Karianath from all angles, in a departure from its earlier bob-and-weave style. Toofani circled around in a slinky top-spinning style, its quick hopping reminiscent of B-grade kung fu films. The Aseel took a few quick jabs at the Karianath, who warded them off with ease. Then the Aseel charged down the pit and took a giant leap. The Karianath countered with a massive on-the-spot jump, and, in a gory mid-air collision, kicked the Aseel in the eyes with both its long-bladed feet and blinded it completely.
Blood gushed out of the Aseel’s eyes and the crowd went berserk, shouting with bloodlust. The raja jumped up from his seat and screamed, ‘Kill the bastard! Kill the motherfucker!’ The Aseel hopped around the pit in panic. Toofani strutted to the far end for a long run-up and, then, charging down the pit, leapt into the air and pounced on the helpless Aseel, pinning it to the ground. It then proceeded to kill its foe with repeated machine-gun pecks to its head and neck in a crazed quick-beak style. By the end of the fight, Toofani was drenched in the blood of its victim. It walked up, as if drunk on its gory victory, towards the cheering spectators and fanned its wings violently, splashing blood on the crowd, and making them ecstatic.
**
To know more about the conflicts and cockfights in the royal household of Shikargarh dive into the pages of Sidharth Singh’s rough and ready noir titled Fighter Cock.
Banaras, Varanasi, Kashi. India’s holy city on the banks of the Ganges has many names but holds one ultimate promise for Hindus. It is the place where pilgrims come for a good death, to be released from the cycle of reincarnation by purifying fire.
As the dutiful manager of a death hostel in Kashi, Pramesh welcomes the dying and assists the families bound for the funeral pyres that burn constantly on the ghats. He lives contentedly with his wife, Shobha, their young daughter, Rani, the hostel priests, his hapless but winning assistant, and the constant flow of families with their dying.
But one day the past arrives in the lifeless form of a man pulled from the river-a man with an uncanny resemblance to Pramesh. Called ‘twins’ in their childhood village, he and his cousin Sagar were inseparable until Pramesh left to see the world and Sagar stayed back to look after the land. For Shobha, Sagar’s reemergence casts a shadow over the life she’s built for her family. Soon, an unwelcome guest takes up residence in the death hostel, the dying mysteriously continue to live and Pramesh is forced to confront his own ideas about death, rebirth and redemption.
***
The City Of Good Death||Priyanka Champaneri
As the sun broke free from the horizon like a balloon slipping from a child’s grasp, the light lift ed the veil of fog from Kashi and beyond. The white sands of Magadha winked with the allure of crushed pearls. Birds skated along the air above, traveling in perfect circles over the land, dipping toward a pair of dogs that snarled and fought, spiraling above a tented barge that trundled along the river on an aimless journey. The Ganges, calm and composed in the absence of the monsoon, gathered the early morning pink over its expanse like a sari laid out to dry in the sun, the edges curling against the many carved stone steps leading up to the city . The buildings towering above the ghats gleamed iridescent in the halo of light washing over the water. The bells rang in the temples; the monkeys watched with indifferent faces from their perches atop the roofs. Men bobbed in the water, dunking themselves once, twice, holding their noses closed with one hand while the other directed the holy river over heads, arms, bellies. Women wrung out their wet saris and crowded near each other as they changed into fresh clothing. The ghaatiye—priests who sat on snug platforms with large umbrellas fanning behind them like cobra hoods—collected coins from the bathers, passed a cracked mirror to one man, said a blessing for another, listened to the dilemma of a third. A perpetual stream of people flowed down to the river and back up the steps, hurried feet sidestepping the drunk stretched out with an earthenware pot clutched in his arms. Funeral pyres crowded a stone platform at the bottom of the steps, Flames crackling, the surrounding men looking like cotton spindles from a distance with their shaved heads and sheer white dhotis. Chants laced the air, each word crisp and new as if emerging for the first time from the lips of red-eyed priests. Black smoke spangled with the occasional swirling orange spark rose up and over the stairs, where the walls bordering the alleyways and lanes drew closer, cinching all who passed through in a concrete embrace that blocked out all light and sense of direction. Four men shouldering a bier navigated tight corners
and crowded alleys. Wrapped in coarse white fabric that rose in crisp lines over the nose, the shoulders, the knobby toes, the body had become nameless, an insect tucked and tightly wound with spider’s silk. Their voices, frozen in a monotone chant, echoed in the lanes. Rama Nam Satya Hai. Rama Nam Satya Hai. Rama is truth. God is truth. The chant chased after the feet of a delivery boy, an old woman walking with quick steps, a white dog trotting out of the open mouth of an alley. The dog sniffed at a discarded tobacco wrapper and paused to scratch behind its ear. It looked back and then raised its nose into the air and disappeared into the alley, its tail held upward like a sail, intent on an errand whispered by the breeze. The news traveled quickly, and speculation trailed after to fill the holes that remained. The note found in the dead man’s pocket could have pointed to suicide . . . but the rope tied around the wrist suggested an accidental drowning. And what of the two boatmen who dragged the body back, who certainly could have been murderers? All the other boatmen at Lalita ghat stuck up for the pair except for Raman. Annoyed that his craft required exorcizing and purification by priests, who insisted that it would take an entire day and a hefty sum of rupees, Raman sat on the topmost steps of the ghat cursing his luck and smoking beedi after mango-flavored beedi. The others sat around gossiping or shouted theories as they passed each other on trips up and down the river. All focused on one detail. “They found a note, didn’t they? Has anyone read it?” “A love letter, most probably,” a priest called out from the middle of the ghat as he scratched his chest. “Always a woman to blame,” he added to no one in particular as he labored up the stairs. “Debts, more likely.”
“Perhaps he had a curse on his head.”
“Or he was looking for Yamraj—see how close he was to Magadha?” “Nonsense. He was drunk and fell over.” “That Raman should have secured things better. What kind of duffer leaves his boat free for anyone to take?” “Well, he died in Kashi, so at least he will find peace.”
“What fool would call that a good death, Kashi or no?”
*
Priyanka Champaneri’s novel is an exquisitely lyrical ode to Banaras where where death is so blatantly placed alongside everyday life.
A storyteller of the highest order, illuminating truths about our society and culture through his gorgeous, often searing prose. In his latest collection of nonfiction, Salman Rushdie brings together insightful and inspiring essays, criticism, and speeches, written between 2003 and 2020, that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.
Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need. He explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him.
Here us a taste of Rushdie’s signature wit and dazzling voice inLanguages of Truth:
~
Languages of Truth||Salman Rushdie
Before there were books, there were stories. At first the stories weren’t written down. Sometimes they were even sung. Children were born, and before they could speak, their parents sang them songs, a song about an egg that fell off a wall, perhaps, or about a boy and a girl who went up a hill and fell down it. As the children grew older, they asked for stories almost as often as they asked for food. Now there was a goose that laid golden eggs, or a boy who sold the family cow for a handful of magic beans, or a naughty rabbit trespassing on a dangerous farmer’s land. The children fell in love with these stories and wanted to hear them over and over again. Then they grew older and found those stories in books. And other stories that they had never heard before, about a girl who fell down a rabbit hole, or a silly old bear and an easily scared piglet and a gloomy donkey, or a phantom tollbooth, or a place where wild things were. They heard and read stories and they fell in love with them, Mickey in the night kitchen with magic bakers who all looked like Oliver Hardy, and Peter Pan, who thought death would be an awfully big adventure, and Bilbo Baggins under a mountain winning a riddle contest against a strange creature who had lost his precious, and the act of falling in love with stories awakened something in the children that would nourish them all their lives: their imagination.
The children fell in love with stories easily and lived in stories too; they made up play stories every day, they stormed castles and conquered nations and sailed the ocean blue, and at night their dreams were full of dragons. They were all storytellers now, makers of stories as well as receivers of stories. But they went on growing up and slowly the stories fell away from them, the stories were packed away in boxes in the attic, and it became harder for the former children to tell and receive stories, harder for them, sadly, to fall in love. For some of them, stories began to seem irrelevant, unnecessary: kids’ stuff. These were sad people, and we must pity them and try not to think of them as stupid boring philistine losers.
I believe that the books and stories we fall in love with make us who we are, or, not to claim too much, that the act of falling in love with a book or story changes us in some way, and the beloved tale becomes a part of our picture of the world, a part of the way in which we understand things and make judgements and choices in our daily lives. As adults, falling in love less easily, we may end up with only a handful of books that we can truly say we love. Maybe this is why we make so many bad judgements.
Nor is this love unconditional or eternal. A book may cease to speak to us as we grow older, and our feeling for it will fade. Or we may suddenly, as our lives shape and hopefully increase our understanding, be able to appreciate a book we dismissed earlier; we may suddenly be able to hear its music, to be enraptured by its song. When, as a college student, I first read Günter Grass’s great novel The Tin Drum, I was unable to finish it. It languished on a shelf for fully ten years before I gave it a second chance, whereupon it became one of my favourite novels of all time: one of the books I would say that I love. It is an interesting question to ask oneself: Which are the books that you truly love? Try it. The answer will tell you a lot about who you presently are.
I grew up in Bombay, India, a city that is no longer, today, at all like the city it once was and has even changed its name to the much less euphonious Mumbai, in a time so unlike the present that it feels impossibly remote, even fantastic: a real- life version of the mythic golden age. Childhood, as A. E. Housman reminds us in ‘The Land of Lost Content’, often also called ‘Blue Remembered Hills’, is the country to which we all once belonged and will all eventually lose: Into my heart an air that kills
There are many misconceptions and wrong notions when it comes to meditation nowadays, as in the last few decades it has found itself transitioning from what was by many perceived as maybe a strange occult practice, that was associated with scarcely clad yogis in the Himalayas, to the latest trend of mental fitness for the hip and successful, with an increasing number of mobile apps that promise you peace of mind in as little as three minute ‘instant’ meditations. On top of that many embraced the term ‘mindfulness’ as the new and much more secular word for meditation, making it much easier to market to both the masses and corporate honchos, not realizing that meditation and mindfulness are really not the same, and in some ways are even exactly opposite to each other.
I felt it was high time, therefore, to write a book that clears many of these misconceptions and wrong notions, and that allows anyone with an interest to start exploring meditation to do so in the proper manner, and without getting caught up in either too much incense, or too little substance.
Meditation is an ancient, time-tested and very effective art of managing our mind and transcending it. It has countless benefits, ranging from how it impacts your social and professional life, to your personal health, happiness and sense of freedom and fulfilment. Trying to strip it from its context and tradition will not only be an injustice to the very masters that have preserved this knowledge till today, but it would also deprive the practice of some of its most effective and essential aspects.
At the same time, our modern world and lifestyle requires us to make this ancient wisdom and techniques available in a way that they can be easily understood, related to, and practiced by anyone who wishes to explore the manifold benefits it offers. This book will help you do so, as your personal guide to understanding this profound practice for a healthier, happier and well-adjusted life.
The way this book is structured is that each chapter will teach you some of the tools, and help you progress on the journey, giving you the knowledge and know-how of principles that will finally come together in your personal meditation practice. Many of the principles that you will learn in these pages will also make you more effective, efficient, and empathic even in your day-to-day activities and will help you to deal more skilfully with this abstract thing called the mind and all its tantrums. It will make your life easier, more enjoyable, and more fulfilling, but it will require you to read, understand, and practice what has been shared.
You will learn that meditation does not require a lot of focus or concentration, rather the opposite, and that it can actually be a joyful journey full of eye-openers. It is a journey from effort to effortlessness, from activity to stillness, and from stress, anxiety and frustration to a state of peace and tranquillity. One thing that I would like to emphasize though, is that meditation is so much more than just a solution to some of these problems that many of us face. And practicing it simply to overcome these problems would mean you may drop the practice when your mind or life has settled down again. I would rather encourage you to aim higher and think bigger. Meditation will give you all those benefits, but these are more like the side effects. The real treasure you can find inside lies beyond, and it is only revealed to those who are really ready to look inward.
Come then, whether you are totally new to meditation, or have been practicing regularly or irregularly for many years. I invite you to embark on this fascinating journey with an open mind. When you are able to do this, I guarantee that you will learn and realize many things that can help you understand and deepen your meditation practice and enrich your life. After all, in today’s modern world, meditation is not a luxury, it is a necessity, and the sooner we realize this, the better.
Agha Shahid Ali is widely regarded as one of the finest poets from the Indian subcontinent, and his works are read across the world, touching millions of lives.
In A Map of Longings, Manan Kapoor explores the concerns that shaped Shahid’s life and works, following in the footsteps of the ‘Beloved Witness’ from Kashmir to New Delhi and finally to the United States. Here is an excerpt from the introduction of the book.
A Map of Longings: Life and Works of Agha Shahid Ali|| Manan Kapoor
My first formal encounter with poetry happened through my mother, who, looking at the lilies that bloomed in our garden each spring, quoted from T.S. Eliot’s ‘The Waste Land’: ‘April is the cruellest month, breeding / Lilacs out of the dead land, mixing / memory and desire.’ But it could also very well have been through the renditions of the ghazals of Mirza Ghalib that my father played so often. I cannot recall which came first, but the magical presence of poetry during my formative years had caused a wound. This wound opened itself once again in my teenage years when I first read a poem by Agha Shahid Ali.
I vividly remember reading poems like ‘A Rehearsal for Loss’, ‘Stationery’ and his famous one-liners, ‘Suicide Note’ and ‘On Hearing a Lover Not Seen for Twenty Years Has Attempted Suicide’ (a poem whose title is longer than the body), and marvelling at the sheer simplicity and clarity—there was something ineffable about his language that instantly took a hold of me. Years later, I was informed by his brother, Agha Iqbal Ali, that Shahid had singled out some short poems like ‘Stationery’ as crowd-pleasers that he would open his readings with to charm the audience. The trick had worked on me, and over the next few years, the more I read, the more Shahid reeled me in.
I could also say, at the risk of romanticizing the past, that I became aware of Shahid at just the right moment, when I was ready for him. The years leading up to my first novel, The Lamentations of a Sombre Sky, were also the years of my political coming of age. Throughout my bachelor’s degree, I was working on a novel set in Srinagar in the early ’90s. Although I read numerous accounts of writers and journalists, I fell back, naturally, on Shahid’s collection The Country without a Post Office, only to realize that no one— absolutely no one—was a match for him. Eventually, I ended up using a couplet from Shahid’s ghazal ‘Of Light’ as the epigraph to a section of my novel. Although the political subject matter of the collection was important, it was the aesthetic sensibility, reflected in his language, that made it remarkable. Much later, I read in an interview that Shahid always placed the aesthetic value over the subject matter of his poems.2 For three years leading up to the publication of my novel, I had used Shahid’s works as a lens through which I saw and understood Kashmir. In time, however, the lens itself became the object, which I started looking at from a fresh set of eyes.
I suspect that one of the reasons I fell in love with Shahid was because his poems mapped all the languages, cultures and worlds that I believed I belonged to. Shahid was completely South Asian and completely cosmopolitan at the same time, and in his poems, I could sense the presence of both Ghalib and Eliot, of the West as well as the subcontinent. But as I delved into his work, I discovered that there were more layers than I could have ever imagined.
Shahid was a beneficiary of three cultures—Hindu, Muslim and Western—and at his home, poetry was recited in four languages—English, Urdu, Persian and Kashmiri. Although he wrote in English, his poems, in essence, captured the sensibilities of all these languages and traditions. His father, Agha Ashraf Ali, was an educationist with socialist inclinations and introduced him to the ideas of Mahatma Gandhi, Jawaharlal Nehru and Martin Buber, while his mother, Sufia Agha, a Sunni Muslim from Uttar Pradesh, sang bhajans to him and dressed him as Krishna for Janmashtami. While on the one hand his paternal grandmother, Begum Zafar Ali, was a devout Shia Muslim who taught him about Islam, on the other hand he went to a Catholic school and, throughout his formative years, was fascinated by Christ. I soon realized that Shahid was the sum total of these different cultures and learnt from all of them, that he never viewed them as contradictions but simply as different world views that later coalesced in his poetry.
This first definitive biography of Agha Shahid Ali offers a rich portrait of the poet and the world he inhabited.
We’ve come a long way to celebrating June as Pride Month. But there’s still a long way to go.
Penguin India shares a list of books that you can Read with Pride. The list includes personal experiences of defining identity, falling in love and dealing with being termed different – as well as the history of same-sex in India, and more. We must all help one another if we want to continue to move towards change.
A Gift of Goddess Lakshmi
The extraordinary and courageous journey of a transgender to define her identity and set new standards of achievement. With unflinching honesty and deep understanding, Manobi tells the moving story of her transformation from a man to a woman; about how she continued to pursue her academics despite the severe upheavals and went on to become the first transgender principal of a girls’ college. And in doing so, she did not just define her own identity, but also inspired her entire community.
Same-Sex Love in India: A Literary History
In 2009, the Delhi High Court’s historic judgment overturning Section 377 as violative of the Indian Constitution referred to Same-Sex Love in India. So did the 2018 Supreme Court decision which upheld that judgment. All the petitions against this anti-sodomy law have cited this landmark book to prove that homosexuality is not a Western import.
Same-Sex Love in India is the book that brought to light the long, incontestable history of same-sex love and desire in the Indian subcontinent. Covering over 2000 years, from the Mahabharata to the late twentieth century, the book contains excerpts from stories, poems, letters, biographies and histories in fifteen languages.
Eleven Ways to Love: Essays
People have been telling their love stories for thousands of years. It is the greatest common human experience. And yet, love stories coach us to believe that love is selective, somehow, that it can be boxed in and easily defined. This is a collection of eleven remarkable essays that widen the frame of reference: transgender romance; body image issues; race relations; disability; polyamory; class differences; queer love; long distance; caste; loneliness; the single life; the bad boy syndrome . . . and so much more.
The Golden Gate
John, a young and successful engineer, finds his life boring outside his work and calls his ex-girlfriend Janet and grieves his loveless life. Janet agrees to help out John by finding him a date and advertises for the same in a local newspaper. Liz, a lawyer by profession responds to the ad. John and Liz hit it off instantly and very soon find themselves living together.
Phil, a close friend of John, is a divorcee who lives with his son and raises his voice against nuclear weapons. When Phil attends the party at Liz’ family, he finds Ed, Liz’ brother and both fall in love. Set in the nostalgic era of 1980s, The Golden Gate trails the story of a group of youth living in San Francisco, who embark on a journey of interpreting life, in search of adventure, trying to understand the meaning of love.
Funny Boy
Arjie is a ‘funny boy’ who prefers dressing as a girl. This novel follows the life of his family through Arjie’s eyes as he struggles to come to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there’s a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family’s comfortable life. Sporadic acts of violence flare into full-scale riots and lead, ultimately, to tragedy.
Call Me By Your Name
Andre Aciman’s Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy. It is an instant classic and one of the great love stories of our time.
Love After Love: A Novel
After Betty Ramdin’s husband dies, she invites a colleague, Mr. Chetan, to move in with her and her son, Solo. Over time, the three become a family, loving each other deeply and depending upon one another. Then, one fateful night, Solo overhears Betty confiding in Mr. Chetan and learns a secret that plunges him into torment. Solo flees Trinidad for New York to carve out a lonely existence as an undocumented immigrant, and Mr. Chetan remains the singular thread holding mother and son together. But soon, Mr. Chetan’s own burdensome secret is revealed, with heartbreaking consequences. Love After Love interrogates love and family in all its myriad meanings and forms, asking how we might exchange an illusory love for one that is truly fulfilling. Simon Vs. The Homo Sapiens Agenda
Straight people should have to come out too. And the more awkward it is, the better.
Simon Spier is sixteen and trying to work out who he is – and what he’s looking for.
But when one of his emails to the very distracting Blue falls into the wrong hands, things get all kinds of complicated.
Because, for Simon, falling for Blue is a big deal …It’s a holy freaking huge awesome deal.
Devika Rangachari is an award-winning author of several historical fiction books for children. Her book Queen of Fire came out in April this year. It brings to vivid life the interior life of Lakshmibai, the nineteenth-century queen of Jhansi, thrust into a position she does not desire but must assume, and of her son, who is cowed by the challenges he has to face but determined to live up to his mother’s courage.
We recently got the chance to ask her some questions about her enthusiasm for writing for children and the challenges involved, how she decides on her protagonists and her favourite historians. Read on to find out her answers!
Queen of Ice, Queen of Earth, and now, Queen of Fire, we are sensing a pattern here. Is there a specific reason why we see you writing about queens in Indian history? How do you decide who’s going to be the protagonist of your next book?
A word about these three books, to begin with. Queen of Ice is the story of Didda who ruled Kashmir in the tenth century for around fifty years despite being physically lame. Her rule formed part of my doctoral research on gender in early medieval north India. Didda’s powerful and competent rule notwithstanding, she has been virtually removed from historical narratives of Kashmir due to the gender bias that exists in the writing of history. Alternatively, she has been vilified for daring to challenge patriarchal stereotypes and follow her ambition. Queen of Earth, on the other hand, deals with Prithvimahadevi who ruled the Bhaumakara dynasty of Odisha in the ninth century. Her reign formed part of my post-doctoral research on gender in early medieval Odisha. Prithvimahadevi
managed to hold her own over a rival populace and, additionally, employed clever tactics to justify her rule, indicating her political shrewdness and sagacity. In a similar vein to Didda, however, she has either been made invisible in historical accounts of Odisha or criticised for her rule. I wanted to enable my young readers to know about these important women from the past whom they are unlikely to get to know about through their textbooks or any other source.
Queen of Fire, which deals with Rani Lakshmibai of Jhansi, is slightly different because it aims to resurrect the real woman behind the name. In most accounts of this valorous queen, she is treated almost like a goddess and no weight is given to her emotions, thoughts or fears. Nor is her relationship with her adopted son, Damodar, given any importance. I have, however, examined both these aspects in my book.
While the stories of all these women are extremely inspiring, there is no specific reason for my current focus on queens. It is just something that happened organically. If I decide that the story of a particular woman from history, culled from my academic research, is interesting and engrossing, then she becomes the protagonist of my next book. At least, that is how it has been so far!
Writing historical fiction involves a lot of research, and the task gets more complex when the subject needs to be adapted for a younger audience. What has been your experience like writing historical narratives for children? Could you also shed some light on your research process?
The challenge in writing historical fiction for children is that history is a subject that most of them dread, in any case, and, therefore, I have to make my writing enjoyable and gripping while, at the same time, maintaining a balance between historical fact and fiction. The aim is to draw my readers into the world of history and enable them to discover for themselves how exciting it really is. In addition, I have to ensure that I do not drown the narrative in facts and what could be construed as dry details. Historical accuracy is essential but the writing should convey the elements of the past in a painless and palatable manner. I have, however, immensely enjoyed the process of writing historical narratives for young readers.
My research process involves studying the original sources pertaining to the historical period or personality I am writing on. These could range from texts and inscriptions to coins, buildings and other archaeological material. For instance, the Rajatarangini, a Sanskrit text written by a poet, Kalhana, in the twelfth century is pivotal as a source for Didda’s reign, along with some coins and inscriptions that she issued. In Prithvimahadevi’s case, the sources are even more meagre, principally featuring two inscriptions that she issued and some references to her in contemporary sources. In Rani Lakshmibai’s case, though, there is plentiful information, ranging from memoirs to letters to archival documents. Historical sources become more difficult to come by the further back in time one goes. There are significant gaps in our knowledge of the early medieval queens, for instance, and a lot of guesswork is involved in order to fill these.
Are there some women in Indian history whom you feel particularly moved by, but have not written about yet?
There are several—royal and non-royal—who played important roles in the polity and society of the early medieval period but have not received the acknowledgement that they deserve in the historical narrative. Apart from some powerful women in Kashmir, there are others in the south who have not really been the subject of much research or writing so far. I would like to write about many of these.
When you are not writing and researching, what would we find you occupied with?
I love reading, so I would be curled up with a book.
Who are your favourite historians on Indian history?
There are several but I will mention only two of them. Prof. Nayanjot Lahiri, my doctoral supervisor, is a well-known archaeologist who has, in addition, managed to encapsulate her research—such as on the Indus valley civilisation and on the discipline of history, as a whole—into extremely readable books for the general reader. Another historian that I greatly admire is Prof. Upinder Singh who has also successfully managed to write about the Indian past in a very accessible, engrossing manner for the layman reader, particularly on the ancient and early medieval time spans.
What are some of your favourite historical retellings?
I grew up reading Jean Plaidy who has written an enormous range of historical fiction. Her works made me develop a real love for history. I also enjoyed Hilary Mantel’s works of historical fiction, especially her trilogy on Thomas Cromwell and the Tudor court under Henry VIII of England, and Philippa Gregory’s writing.
While we are still getting past the uncertain times and the young ones are spending the summer break indoors, we have come to their rescue with our interesting June book collection. With a tinge of laughter, a touch of magic, a series of adventures, and a sea full of learning, our books promise to offer entertainment, comfort, and knowledge.
Here’s a curated list for June readathon!
*
My First Library of Learning: Box set
My First Library Learning || .
Ages: 0 to 3 years
Foster a habit of reading in your little ones with this box set of 10 gorgeously designed and thoughtfully created board books. These books equip toddlers and preschoolers with essential reading, language, visual, motor and imagination skills. This bright, handy, easy-to-read and fun library contains books on English alphabet, numbers, colours, shapes, things at home, fruits and vegetables, seasons and opposites, transport, animals and insects.
Dealing with Feelings Box Set 2
Sonia Mehta
Dealing with Feelings || Sonia Mehta
Ages: 5+ years
Foggy Forest is inhabited by many fun little animals. These quirky creatures are always there for one another—helping each other overcome jealousy, boredom, sadness and confusion. Together, they deal with all the different feelings one might have every day. This special box set edition brings together six exciting titles to start a conversation with kids about their feelings and emotions.
Big Mistake
Big Mistake
Ages: 16+ years
Insecurities and assurances, conflict and solidarity, fearfulness and courage—the personal histories, stories and #ownvoices in this anthology cover a lot of ground in just a few pages. Let them spark conversations on love, identity, disability, family, body positivity, ambition and other tough stuff. After all, no matter how old we get, growing up can feel like one big mistake.
Nida Finds a Way
Samina Mishra
Nida Finds A Way || Samina Mishra
Ages: 7 to 9 years
Whenever Nida wants to do something new, Abba is scared for her and says NONONO. But Nida needs to learn and do new things—so the only way is for her to persuade Abba. Can Nida find a way?
A Pinch of Magic
Asha Nehemiah
A Pinch of Magic || Asha Nehemiah
Ages: 7 to 9 years
Veena’s aunt Malu is in trouble. Her pinching spoon is broken. She must get a new spoon or close down her herbal medicine business. But the only person who makes pinching spoons has disappeared. Can Veena help her aunt?
Unmasked
Paro Anand
Unmasked || Paro Anand
Ages: 11+ years
The year 2020 will forever be reported as the time when we all fell down. But it was also the year we all got back up and were forced to come together in a way we had never imagined before. In this timely masterpiece, Paro Anand writes of despair, courage and hope. Through eighteen short stories from the pandemic, Anand introduces us to characters who feel familiar and their stories intimate.
From a mother and son looking to make ends meet as the lockdown brutally affects their lives to a housewife who’s a victim of domestic abuse, from young keyboard wizards keen on making a difference to a home delivery executive who becomes an unlikely hero, this book unmasks the layers of the year that changed us all.
My Little Book of Krishna
My Little Book of Krishna || .
Ages: 3+ years
Naughty little Krishna’s search for butter leads to an unexpected adventure. With charming illustrations and simple language, this short tale about Krishna will entertain and delight. It is a perfect way to familiarize the little ones with India’s rich cultural fabric. It’s a must have to introduce a god from popular Hindu mythology and impart valuable life lessons.
My Little Book of Lakshmi
My Little Book of Lakshmi || .
Ages: 3+ years
Lovely Lakshmi comes to Earth once a year. Will she have a good time here?
With the beautifully illustrated pages, this short tale about Lakshmi offers a fun and enjoyable read about timeless myths and festivals for modern kids.
My Little Book of Ganesha
My Little Book of Ganesha || .
Ages: 3+ years
Clever Ganesha’s got something on his mind, but what that is you’ll have to read on to find.
This short tale about Ganesha has fascinating illustrations and lucid language, making it suitable for bedtime reading and parent-child association. It’s dotted with interesting facts as well as an interactive activities.
Yes, six months have passed since 2021 began. Under normal circumstances, a June mood-board would probably be filled with things like citrus fruit, travel plans, swimsuits, bright colours and pretty food. Much like Darwin theorised though, we evolve to take advantage of the resources we have. The one thing we’ve always got is our books. That is why our mood board for the month has taken a slightly more mellow and serene turn with iced coffee, a lounge chair, flowers, a beautifully organised bookshelf and most certainly enough time to sit and enjoy those things. Can you visualise it?
Enjoying the contents of a book is not the only experience we amass, but the whole adventure of reading, accompanied by associated sights, sounds, tactile feelings and memories of when and where we read, becomes something we can reminisce about. Be it old or new, books are forever… unless you have an overwhelming termite problem(they have an appetite for books just like we do), in which case, please do treat that as you stock up on these titles we’ve got for you through June.
~
Sach Kahun Toh||Neena Gupta
Sach Kahun Toh
In Sach Kahun Toh, actor Neena Gupta chronicles her extraordinary personal and professional journey-from her childhood days in Delhi’s Karol Bagh, through her time at the National School of Drama, to moving to Bombay in the 1980s and dealing with the struggles to find work. It details the big milestones in her life, her unconventional pregnancy and single parenthood, and a successful second innings in Bollywood. A candid, self-deprecating portrait of the person behind the persona, it talks about her life’s many choices, battling stereotypes, then and now, and how she may not be as unconventional as people think her to be.
Believe||Suresh Raina, Bharat Sundaresan
Believe
Believe, Sachin Tendulkar told him – and he took it to heart, getting the word etched on his arm as a tattoo.
In this book, Suresh Raina takes us through the challenges he faced as a young cricketer. He was bullied as a child, but he overcame every adversity life threw at him and never gave up. This is the story of the lessons he learnt and the friendships he built.
Peppered with invaluable insights – about the game and about life – that Raina acquired from senior colleagues, this book will make you believe in the power of hard work, love, luck, hope and camaraderie. It is a journey through the highs and lows in the career of a man who saw his world fall apart and yet became one of the most influential white-ball cricketers India has ever seen.
The Heartbeat of Trees||Peter Wohlleben
The Heartbeat of Trees
This book marks a powerful return to the forest, where trees have heartbeats and roots are like brains that extend underground, where the colour green calms us and the forest sharpens our senses. In The Heartbeat of Trees, renowned forester Peter Wohlleben draws on new scientific discoveries to show how humans are deeply connected to the natural world. In an era of cell-phone addiction, climate change and urban life, many of us fear that we’ve lost our connection to nature. But Wohlleben is convinced that the age-old ties linking humans to the forest remain alive and intact. Drawing on science and cutting-edge research, The Heartbeat of Trees reveals the profound interactions humans can have with nature, exploring the language of the forest, the consciousness of plants and the eroding boundary between flora and fauna.
A perfect book to take with you into the woods, The Heartbeat of Trees will help you see, feel, smell, hear and even taste the forest. Peter Wohlleben, renowned for his ability to write about trees in an engaging way, reveals a wondrous cosmos where humans are a part of nature, and where conservation and environmental activism is not just about saving trees-it’s about saving ourselves, too.
#Tatastories||Harish Bhat
#Tatastories
The Tatas have a legacy of nation-building over 150 years. Dancing across this long arc of time are thousands of beautiful, astonishing stories, many of which can inspire and provoke us, even move us to meaningful action in our own lives.
A diamond twice as large as the famous Kohinoor pledged to survive a financial crisis; a meeting with a ‘relatively unknown young monk’ who later went on to be known as Swami Vivekananda; the fascinating story of the first-ever Indian team at the Olympics; the making of India’s first commercial airline and first indigenous car; how ‘OK TATA’ made its way to the backs of millions of trucks on Indian highways; a famous race that was both lost and won; and
many more.
#TataStories is a collection of little-known tales of individuals, events and places from the Tata Group that have shaped the India we live in today.
Anti-Clock||V.J. James
Anti-Clock
Hendri, the coffin maker, has one goal in life: to see the dead body of his nemesis Satan Loppo being lowered into the coffin he has painstakingly carved. For it was Loppo who defiled his beloved Beatrice, and let loose his hellhound Hitler upon Hendri, giving him a permanent limp.
From inside his coffin shop, Hendri watches the world go by even as he prepares to deliver justice upon Loppo. He is confronted by the son of his best friend becoming enamoured with Loppo’s wealth, Loppo’s evil designs towards the hills of Aadi Nadu, and his own Christian guilt that regularly comes to haunt him. Until he meets Pundit, a 112-year-old watchmaker who was part of Bose’s Indian National Army and is building an ‘Anti-Clock‘, which can turn back time. When Loppo too hears of the Anti-Clock and desires to possess it, the inevitable battle becomes a reality.
This philosophical novel translated from Malayalam is a winner of multiple awards.
The Startup Wife||Tahmima Anam
The Startup Wife
Meet Asha Ray. Brilliant coder and possessor of a Pi tattoo, Asha is poised to revolutionize artificial intelligence when she is reunited with her high school crush, Cyrus Jones.
Cyrus inspires Asha to write a new algorithm. Before she knows it, she’s abandoned her PhD program, they’ve exchanged vows, and gone to work at an exclusive tech incubator called Utopia.
The platform creates a sensation, with millions of users seeking personalized rituals every day. Will Cyrus and Asha’s marriage survive the pressures of sudden fame, or will she become overshadowed by the man everyone is calling the new messiah?
In this gripping, blistering novel, award-winning author Tahmima Anam takes on faith and the future with a gimlet eye and a deft touch. Come for the radical vision of human connection, stay for the wickedly funny feminist look at start-up culture and modern partnership. Can technology-with all its limits and possibilities-disrupt love?
Right Between the Ears||Sandeep Dayal
Right Between the Ears
Right Between the Ears reveals the secrets that allow brands to open up hidden domains in our minds through powerful psychological triggers. The power of cognitive brands is not accidental; it is architected by applying recent scientific advances in fields as disparate as psychology, behavioural economics, social anthropology and cognitive neuroscience. These consilient techniques now allow us to peer into the soul of a brand as never before.
Marketers have created truly phenomenal brands in the past. However, until now, our understanding of brain science was not quite enough to explain why some brand campaigns become so iconic while others fizzle. This book provides a new lens with which we can deconstruct those successes and failures. It takes the reader on a rollicking ride through examples and stories of brands as timeless as De Beers, Mastercard, Allstate and Guinness, as well as modern-day wonders like Madison Reed, Allbirds and Warby Parker.
The book is called Right between the Ears because that is where the brain is. Psychologists sometimes say that everything about sex happens not where you think but right between your ears. Everything about brands, too, happens there. This book reveals all you need to know to build your own epic brands.
The Story of The Sikhs||Sarbpreet Singh
The Story of The Sikhs
The power of storytelling meets the colourful history of the Sikh faith in The Story of the Sikhs. In this book, author Sarbpreet Singh helps us reimagine the lives of the Sikh Gurus through a rich narrative that that intricately weaves in selections from the Guru Granth Sahib, the Dasam Granth and epic Braj poetry.
Starting from the birth of the first guru, Guru Nanak, the book charts the lives of the ten Gurus. Through carefully curated stories, the book does not just show the egalitarian ideals and compassionate worldview that have come to define the faith, but also sheds light on the historical context that defined the foundational principles which guided Sikhs during the era of each Guru.
Sarbpreet has deliberately approached this retelling as a storyteller rather than as a student of history in an attempt to make the work accessible and engaging. Immersive and expansive, The Story of the Sikhs is a tour de force that weaves a multi-dimensional tapestry of narrative and poetry.
Little America||Zain Said
Little America
Born in a Karachi slum, Sharif Barkati became obsessed with “American” ideas of love and freedom at a very young age. He began to dream of a public place in the city that did not follow the rules, where people would be free to say and do whatever they wanted under open skies, away from the conservative eyes of Pakistani society.
With the help of his friend Afzal – and TJ, an extremely wealthy Pakistani-American – Sharif was able to realize his dream in the form of a colossal compound on the Karachi coast, full of bars, cafes, clubs, and the people of Karachi strolling about, hand in hand.
They called it Little America.
Now in prison, Sharif tells the story of his life in a letter to his favourite novelist, hoping that he will turn it into a literary masterpiece. At once a rollicking journey around the mind of a man desperate to be free, an allegory of the neo-colonial endeavour, and an investigation of the desire to emulate the perceived superior while desperately trying to hold on to one’s own cultural identity, Little America asks the question: What, really, is freedom, and what can be sacrificed in its name?
A Map of Longings||Manan Kapoor
A Map of Longings
This first definitive biography of Agha Shahid Ali offers a rich portrait of the poet and the world he inhabited.
Shahid is widely regarded as one of the finest poets from the Indian subcontinent, and his works are read across the world, touching millions of lives. A pioneer of ghazal writing in English, he wrote extensively about loss, nostalgia and home. A witness to the conflict that ravaged his homeland Kashmir, a loss he lamented in his collection The Country without a Post Office, Shahid has today become a symbol of hope in a violent world.
In this biography, Manan Kapoor explores the concerns that shaped Shahid’s life and works, following in the footsteps of the ‘Beloved Witness’ from Kashmir to New Delhi and finally to the United States. He charts Shahid’s friendships with figures like Begum Akhtar and James Merrill and looks at the lives the poet touched with his compassion and love. He also traces the complex evolution of Shahid’s evocative verses, which mapped various cultures and geographies, and mourned injustice and loss, both personal and political. Drawing on various unpublished materials and in-depth interviews with Shahid’s family, friends, students and acquaintances, Kapoor narrates the riveting story of a major literary voice and presents Shahid’s poetic vision, revealing not just what he wrote but also how he taught the world to live.
Green Humour for a Greying Planet||Rohan Chakravarty
Green Humour for a Greying Planet
Green Humour for A Greying Planet is a curation of gag cartoons and comic strips based exclusively on wildlife and nature, perhaps the first of its kind. At a time when global warming, wildlife crimes and man-animal conflicts are at their worst, ‘Green Humour’ is sure to provide its readers some much needed comic relief. A comprehensive and satirical take on various aspects of the natural world and the threats to its conservation, this book will appeal to both the scientifically inclined readers as well as the general readers.
How to Get Glass Skin||Anupriya Goel
How to Get Glass Skin
Glass skin is not just limited to Koreans. Each one of us can get flawless, dewy skin. However, this dream skin cannot be achieved overnight. How to Get Glass Skin will take you through all the steps to be followed in your morning-to-night routine of double cleansing, toning, moisturizing, application of serum, SPF application, facial oils and masking, according to your skin type and skin condition.
Dr Anupriya Goel, renowned skin specialist and medical director of the Berkowits chain of clinics, gives you an insight into the right kind of nutrition and supplements you should be taking, along with an understanding of the active ingredients that you must know of before investing in a product. This, and the latest advancements in skincare.
So what are you waiting for? Let your skin become glass-like and get addicted to the glow.
Looking Inward||Swami Purnachaitanya
Looking Inward
The world as we know it in 2021 is worse than anything we have seen so far. Global warming, a pandemic, misinformation spreading like wildfires, fake news, riots, changing social structures and lifestyles-the ramifications of these events affect our health, relationships, productivity and, most importantly, have a lasting impact on our inner peace. It is in times like these that we feel stressed, acutely anxious and even depressed. And it is now more than ever that we need to look inward for strength, focus, happiness and resilience.
In Looking Inward, Swami Purnachaitanya helps you on your journey towards identifying the source of your anxiety, stress and restlessness, and provides you with the tools required to address and transcend them, using meditation to soothe distracted thoughts and refocusing your energy to being fully present in the moment. Every chapter includes enlightening stories, precious insights, and a ten-minute exercise that will take you one step closer to mastering your mind and building your own meditation practice.
Today, meditation is not a luxury, it is a necessity. This book helps you acknowledge the changing world while strengthening your inner energy reserves to better cope with it.
Ayurveda||Dr G.G. Gangadharan
Ayurveda
This book is not a defence of Ayurveda. A sound, scientific framework of healthcare that has saved countless lives over 5000 years does not need defenders. It needs champions, and to be given wings. In a world that needs Ayurveda more than ever, Dr G.G. Gangadharan, who has been researching both the theory and the practice for the past thirty-five years, shows in his book the logic behind the science. He points out that our bodies are intelligent systems designed to keep most diseases at bay, but we must pay more attention to the signals they give us. Doing so comes with the implicit promise of true restoration. It is a promise to restore your bod and mind to its initial healthy state. Ayurveda has so much to offer; its simple application can transform daily life. In this book, you will find the secret to greater happiness through balance and long-lasting health-the idea that healthcare must address the individual as a whole and not just the disease.
Fighter Cock||Sidharth Singh
Fighter Cock
Shikargarh, central India. An untamed wilderness ruled by a dissolute raja with a passion for sex, drugs and cockfighting. The raja’s Karianath fighter cocks are the undisputed champions of the area – but their reign is challenged by the new Aseel fighters imported by Teja, his bastard son, who also schemes to usurp his position.
Into this world arrives Sheru, a brooding stranger hired to work for the raja. As Sheru negotiates this wild land, he finds himself getting pulled into a deadly vortex of events that threaten to derail his destiny. But Sheru is a dangerous man with a dark past, and when he unleashes his fury, all hell breaks loose.
The Bombay Prince||Sujata Massey
The Bombay Prince
November 1921. Edward VIII, Prince of Wales and future ruler of India is arriving in Bombay to begin a four-month tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But she’s horrified by the death of Freny Cuttingmaster, an eighteen-year-old female Parsi student, who falls from a second-floor gallery just as the prince’s grand procession is passing by her college.
Freny had come for a legal consultation just days before her death, and what she confided makes Perveen suspicious that her death was not an accident. Feeling guilty for failing to have helped Freny in life, Perveen steps forward to assist Freny’s family in the fraught dealings of the coroner’s inquest. When Freny’s death appears suspicious, Perveen knows she can’t rest until she sees justice done. But Bombay is erupting: as armed British secret service marches the streets, rioters attack anyone with perceived British connections and desperate shopkeepers destroy their own wares so they will not be targets of racial violence. Can Perveen help a suffering family when her own is in danger?
Rising Like a Storm||Tanaz Bhathena
Rising Like a Storm
With King Lohar dead and a usurper queen in power, Gul and Cavas face a new tyrannical government that is bent on killing them both. Their roles in King Lohar’s death have not gone unnoticed, and the new queen is out for blood. What she doesn’t know is that Gul and Cavas have a connection that runs deeper than romance, and together, they just might have the strength and magic to end her for good.
Then a grave mistake ends with Cavas taken prisoner by the government. Gul must train an army of warriors alone. With alliances shifting and the thirst for vengeance growing, the fate of Ambar seems ever more uncertain. It will take every ounce of strength, love, and sacrifice for Gul and Cavas to reach their final goal and build a more just world than they’ve ever known.
1971||Ian Cardozo
1971
An under-strength Gorkha battalion undertakes the Indian Army’s first heliborne operation deep behind enemy lines, defeating a Pakistani force twenty times its strength. Fighters of the Indian Air force target the Government House in Dhaka in a daring air raid, forcing the Pakistani government in Dhaka to capitulate and surrender. Four battle casualties become close friends at the Artificial Limb Centre in Pune in the war’s aftermath.
In this collection of true stories, decorated war veteran Major General Ian Cardozo recounts what really happened during the 1971 Indo-Pak war, piecing together every story in vivid detail through interviews with survivors and their families. The book also seeks to commemorate the lives of those who were killed and wounded in this war, which took place fifty years ago.
From the tragic tale of the INS Khukri and its courageous captain, who went down with his ship, to how a battalion of the Gorkhas launched what we accept as the last khukri attack in modern military history, these stories reveal what went on in the minds of those who led their men into battle-on land, at sea and in the air.
Avatar Meher Baba||Ruzbeh N. Bharucha
Avatar Meher Baba
Known as one of the Perfect Masters, Avatar Meher Baba touched millions of lives and passed away in 1969. Since then, his followers, who were blessed to have had been under his direct care, feel his presence strongly, even until date, and live their lives in complete devotion to him.
Now, after more than fifty years after his passing, one of the most read and loved spiritual writers, Ruzbeh N. Bharucha, pieces together what it was to have experienced Baba in person-to have been blessed by him. Through interviews with his followers, Bharucha recreates the life and times of Baba, his deep connection with his Mandali, his miracles, his methods and his teachings.
Such is the power of their words that Baba comes alive to readers like he had never been gone. It is a rare collection for those who would like to know more about what it was like to be with the Avatar himself.
