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Take Our Very, Extremely Accurate Personality Quiz from The Very, Extremely, Most Naughty Asura Tales for Kids!

Little asura kids are naughty and troublesome and always up to something! Little will you know when you land in a muddy puddle or your long hair gets chopped off into a bob. They will prod, pull and tug you till you yell-just like the gods in the heavens, especially Vishnu and Shiva who are simply fed up!

This festive season the creator of Bahubali and bestselling author of Vanara-The Legend of Baali, Sugreeva and Tara presents a hilarious romp through the ancient tales of the Puranas in the funniest, most colorful way possible through The Very, Extremely, Most Naughty Asura Tales for Kids!

Just like humans, the beings from Indian mythology are multi-faceted, they’re naughty, mischievous and full of pranks, but they’re also talented, intelligent and spiritual. Some of their acts, hobbies and wishes resonate with all of us-and so we’ve prepared this 100 per cent, fool proof quiz to find out which characteristics are strongest in your personality!

Take this quiz to find out if you’re an Awesome Asura, Divine Deva or Mere Mortal!

 

  1. Do you think you would be more successful if your mother would just calmly let you run amok?

A-No, mothers give divine guidance

B-Sometimes

C-Yes-just want to be a little demon in peace

 

‘No, we don’t want to study. We know everything. We want to conquer the world!’ Mandakka roared. ‘Yes, we are so smart and intelligent and bright and strong. We want to rule the world! If only our mother would leave us be,’ Kundakka wailed.

 

  1. Have you ever cause your parents real embarrassment when guests came around through your clumsiness and stuffing your mouth full of food?

A-Never, you are a model of manners

B-Once or twice

C-Yes, it’s fun to see their shocked expression!

 

The naughty Bhasmasura looked up and said, ‘No, father, I wasn’t crying because I soiled the food of twenty guests. I am crying because I thought the mango would skip further and spoil the food of at least fifty guests! Poor me, I could spoil only twenty. Baaaaaa ngaaa .

 

  1. If you could have exactly one superpower granted to you, which one of these would you pick?

A-The ability to bring peace to the world

B-The ability to fly

C-The ability to incinerate things to cinders

 

‘Put on the spot, Bhasma forgot what he wanted to ask! He was taken aback by the appearance of Lord Shiva. He collected himself and said, ‘Umm . . . uh . . . Whatever I touch should turn to ashes.’

 

  1. Would you grant a ridiculous boon to a rather dangerous person if they pleaded with you long enough?

A-Yes-everyone deserves a reward

B-You might if it wasn’t too ridiculous

C-Never, you only take boons, not grant them!

 

‘Hush, Vasuki,’ Shiva said, flashing a serene smile at the cobra that was perched around his blue throat. ‘The poor asura has done such a tough penance. I will have to give him a boon.’ Shiva turned to Bhasma and asked, ‘Son, what boon do you want?’

 

  1. If there one question all grown-ups love to ask, it is ‘What are your hobbies?’ Which of the following fits your interests best?

A-Listening to the divine singing of apsaras

B-Cricket

C-Annoying the rishis around you

 

Now Shumba and Nishumba were very naughty, right from the moment they were born. They were wild and uncontrollable. Their hobbies ranged from pouring water over the sacrificial fire of maharishis, to setting fire to hermitages and throwing stones at people’s homes while they slept.

 

  1. You are what you eat they say and we all love to eat! Which of the following would you pick for your next snack?

A-Milk and honey

B-Pizza

C-A few dozen elephants!

 

A rice mound as big as a hill, A lake full of sambhar, Another lake full of chutney, A mountain of vegetables, And ninety-six bullock carts full of fruits as dessert. Imagine this lunch, and each meal was double this quantity, for they were twins!

 

  1. If your friend asks you to carry a message to a special someone, which of the following would be your chosen method of communication?

A-Send a showers of roses from the heavens

B-Send a text message

C-Kidnap the special someone on a flying carpet

 

‘What—’ he said and there was a flash of explosion. Aniruddha was thrown back from the window to his bed. In her panic, Chitralekha had used more force than necessary in her chant. She flew into the room and jumped out of her carpet. She was scared he was dead. She felt his heartbeat and sighed in relief. He was still breathing. Chitralekha dragged him and put him on the carpet.

 

Ticked your preferences? Here are your results!

Mostly As-Divine Deva

Mostly Bs-Mere Mortal

Mostly Cs-Awesome Asura

Tales as old as time: Mythological reads for you!

This month, we have been revisiting tales as old as time from the immersive world of Indian mythology and our favourite epics!

Scroll down to have a look at our reading list and join us on this journey!

 

The Aryavarta Chronicles

 

Govinda: The Aryavarta Chronicles Book 1
Front cover of Govinda
Govinda || Krishna Udayasankar

 

For generations, the Firstborn dynasty of scholar-sages, descendants of Vasishta Varuni and protectors of the Divine Order on earth, has dominated here. For just as long, the Angirasa family of Firewrights, weapon-makers to the kings and master inventors, has defied them. In the aftermath of the centuries-long conflict between the two orders, the once-united empire of Aryavarta lies splintered, a shadow of its former glorious self.

Kaurava: The Aryavarta Chronicles Book 2
Front cover of Kaurava
Kaurava || Krishna Udayasankar

 

Emperor Dharma Yudhisthir of the Kauravas and Empress Panchali Draupadi rule over a unified Aryavarta, an empire built for them by Govinda Shauri with the blessings of the Firstborn and by the might of those whom everyone believes long gone – the Firewrights.

Now the Firewrights rise from the ashes of the past, divided as before in purpose and allegiance, and no one,

His every dream shattered, Govinda is left a broken man. The only way he can protect Aryavarta and the woman in whose trusted hands he had left it is by playing a dangerous game. But can he bring himself to reveal the terrible secrets that the Vyasa has guarded all his life – secrets that may well destroy the Firstborn, and the Firewrights with them?

Kurukshetra: The Aryavarta Chronicles Book 3
Front cover of Kurukshetra
Kurukshetra || Krishna Udayasankar

 

The empire that was Aryavarta fades under the shadow of doom. As the bitter struggle to gain control of the divided kingdom ensues, both Krishna Dwaipayana Vyasa of the Firstborn and the Secret Keeper of the Firewrights can only watch as their own blood, their kin, savage and kill on the fields of Kurukshetra. Restraint and reason have deserted the rulers who once protected the land and they manipulate, scheme and kill with abandon – for victory is all that matters.

Reforging the forsaken realm in the fire of his apocalyptic wrath, Govinda prepares to destroy everything he loves and make the ultimate sacrifice for the sake of one last hope: that humanity will rise.

**

Vanara: The Legend of Baali, Sugreeva and Tara
Front cover of Vanara
Vanara || Anand Neelakantan

 

Baali and Sugreeva of the Vana Nara tribe were orphan brothers who were born in abject poverty and grew up as slaves like most of their fellow tribesmen. They were often mocked as the vanaras, the monkey men. Sandwiched between the never-ending war between the Deva tribes in the north and the Asura tribes in the south, the Vana Naras seemed to have lost all hope. But Baali was determined not to die a slave. Aided by his beloved brother, Sugreeva, Baali built a country for his people.

The love triangle between Baali, Tara and Sugreeva is arguably the world’s first.

Vanara is a classic tale of love, lust and betrayal. Shakespearean in its tragic depth and epic in its sweep, Vanara gives voice to the greatest warrior in the Ramayana-Baali.

**

The Mahabharata (Box Set)
Front cover of The Mahabharata boxset by Bibek Debroy
The Mahabharata (Box Set) || Bibek Debroy

 

The greatest Indian story ever told of a war between two factions of a family, The Mahabharata has continued to sway the imagination of its readers over the past centuries.

While the dispute over land and kingdom between the warring cousins-the Pandavas and the Kauravas-forms the chief narrative, the primary concern of The Mahabharata is about the conflict of dharma. These conflicts are immense and various, singular and commonplace.

The complete and unabridged Sanskrit classic, now masterfully and accessibly rendered for contemporary readers by Bibek Debroy.

**

Ramayana, Mahabharata, Bhagvata: Illustrated Retellings of the Greatest Indian Epics Box Set

 

Jaya: An Illustrated Retelling of the Mahabharata
Front cover of Jaya by Devdutt Pattanaik
Jaya || Devdutt Pattanaik

 

High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God.

The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve.

What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.

Sita: An Illustrated Retelling of the Ramayana
Front cover of Sita by Devdutt Pattanaik
Sita || Devdutt Pattanaik

 

It is significant that the only character in Hindu mythology, a king at that, to be given the title of ekam-patni-vrata, devoted to a single wife, is associated with the most unjust act of abandoning her in the forest to protect family reputation.

This book approaches Ram by speculating on Sita—her childhood with her father, Janak, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, emotions they shared; her connection with the earth, her mother; her role as the Goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.

Shyam: An Illustrated Retelling of the Bhagavata
Front cover of Shyam by Devdutt Pattanaik
Shyam || Devdutt Pattanaik

 

The Bhagavata is the story of Krishna, known as Shyam to those who find beauty, wisdom and love in his dark complexion. It is the third great Hindu epic after the Mahabharata and the Ramayana.

This book seamlessly weaves the story from Krishna’s birth to his death, or rather from his descent to the butter-smeared world of happy women to his ascent from the blood-soaked world of angry men.

**

Myth = Mithya
Front cover of Myth = Mithya by Devdutt Pattanaik
Myth = Mithya || Devdutt Pattanaik

 

In this groundbreaking book Dr Devdutt Pattanaik; one of India’s most popular mythologists; seeks an answer to these apparent paradoxes and unravels an inherited truth about life and death; nature and culture; perfection and possibility. He retells sacred Hindu stories and decodes Hindu symbols and rituals; using a unique style of commentary; illustrations and diagrams. We discover why the villainous Kauravas went to heaven and the virtuous Pandavas (all except Yudhishtira) were sent to hell; why Rama despite abandoning the innocent Sita remains the model king; why the blood-drinking Kali is another form of the milk-giving Gauri; and why Shiva wrenched off the fifth head of Brahma.

Meet the Characters from Anand Neelakantan's 'Vanara'

Baali and Sugreeva of the Vana Nara tribe were orphan brothers who were born in abject poverty and grew up as slaves like most of their fellow tribesmen. Sandwiched between the never-ending war between the Deva tribes in the north and the Asura tribes in the south, the Vana Naras seemed to have lost all hope. But Baali was determined not to die a slave. Aided by his beloved brother, Sugreeva, Baali built a country for his people. For a brief period in history, it seemed as if mankind had found its ideal hero in Baali.
But then fate intervened through the beautiful Tara, the daughter of a tribal physician. Loved by Baali and lusted after by Sugreeva, Tara became the cause of a fraternal war that would change history for ever.
The love triangle between Baali, Tara and Sugreeva is arguably the world’s first. Written by Anand Neelakantan Vanara is a classic tale of love, lust and betrayal. Let’s meet the characters.


Baali – the chief of Vana Naras, an indomitable warrior, a noble savage, and straight as an arrow. He loves his brother Sugreeva deeply and would give him anything he asks for – except Tara, who is the love of his life.

~

Sugreeva – The greatest warrior in Vana Nara tribe after Baali. He loves his brother and would do anything for him. He has always been the second man and for him, the end justifies his means. If he wasn’t lusting after Tara, his devotion to his brother was incomparable.

~

Tara – Daughter of an impoverished but principled and kindhearted tribal doctor. She was considered to be the wisest of all and the most desirable women as per Baali. She was deeply in love with Baali, her husband. If Baali had not been there, perhaps Sugreeva had a chance of marrying her.
 


Shakespearean in its tragic depth and epic in its sweep, Vanara gives voice to the greatest warrior in the Ramayana-Baali.

Vanara – an Excerpt

Baali and Sugreeva of the Vana Nara tribe were orphan brothers who were born in abject poverty and grew up as slaves like most of their fellow tribesmen. But Baali was determined not to die a slave. Aided by his beloved brother, Sugreeva, Baali built a country for his people. For a brief period in history, it seemed as if mankind had found its ideal hero in Baali. But then fate intervened through the beautiful Tara, the daughter of a tribal physician. Loved by Baali and lusted after by Sugreeva, Tara became the cause of a fraternal war that would change history for ever.
The love triangle between Baali, Tara and Sugreeva is arguably the world’s first. Written by Anand Neelakantan who gave a voice to Ravana in Asura, Duryodhana in the Ajaya series and Sivagami in the Baahubali series, Vanara is a classic tale of love, lust and betrayal.
Here is an exclusive excerpt from the book about Baali’s legendary duel with Ravana:


‘What are the rules of duels? I can’t be standing here the entire day watching my opponent dry in the sun,’ Ravana said to Nala.
Nala explained to him that there are four fountains at the four corners of arena. Whoever flips the opponent to all the four fountains will be the winner. Ravana remarked that that made his task easy. Baali was already sunk half in the western fountain. Many found the remarks witty. The Asuras tittered.
Ravana tried to lift Baali by his armpit. Baali didn’t budge. The entire episode was turning into a farce and the king of Asuras was enjoying it. Tara sat with her cheeks burning in shame. She could feel the sense of defeat among her people. A sudden gasp caught her attention. The crowd had gone silent.  Baali had caught Ravana’s head in his armpit. Ravana was still laughing, treating it as fun before he finishes off his opponent. Baali sat without moving. Only his bulging biceps betrayed his struggle. Ravana tried to free himself. His laugh had turned to a grunt. He started pummelling Baali’s back with his free hand but Baali was choking him. The pummelling soon became weak. Baali stood up with a roar. Ravana was still at the crook of his arm. He jumped into the fountain, dragging his opponent. He dunked into water, taking Ravana with him. The crowd watched with trepidation. Baali sprang up, dripping wet but Ravana’s head was still in his grip. He threw Ravana into water and walked out of the fountain. Behind him Ravana was struggling to get up. Baali stood at the edge of the water, beat his chest, threw back his head and roared.
The crowd erupted in a loud cheer. The Parai drums that were silent for so far, rolled in a frenzy. Many Vanaras were crying, hugging each other and Vanara women were ululating. Tara couldn’t control her tears or her smile. Baali walked to the centre of the arena. The Asura crowd was dangerously silent. Baali stood with his clenched fists pressing his waist. Tara wanted to cry, Baali, watch out, for she saw Ravana had recovered and was rushing towards Baali. Ravana kicked Baali, sending him sprawling on the mud. The Asuras roared with cheer, but it was short-lived. Baali rasped Ravana from behind, his arms locking the Asura king’s neck in a death grip. He dragged Ravana and threw him into the fountain on the east side of the arena. Baali let out his monkey roar again. Tara saw a few Asuras stand up. Their swords had come out of the sheath. Some were stringing their bows. The Vanara warriors on the other hand were busy cheering their chief. The moment Ravana was on his feet, Baali jumped into the fountain and caught Ravana by his long hair. He dragged the Asura king to the Southern fountain. The wild roar accompanied the pummelling of his chest. By now the Parai drummers had jumped to the arena and had started dancing. The drum rolls were deafening and the Vanaras were cheering in ecstasy. When Baali dunked Ravana in the Northern Fountain, the entire Vanara crowd rushed to the arena, erupting in joy. A monkey man had vanquished the mighty Asura emperor. The Asura crowd rose in anger, clanging their swords on their shield. They couldn’t believe their king, the greatest of all warriors who had conquered the entire Jambudweepa, under whose armies the mighty armies of Devas crumbled, was defeated by a black-skinned, thick-lipped, monkey man. The great scholar of Vedas, musician, scholar, statesman, warrior and dashingly handsome Mahabrahmana Ravana was squirming under the feet of a crude, low-caste, untouchable, illiterate, ugly monkey. The Asuras couldn’t digest the insult.
Tara screamed at her people to be alert. The Asuras were attacking against all rules of a duel. The Vanaras were busy celebrating their leader’s victory. Even the three council members were cheering. The freedom and honour of Vanaras had been protected by Baali. The Asura army descended on the arena like a storm. They smashed everything on the way. A section of the arena caught fire, perhaps deliberately set. The terrified Vanaras were scattered. Some ran to Baali, while others pushed and shoved to get away from the chaos. Tara struggled her way to reach Baali. Sugreeva was brandishing his mace at the attacking crowd, shielding Baali. Chemba was snarling at anyone who dared to come near his master. Unmindful of the din, Baali was giving his victory roar. Tara broke through the crowd and ran to Baali. His gaze fell on her and he stopped his roar midway. The Asuras had circled him. If they kill him, she would die with him, she decided.
‘Enough,’ Tara heard Ravana speak. The Asura king stood up, dripping wet. There were gashes around his neck where Baali had gripped him. He steadied himself, holding Baali’s shoulders.
‘Back off,’ Ravana commanded. The Asura army became still, but they were glaring at Baali and their arrows, spears, swords and lances pointed at her husband.
‘We fought face to face, as any man of honour would do.’ Ravana’s voice was even. ‘He won fair. I have no shame in admitting my defeat. That is the only honourable thing to do. And I am ready to die in his hands as per the rule of the duel. No Asura will raise even a whimper. If I have been a good leader, honour me at my time of death.’
The arena turned silent. Ravana knelt before Baali. He whispered, ‘You won monkey. Now kill me. I assure you that no Asura would object to my death. That is my word. Don’t be sacred. Do the honourable thing.’
‘Why should I kill you?’ Baali asked.
‘The reward of defeat in a duel is death. Don’t insult my honour, monkey. Make it fast.’ For the first time in the day, Tara heard Ravana’s voice shiver. The impending death was making him sound like an ordinary man. Tara wished her husband would finish the Asura king before Ravana lost his courage and nobility. The Asura army was fuming with the shame of a dishonourable defeat at the hands of those they considered barbarians.
‘We are Vanaras, Ravana. The rules of humans don’t apply to us. We fight only for food, territory or mate. The beast that gets defeated is spared unless the victor wants to eat the vanquished in our world. You are free to go. Never enter our territory again,’ Baali said and walked away. Asuras parted to make way for the Vanara chief. The wolf trotted behind him.


Shakespearean in its tragic depth and epic in its sweep, Vanara gives voice to the greatest warrior in the Ramayana-Baali.

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