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A witty, moving and intensely personal retelling of a woman’s battle with infertility

When Rohini married Ranjith and moved to the ‘big city’, they had already planned the next five years of their life: job, home, and then child. After three years of marriage and amidst increasing pressure from family, they decided to seek medical help to conceive. But they weren’t prepared for what came next-not only in terms of the invasive, gruelling and deeply uncomfortable nature of infertility treatment but also the financial and emotional strain it would put on their marriage, and the gnawing shame and feeling of inadequacy that she would experience as a woman unable to bear a child.

 

What’s a Lemon Squeezer Doing in My Vagina? is a witty, moving and intensely personal retelling of Rohini’s five-year-long battle with infertility, capturing the indignities of medical procedures, the sting of prying questions from friends and strangers, the disproportionate burden of treatment on the woman, the everyday anxieties about wayward hormones, follicles and embryos and the overarching anxiety about the outcome of the treatment. It offers a no-holds-barred view of her circuitous and highly bumpy road to motherhood.It was 8 a.m. on a Saturday and the reception area was already packed with couples at various stages of treatment. As first-time visitors, we paid the registration fee and went into a consultation room. A bespectacled, presumably junior consultant motioned us to sit down and began inquiring into our condition, reading out queries from a four-page data sheet in her hand and filling it in as the Q&A progressed.

 

There were questions on our medical history, the nature of my menstrual cycle, our lifestyle, hereditary diseases and, of course, the most critical query: how long we had been trying to conceive. That probably did not tick all the boxes, so what followed was a point-by-point probing of our sex life.

 

‘How often do you have intercourse?’
‘Once or twice a week.’
‘When was the last time you had intercourse?’
‘Last Sunday.’
‘Have you experienced any sexual dysfunction?’
‘No.’
‘Do you have any history of sexually transmitted diseases?’
‘No.’

 

Our tone was flat and deadpan, betraying none of the unease we felt, as if it were routine to discuss the schedule and specifications of our sex life. Of course, only I spoke.

 

Ranjith leaned back in his chair, arms folded across his chest, and uttered a syllable or two when a question was specifically directed at him. He had come there only for me.

 

Once the patient history form was filled up the doctor said she would have to examine me and pointed to a bed in the same room. I knew what was coming and didn’t look forward to it, but agreed obediently. Removing my shoes, I stepped on a two-rung stool and climbed onto the steel examination table while she drew a curtain around it.

 

‘Please remove your pyjamas,’ she ordered.

 

I loosened the knot of my salwar, pulled it down along with my underwear and lay down on my back. She wore her gloves, dipped her index and middle fingers in jelly and inserted them inside my vagina, feeling the contours of my insides in rough, rapid moves. I held my breath, interlocked my fingers tightly and focused unblinkingly on the ceiling.

 

What’s Lemon Squeezer Doing In My Vagina | Rohini S. Rajagopal

After a few seconds she noted, ‘There is nothing anatomically wrong with your body.’
‘Hmm,’ I exhaled. The only thing I cared for was the departure of the groping fingers and restoration
of dignity to my half-naked self.

 

Back at the table, she handed us a printout that laid down the next steps. ‘Please come back once you finish all the tests on this sheet,’ she said. We nodded dutifully and stepped out of the room, our to-do list in hand. We chose the diagnostics lab first. There were twenty odd tests to strike off the list—from HIV to blood sugar to the various hormones that govern reproduction. The phlebotomist1 indicated a student chair and asked me to place my extended arm on the foldable writing pad. He drained several millilitres of my blood into colour-coded vials. I did not fear needles and breathed easily through the prick of skin and tightness of strap. It was certainly easier than offering access to the inner recesses of my vagina.

 

Once I was done, Ranjith sat on the same chair and went through the same motions. Next was sperm collection. A male technician handed Ranjith a small plastic container with a white label on it. He asked him to make use of a room at the opposite end of the corridor with the sign ‘Sample Collection’ outside. Ranjith hid the cup in his closed fist and walked into the room. As the door closed I caught a fleeting glimpse of its interiors—peeling walls and a broken chair. I sat on the bench, facing the closed door, trying to block all thoughts. After fifteen minutes he emerged.

 

The final stop was ultrasound. I was led into a room overpowered by medical equipment and asked to lie down on a long, narrow bed. My salwar and underwear rested on hooks in the bathroom. A chirpy radiologist photographed the insides of my uterus with the transducer, noting down measurements of my ovaries on paper. Once or twice she yelped in delight at the images that appeared on the screen.

 

‘Excellent. A triple lining!’ she said. I maintained my breathless silence, again fixated only on when the ultrasound probe would be withdrawn from my vagina.

 

As soon as Ranjith and I stepped into the clinic, it was as if an invisible wall had emerged to separate us—husband and wife—snapping the lines and wires of marital communication. We walked around the clinic like zombies, taking instructions, undoing zippers, lowering underwear, offering arms for needles . . . It was like a spontaneous, self-imposed blockade. We resisted processing the happenings around us. We resisted conversation. We resisted each other’s eyes even, each feeling sickeningly guilty that the other had been dragged into such a distasteful setting.

 

We had come in expecting the privacy and safety of a cosy consultation room, but the fertility clinic turned out to be an open parade in which our self-respect and dignity were systematically poked, squeezed and drained out. It was only about one and a half hours later, when the stripping and skinning were complete, that we were ushered into the cabin of the doctor we had come to meet in the first place.

Success stories of people with diabetes

Making Excellence a Habit is a behind-the-scenes account of a person honoured internationally for delivering path-breaking care to hundreds of thousands of people with diabetes. While hard work, passion and focus emerge as winning lessons, delicate and tender learnings from Dr Mohan’s life, such as empathy or spirituality, are not forgotten.

Here is an excerpt from the book that talks about success stories of people with diabetes.

 

Front cover of Making Excellence A Habit
Making Excellence A Habit || Dr V. Mohan

Many people with diabetes believe that because of their illness, they cannot achieve their ambitions. Of the two most common forms of diabetes, type 2 and type 1, the former can be treated with tablets, diet and exercise, although some individuals may need insulin at some point in their life. Type 1 diabetes, on the other hand, is a more severe form of the disorder where insulin injections are needed from the beginning, and often several times a day, in order to maintain good health. I have seen that when people develop type 1 diabetes (or even type 2 diabetes, for that matter), they often tend to give up. Their family also thinks that they are doomed to a life of mediocrity, devoid of any ambitions or success.

 

Doctors, too, unknowingly, reinforce this mindset. We were taught as students that if somebody is fifty years old and has had diabetes for twenty years, their arteries and blood vessels would be seventy years old. We therefore recognize what’s referred to as the ‘chronological age’, which is the actual age of the patient, and the ‘biological age’, which is the age of the arteries. In the case of people with diabetes, almost every study has shown that diabetes decreases the lifespan of an individual. Statistics show that in both men and women between seven to eight years of life are lost due to diabetes. Currently, the average lifespan of an Indian is sixty- seven years for males and sixty-nine years for females. Hence, for Indians with diabetes, one would expect that the average lifespan would be around sixty years for both males and females. By this calculation, one would assume that it would be almost impossible to find an elderly person with diabetes in India. Only 0.001 per cent of India’s population today are nonagenarians, that is aged ninety years or above. Hence, finding a ninety-year-old person with diabetes in India would be an absolutely rarity.

 

While these statistics are well established, they’re not necessarily true, and moreover, there are a lot of exceptions to the rule. Over the last few years, we have been noticing at our centre that our patients with diabetes, presumably due to better control, are living longer and longer. In 2013, I published a paper to show that patients with type 2 diabetes could live for forty or fifty years despite their diabetes. This paper was published in the prestigious American journal Diabetes Care and became a landmark paper. My colleagues and I were pleased that we as Indians were the first to report on the long-term survival of patients with type 2 diabetes.

 

After we had submitted the paper, Dr William Cefalu, then the editor of Diabetes Care, visited me in Chennai. Dr Cefalu told me that he was delighted to receive our paper and wanted to learn more about the survival among people with type 2 diabetes. Dr Cefalu then suggested that we have, as a control group, patients who were ‘non-survivors’, that is, had not survived for forty years. I mentioned to him that this would take time, as we would have to painstakingly match the ‘survivors’ and ‘non-survivors’ from our large electronic records. He gave us additional time to do it, and once we were done, we submitted the paper again to the journal. The paper was an instant hit—and was the first in the world to demonstrate the long-term survival of patients with type 2 diabetes of more than forty years duration.

 

In fact, when I received the Harold Rifkin Award for Distinguished International Service in the Cause of Diabetes from the American Diabetes Association, Dr Cefalu was present at the ceremony. I walked up to him and asked him whether he remembered me. Dr Cefalu smiled and said, ‘Why do you think you are receiving this award?’ By then, Dr Cefalu was the chief scientific officer of the association and, despite his high position, he hadn’t forgotten my paper in his journal. ‘That paper of yours was definitely one of the highlights of your career,’ he said. I agreed. I was humbled to receive the award, and even more so because I was the first diabetologist from India to have been chosen for the award.

 

However, in that study we did not take the age of the patients into consideration—only the duration of diabetes. Only recently have we started looking at our electronic medical records again to see how many patients lived very long lives. This time, our study showed that 325 of our patients with type 2 diabetes had survived beyond ninety years of age. This meant that if one applied the formula taught by our teachers, the biological age of these patients was unbelievably long. By now, I have several patients who have crossed ninety-five years of age and are approaching their hundredth birthday. I have also seen my first patient with diabetes cross the coveted hundred-year birth-anniversary mark. This man was the former vice chancellor of two universities and has had diabetes for almost sixty years. This means his biological age would be 160 years!

 

To understand the fundamentals of what makes a person achieve meaningful success, get your copy of Dr Mohan’s Making Excellence A Habit

If you think a higher IQ guarantees mental dexterity, think again!

Intelligence is usually seen as the ability to think and learn, but in a rapidly changing world it might matter more that we can rethink and unlearn.

Organizational psychologist Adam Grant is an expert on opening other people’s minds and our own. Think Again invites us to let go of views that are no longer serving us well and prize mental flexibility, humility, and curiosity over foolish consistency. If knowledge is power, knowing what we don’t know is wisdom.

**

Mental horsepower doesn’t guarantee mental dexterity. No matter how much brainpower you have, if you lack the motivation to change your mind, you’ll miss many occasions to think again. Research reveals that the higher you score on an IQ test, the more likely you are to fall for stereotypes, because you’re faster at recognizing patterns. And recent experiments suggest that the smarter you are, the more you might struggle to update your beliefs.

One study investigated whether being a math whiz makes you better at analyzing data. The answer is yes—if you’re told the data are about something bland, like a treatment for skin rashes. But what if the exact same data are labeled as focusing on an ideological issue that activates strong emotions—like gun laws in the United States?

Being a quant jock makes you more accurate in interpreting the results—as long as they support your beliefs. Yet if the empirical pattern clashes with your ideology, math prowess is no longer an asset; it actually becomes a liability. The better you are at crunching numbers, the more spectacularly you fail at analyzing patterns that contradict your views. If they were liberals, math geniuses did worse than their peers at evaluating evidence that gun bans failed. If they were conservatives, they did worse at assessing evidence that gun bans worked.

front cover of Think Again
Think Again || Adam Grant

 

In psychology there are at least two biases that drive this pattern. One is confirmation bias: seeing what we expect to see. The other is desirability bias: seeing what we want to see. These biases don’t just prevent us from applying our intelligence. They can actually contort our intelligence into a weapon against the truth. We find reasons to preach our faith more deeply, prosecute our case more passionately, and ride the tidal wave of our political party. The tragedy is that we’re usually unaware of the resulting flaws in our thinking.

My favorite bias is the “I’m not biased” bias, in which people believe they’re more objective than others. It turns out that smart people are more likely to fall into this trap. The brighter you are, the harder it can be to see your own limitations. Being good at thinking can make you worse at rethinking.

When we’re in scientist mode, we refuse to let our ideas become ideologies. We don’t start with answers or solutions; we lead with questions and puzzles. We don’t preach from intuition; we teach from evidence. We don’t just have healthy skepticism about other people’s arguments; we dare to disagree with our own arguments.

**

Discover how rethinking can lead to excellence at work and wisdom in life with Think Again.

The story of unapologetic women and their quest for agency

Women Who Misbehave, much like the women within its pages, contains multitudes and contradictions-it is imaginative and real, unsettling and heartening, funny and poignant, dark and brimming with light.

 

At a party to celebrate her friend’s wedding anniversary, a young woman spills a dangerous secret. A group of girls mourns the loss of their strange, mysterious neighbour. A dutiful daughter seeks to impress her father even as she escapes his reach. A wife weighs the odds of staying in her marriage when both her reality and the alternative are equally frightening. An aunt comes to terms with an impulsive mistake committed decades ago.

 

In this wildly original and hauntingly subversive collection of short stories, Sayantani Dasgupta brings to life unforgettable women and their quest for agency. They are violent and nurturing, sacred and profane. They are friends, lovers, wives, sisters and mothers. Unapologetic and real, they embrace the entire range of the human experience, from the sweetest of loves and sacrifices to the most horrific of crimes.

 

Here is an excerpt from the book, Women Who Misbehave:

 

 

It is a Friday evening, but you can’t head home and settle in front of the TV with beers from your fridge and mutton biryani from the dhaba across the street. It’s already been a long day and doesn’t seem to be anywhere close to ending. You now have to go to your friend’s home for a dinner party. Well, she isn’t really a friend. She is a former colleague, so you can blow it off. But you’re not an asshole, and she has invited you to celebrate the three- month anniversary of her wedding. You care neither for the occasion nor the husband. Still, you board an auto and head her way because you are a good person.

 

The two-storeyed bungalow-style home has a wrought- iron gate and a small garden. It is conveniently located a hop, skip and a jump from the bustling Hauz Khas market. You can’t help being envious. They probably just stand on their balcony and holler for all sorts of vendors to come rushing with platters of pakoras, samosas and hot jalebis straight from the fryer. You, on the other hand, live in the hinterland by yourself because that’s what you can afford on your salary. Which is really why you tip the dhaba boys so generously every time they deliver your order. You cannot risk angering the one source of palatable food in your neighbourhood.

 

You reread the directions your friend texted you this morning. You are to go straight upstairs and neither loiter around the ground floor nor accidentally ring the bell. The husband’s widowed mother lives on the ground floor, and you’ve been warned that she has little tolerance for anyone under the age of seventy.

 

You walk past the tidy square garden until you hit the mosaic staircase. With each step you take, the strain of jazz music grows stronger. The stairs lead you to a heavy black door, and you let your finger hover over the bell. You’re no expert, you don’t know the names and types of woods in this world, but you can tell this is expensive. And you’re happy for your former colleague, you truly are. After all, how many people your age, and with practically the same goddamned salary, get to disappear behind a door like this every evening?

 

You take a deep breath and press the bell even though your throat feels like it is closing in, like flowers whose petals clam up at night. We are done preening for you, sucker! You hear the momentary lull in conversation, but you have already recognized the voices. You quit these people a few months ago in pursuit of a flashier salary, but now you have to spend an entire evening with them. You press the doorbell again. Urgently. As if you are here to take care of serious business.

 

Tanu opens the door, her face awash with happiness. Marriage hasn’t changed her, at least not on the outside. She is dressed simply in her usual blue jeans and a pale T-shirt, her outfit of choice for practically every occasion. She gives you a hug and you breathe in a cloud of familiar smells— lemon verbena soap, sandalwood perfume. Mahesh slides up beside her, his shaved head hovering like an egg over her bony shoulder, his arm possessively gripping her tiny waist. He smiles too and says, ‘Welcome, welcome. Please come in.’

 

Women Who Misbehave | Sayantani Dasgupta

You say ‘thank you’ although you can’t help but think that the deep lines under his eyes and the tight way his skin stretches over his face make him look less like Tanu’s husband and more like a creepy uncle. Somehow, the fifteen-year gap between them is more pronounced this evening than it was on the day of their wedding, when you saw him for the first time. But you were too drunk then, and so all you remember is how after a few drinks Mahesh began telling everyone what he would like to do to every man who had ever hurt Tanu. You had giggled along with the others, but, secretly, you had wondered what it might feel like to be the object of such passion. You catch Mahesh’s eyes sweeping over your black shirt. His gaze doesn’t linger on your breasts—maybe if you weren’t so flat-chested things would be different—but out of habit, you surreptitiously glance down to check that the buttons haven’t come undone.

 

‘Black really suits you,’ Mahesh says. You laugh because you haven’t mastered the art of accepting compliments. You follow Mahesh and Tanu into the drawing room where a cluster of familiar faces acknowledge you with varying degrees of nods and smiles. It’s a smartly put-together room—stainless steel and white leather, with tasteful accents of bamboo. Two love seats face an enormous couch and the side tables have neat stacks of expensive-looking coffee-table books, lit up just so by stark, Scandinavian-looking lamps. On one of the love seats, Pia and Projapoti are smashed next to each other, gazing into a glossy book of black-and-white photographs of umbrellas. Their romance is as new as it is tumultuous, so you tell yourself to forgive them if they ignore you. But they don’t. Pia looks up to give you a cheery wink and Projapoti, who took you under her wing when you first joined the company, sets downs her drink, stands up and wraps you in a hug.

 

Rani is sprawled on the couch. Swathed in a voluminous pink and red sari, she looks like a porcelain doll. Her eyes are closed; her lips are pressed together. She is the picture of calm, a far cry from the perpetually anxious person she is at work. Auro, the only other man in the room besides Mahesh, is on the other end of the couch. He was hired to replace you, and you trained him during the last week that you were there. But from the cocky, two-fingered salute he gives you, you would think it was the other way round. He slides towards Rani to make space for you on the couch. You sit beside him, and as if to deliberately ignore your irritation, Auro stretches languorously and crosses his long legs at the ankles.

An unforgettable portrait of being impetuous women

Impetuous Women is about women who step across the Lakshman Rekha, whose transgressions fly in the face of the establishment, the patriarchy, often their own families and loved ones. From two housewives who play a potentially lethal game of keeping up to an expert baker who serves revenge with chocolate sprinkles on top; from a stern hostel warden who examines her relationship with the teenagers she must surveil to a grouchy widow shuts out the world; from a couple madly in love and desperate for a bit of privacy to a tender bond between a husband and wife, these stories create an unforgettable portrait of modern-day India and the experiential realities of being impetuous, of being women.

 

Here’s an excerpt from the book, Impetuous Women:

 

I could have moved at that very instant, if I wanted to. I’m a verb after all. But I decided to wait for the right moment. Having been inert for so long, I wanted to savour it. I mean really savour it. So, here I am, narrating the events of the last poetry meeting She-poet ever attended. If I had fingers, I’d rub them in glee! Someone had dropped me during a meeting. Thereafter, unnoticed, I slipped and slid around the table at the centre of the grey conference room, until I finally found a crack in the wood. I remained there, half-buried by a sticky blanket of grey-black erased words, each wrapped tightly in its casing of rubber. I was, for once, watching things unfold around me instead of being in the thick of it. The conference room was inside a squat grey building, which was a cultural centre and library.

 

There was also an auditorium. The other rooms were full of books and magazines, and soft piped music. Bulletins about cultural activities and happenings in the city were tacked on to felt- covered notice boards in the main hall. Everything inside was grey. The walls were grey. The tables were grey. The chairs were tubular steel with grey foam seats. Even the floor was a greasy grey colour. The conference room had a glossy calendar with a blood red arty print. It was the only bright thing in the room. But it was so arty that it failed to make things cheery.

 

It is a funny thing. I must have been in that room dozens of times, before my involuntary and sudden
imprisonment within the table, but I had never bothered to look around properly. I had never truly seen the room and its inhabitants. I had never breathed in its atmosphere, so to speak. But once I was bundled up in the crack, I began to observe people closely. Perhaps that is why I was able to understand her the way others in the grey room never would.

 

She-poet was one among the two-dozen odd poets who gathered in the grey room every fortnight to read
the poems they had written according to a theme chosen in the previous meeting. They assembled at six on the dot in the evening, which was close to dinner time for some of them. I watched them squirm when their stomachs grumbled, and cough to cover up for the sound. The others ignored these un-poetic sounds, and continued with the reading, discussing the merits and demerits of the poems, in soft cultured voices, careful not to irk one another, at least not too much. They reminded me of student ballet dancers doing pirouettes in front of a distinguished surprise-visitor at school.

 

Each poet brought a sheaf of poem-bearing papers. These were distributed to the members present, and extras were put away on one side of the table for latecomers. Some were habitually late. She-poet was one of them. She was late not because she was tardy by nature, but because she hated the city. The language was strange to her, even though they were all from the same country, and the locals treated her as if she was an unwanted foreigner. You could tell by the way she blundered in that she had not come out of her house until it was nearly time for the poetry reading to begin. She was relatively, but only relatively, new to the city. She had lived in a cleaner, quieter place before, another country. She was used to wide expanses of greenery between her and other people. Some water had flowed under the bridge since, so now the ‘being used to’ bit was more of a mind thing than what being used to really meant.
Nevertheless, She-poet remained faithfully wistful about her past expatriate status.

 

Impetuous Women | Shikandin

 

She had spent many years away, and after her return, felt overwhelmed by the blatant consumerism that had mushroomed all over her homeland. The country was now dirtier and more chaotic. She could not bear the sloppiness, the lack of civic sense in her fellow countrymen. It seemed to her that the new-found wealth had taught them nothing good; if anything, the sudden money was making everyone behave worse than ever.

 

She-poet found it difficult to come to terms with those who were less impressed by foreign things, and had travelled to more places in the world than she, without ever having been an expatriate. She was dismayed too, by the poverty on the pavements outside glittering hotels and malls, festering like the weeping sores of lepers. She-poet had many complaints. And though she took care not to voice them openly, her secret privations remained unresolved. And unknown to her, she was observed by others with pursed lips. ‘I remember a land that was poor but genteel,’ she once told the poets, after they had reacted blandly to one of her sugary patriotic poems.

 

A professor of English, sporting a French-cut beard and a thick provincial accent, held up the paper which contained her poem and said, ‘So, according to you, that is the patrimony we deserve after being colonized?’ Before She-poet could think of a suitable retort, a member giggled and said that perhaps she was disappointed because they had progressed so much during the years she had lived abroad. There was a mocking silence as She-poet struggled to reply. The words were half-formed inside her head, but her tongue was too slow to lob them. A silver-haired lady with spectacles so thick that they looked like glass blinkers, and who was the de facto convener of the meetings, looked around owlishly for two or three seconds before reciting an absentee member’s poem loudly. She-poet lost her chance, and inwardly fumed for the rest of the session.

 

Another time, another professor-poet, who, despite having a doctorate in English and being the principal
of a suburban college, could barely write grammatically correct English, annoyed her so much that she didn’t attend many sessions after that. He called himself a poet, wrote poetry and got it published. It was another matter that the books were shabbily printed by an obscure vanity press. Some gossiped that it was his own publishing house, set up to make money off desperate poets. Barely- literate-professor-poet also enjoyed bashing the erstwhile colonizers in his poetry and lectures. Nothing the ex- rulers did was good. But he had taken pains to get his degrees in English literature, albeit from questionable institutes, and had got his first job as a lecturer of English through much palm-greasing and bum-kissing. He was ingratiatingly nice to the other academics in the group. He seemed desperate to cling to a group of poets writing in the English language. The others knew that he had succeeded over the years because of his ability to hobnob with people with political clout, people who could fund and sanction arts grants and awards.

The fascinating history of canals in the Indus basin

In Indus Basin Uninterrupted: A History of Territory and Politics from Alexander to Nehru, Uttam Kumar Sinha paints a vivid historical narrative of the Indus Basin and how it shaped India’s history. The book looks at the interplay of the territory and politics through the ages, starting from the Indus Valley Civilization to the medieval and colonial periods till the time of Partition and the difficult years of negotiation that led to the treaty. Here is an excerpt from the book that tells us what gave birth to the idea of the Bhakra Dam.

**

The history of canals in the Indus basin offers a fascinating narrative of its interactions with power and knowledge, and how the rivers were negotiated through formal engineering and localized skills. It brought forth, in significant ways, the pioneering role of the civil engineers whose understanding of the hydrology advanced the irrigation system. However, engineers and civil administrators often disagreed on how to run the canal system. While the engineers believed in their surveys, the administrators had their own ideas about the administration of science. Notwithstanding the tussle, many engineers did impress, through constant interactions, the administrators of the overall imperial imperatives of

 

. . . control, profit and colonisation.

 

The overriding economics created a new class of administrators referred to as the ‘colonial-official scientist’. This new class formation in a class-conscious England did not go unnoticed. In 1870, the Spectator of London described the qualities required of the engineer working in India thus:

 

The ideal engineer for India is a man who will take £1000 pounds a year as his average income for life, and insist that all under him shall be content with their wages . . . who will regard an offer of a commission from sub-contractors as a deadly insult; who can keep accounts like a bank clerk . . .

 

For the engineers, the Indus basin presented a new work culture and a new professional outlook. Some of the colonial civil engineers in the Punjab in the latter half of the nineteenth century were making a scientific mark by writing professional papers on the connection between engineering and management of nature. Prominent among them was Proby Cautley and his works, Report on the Ganges Canal Works in 3 volumes (1860) and A Disquisition on the Heads of the Ganges and Jumna Canals (1864). Other significant works that become a repository of irrigation knowledge and reference include Captain Haywood’s Practical Gauging of Rivers (1870) followed in 1879–80 by four papers published in the proceedings for the Institution of

front cover of Indus Basin Uninterrupted
Indus Basin Uninterrupted || Uttam Kumar Sinha

 

Civil Engineering: W.H. Grethed’s Irrigation in Northern India (1872); Robert Buckley’s Keeping Irrigation Canals Clean of Silt (1879) and Movable Dams in Indian Weirs (1880); and C. Greaves’s Evaporation and Percolation (1879). All these findings had a deep impact on the irrigation system in the Indus basin. Others engaged in important comparative studies and brought in the best practices from other water development works in Europe. For example, Baird Smith’s Italian Irrigation (1855), Allen Wilson’s Irrigation in India and Spain (1867) and as earlier mentioned Scott-Moncrieff’s Irrigation in Southern Europe (1867–68).

At times, the sheer perchance of a natural site inspired impossible engineering as when the governor of Punjab, Louis Dane, an engineer who shifted to administration, floated down the Sutlej in 1908 from his official tour to Bilaspur State and saw with transfixed gaze

 

. . . a narrow gauge with high abutments . . .

 

that made him in wonderment conceptualize a high storage dam which had never been built before in the world. Dane’s restless eagerness led to many investigations on the feasibility of the storage dam before, in 1915, the spirited H.W. Nicholson, working in the Punjab Irrigation Department, volunteered to take on the task. In1919, after extensive study, a detailed proposal was put forward that

 

. . . visualised a dam at Bhakra across the Sutlej, 390 ft high impounding 2·50 million acre-ft, of water to extend irrigation in the famine areas of Hissar, Rohtak and all the adjoining states of Patiala, Jind, Faridkot and Bikaner.

 

And thus was born the idea of Bhakra Dam.

Inside the barricaded city of Srinagar’s football stadium

This World Below Zero Fahrenheit: Travels in the Kashmir Valley is an insightful travelogue that breaks away from the clichéd view of Kashmir, one that sees it either as an earthly paradise or a living hell. In this book, Suhas Munshi takes you to unexpected places, into the homes of poets, playwrights and street performers; to a heartwarming Christmas service with the minuscule Christian community in Baramulla; and inside the barricaded city of Srinagar’s football stadium, which is a lively refuge for the elderly and their memories of a glorious past.

Here is an excerpt from the chapter ‘Merry Christmas in Baramulla’ for you to experience the Kashmir presented by Suhas Munshi in his book.

Up there, on the bridge, it was so cold that staying a minute longer was impossible. I spotted a masala-wallah. Masala is a unique Kashmiri street-food item. Soft bread wrapped around chickpeas laced with a spicy chutney. I polished it off as I reached my destination, St Joseph’s Church. St Joseph’s school and hospital, two institutions run by missionaries of the church for hundreds of years, were the best in the area. They had also suffered casualties during the 1947 tribal raids. But I hadn’t come to talk to anyone about violence, old or new. It was 24 December, and I was here to celebrate Christmas Eve.

front cover This World Below Zero Fahrenheit
This World Below Zero Fahrenheit||Suhas Munshi

As I stood outside the church, beside a cheerful-looking Santa Claus figure, a woman approached me. ‘Excuse me, who are you?’ she asked. It naturally made a lot of sense to be watchful around these parts. I told her that I was writing a travelogue. I had met the vice principal of their school two days earlier and sought permission to join in the Christmas Eve celebrations. I couldn’t say for sure how much my answer had satisfied her because just then a man, who looked like a local and was presumably an employee there, arrived with some sweets and extended his best wishes to the nun. She asked him to stay a while but he was in a hurry. She offered to take him on a quick tour of the church. ‘You also,’ she said to me with unquestionable authority, ‘you also come along. We’ll all pray.’

We first gazed at the life-sized figure of Santa Claus. One of his arms was extended in an invitation for embrace. The other one rested on a stick. Next to him was a tree with strings of decorative, colourful lights. From the canopy above the church door were hung several loops of the same decorative lights. High above the church was a neon-lit Star of David. It was a small church built mostly of stone and brick.

‘You know the story of Santa Claus comes from St Nicholas actually. There was once a poor man who was very worried about how to marry off his three daughters. He was very distressed. St Nicholas arrived at his doorstep and quietly dropped off three bags of gold. That’s how Santa Claus, the quiet, silent beneficiary, came into existence. So every Christmas Eve we invite him to come to us again and shower us with gifts,’ she explained.

We took a step sideways to admire the Christmas tree. ‘This tree symbolizes the cross where Jesus died and also his birth. In Rome I have seen bread becoming flesh. When the priest prays over it, holy wine becomes blood. Jesus Christ comes alive in the mass. Come,’ she said in a staccato burst and asked us to step into the church. We took our shoes off and went in.

 

People praying at St Joseph’s Church, Baramulla, on Christmas Day

 

Despite four bukharis—the large wood-burning stoves that are Kashmir’s traditional heaters—the church was as cold within as it was outside. And the outside was very cold. These were the days of Chillai Kalan, the harshest forty-day period in Kashmir when even piped water freezes and all water, including the Dal, turns to ice. But it was extra cold this season. ‘It mostly snows by this time and the temperature improves. But this time it hasn’t snowed, so it is much colder this time,’ the watchman outside the church had told me.

Next to the pulpit, the parishioners had built a beautiful minisized manger, complete with snow and colourful lights, small plants and dry twigs, in the backdrop of a blue satin-like material. From the ceiling were hung cut-outs of various letters in different languages. Colourful lights made these letters glow brilliantly. Right in front of us, the pulpit was decorated with lights and colourful fabric, and in bold white three words were inscribed on it: ‘WORD MADE FLESH’. To our left were placed a keyboard, guitar and drums. The sister walked right towards the manger and said, ‘See, these are letters from different languages—English, Tamil, Malayalam, Hindi, Urdu, Gurmukhi—which teach us the oneness and love there is in all our cultures. Come, let us bow our heads and pray,’ she said. I quietly tiptoed my way back, leaving the two of them.

Behind the pulpit was the image of Jesus on the cross. Placed beside it were two figurines, of Joseph holding baby Jesus and Mary. Mary stood slightly taller than her husband. Above us were carved arches of wood. Although the church was carpeted quite comfortably, it was still getting colder by the second. The other two walked back to the door of the church as soon as they finished their prayers. The man offered some more gifts and sought her permission to leave. I couldn’t believe I had come empty-handed.

Feminism defined right

What is Feminism? Feminism is often misinterpreted to state that it propagates female chauvinism. But the original thought behind feminism is equality for women in the domains of economic, personal, social, and political rights.
Here are five iconic quotes about feminism by women authors to set the record straight on feminism.

 

 

The Goan art of contentment that will radically change your life

Do the vagaries of your day-to-day life leave you feeling jaded? Has your work swallowed up all your personal time, making you feel burnt-out? Do you have a constant nagging sensation of dissatisfaction with everything around you?

 

Modern life, even with all its fruits and benefits, has done great disservice to our mental health. Despite the many technological, medical and socio-cultural advancements at its disposal, the present generation finds itself increasingly haunted by feelings of despair, malaise and a lingering sadness. What then, one might ask, is the solution? The answer is Susegad!

 

What is Susegad?

 

Susegad comes from the Portuguese word ‘sossagado’. If you were to imagine the emotion the word is supposed to invoke, it’s that of the feeling you get when you’re completely relaxed, in a blissful place where you wish you could stay forever. The Goan susegad is not a pursuit of but a state of happiness. The Goan way of life is all about taking a step back, slowing down and living in the present, an age old formula that’s regaining popularity amidst the tired cries of this generation.

 

The magical potions that make up Susegad

 

There are three ingredients that are integral to the concept of Susegad and how it unfolds for the denizens of Goa.

  • Climate

The weather in Goa is mostly sunny and often humid. Summers are balmy. Goa’s geographical location gives it the distinct advantage of a warm sea breeze that blows across changing seasons. The environment rules the moods and feelings of Goans, who have learnt to with sea breeze on one side and a tropical forest on the other.

  • Culture

Goa presents a delicious cultural blend of Indian Hindu and Portuguese Catholic cultures, an aspect that has filtered down to the way people approach situations, challenges and day-to-day life in the state. The language is a lilting mix of Konkani and Portuguese, wherein phrases are made up of both languages. Goan cuisine too is a melting pot of native styles mixed with Portuguese and other colonial influences. Goa learnt that, to find peace, it is necessary to embrace differences. The susegad spirit also arises from this intercontinental cultural marriage.

  • Habits

Habits have a way of compounding over time. Goans have made susegad habits a part of their everyday life. It’s an automatic system, from the little things like buying poee (bread) in the morning to taking a siesta in the afternoon. Habits that contribute to a susegad frame of mind arise from a combination of culture and climate. Goans have respect for the environment and recognize the role that it plays in their happiness, satisfaction and lifestyle.

It is important to note here that these habits are so integral to the lifestyle of Goans that it doesn’t feel like a chore for them. Instead, it is a way of life; rituals they’ve integrated so deeply into their lives that they hardly notice them.

 

front cover of Susegad
Susegad || Clyde D’Souza

 

The three Ms that make Susegad what it is

 

There are three Ms that explain the concept of Susegad and the feelings it engenders

Meditative – A meditative state of mind is central to the idea of susegad. It does not necessarily translate into closing of eyes and breathing but performing each activity, no matter big or small, with intense focus.

Mindful – This would mean to acknowledge the situation, be it the weather or storms in your life. It’s important to be present in the situation and accept it, rather than dwell on things that may be or could be. The Goan way is to be accepting of wherever you are in life.

Moment – Living in the moment is an art that Goans have mastered. They have learned to do this in how they eat, or what they do as per the season. In fact, if you ask a Goan, ‘Koso hai? [How’s life?]’, they’ll answer, ‘’ You ask them, ‘Family kehay? [How’s family?]’ and the reply will be, ‘Susegad.

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A Women’s Day reading list for boys and girls

It isn’t always easy to be a woman. As our little girls grow up, we’d love to have them mentored by some of the strong women, with strong voices who aren’t always brought to the limelight. There is so much the women before us have done to bring us where we are – and it’s important we teach our girls – and boys – that women are as strong as men….if not stronger.
Here is a list of books for children to celebrate women, this Women’s Day
The Girl Who Chose by Devdutt Pattnaik

‘You are bound by rules, but not I. I am free to choose.’
Two thousand years ago, the poet-sage Valmiki wrote the Ramayana. It is the tale of Ram, the sun-prince of Ayodhya, who is obliged to follow family rules and so makes no choices.

India’s favourite mythologist brings you this charmingly illustrated retelling of the Ramayana that is sure to empower and entertain a new generation readers.

The Daughter from a Wishing Tree
The Daughter from a Wishing Tree by Sudha Murty 

The women in Indian mythology might be fewer in number, but their stories of strength and mystery in the pages of ancient texts and epics are many. They slayed demons and protected their devotees fiercely. From Parvati to Ashokasundari and from Bhamati to Mandodari, this collection features enchanting and fearless women who frequently led wars on behalf of the gods, were the backbone of their families and makers of their own destinies.

I Need to Pee
I Need to Pee by Neha Singh

 

Rahi simply loves slurping refreshing drinks, and so she always needs to pee. But boy, does she hate public loos! Travel with the cheeky Rahi and read all about her yucky, icky, sticky adventures in this quirky and vibrant book about the ever-relevant worry of having a safe and clean toilet experience.

Manya Learns To Roar by Shruthi Rao

Manya badly, badly wants to be Shere Khan in her school play. The Jungle Book is her favourite film and she knows all the lines. She’s sure she’ll be a superb Shere Khan.

But not everyone thinks so. Her classmate Rajat is always making fun of her stammer. Her English teacher thinks its risky to let her get on stage and her principal seems to agree.

The more anxious Manya gets, the worse her stammer becomes. Will Manya lose her dream role? Can she overcome her fears and learn to roar?

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