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Mother’s Day Special: 15 Books that Say ‘I Love You, Maa’

Happy Mother’s Day to all the incredible moms out there! As we celebrate the remarkable women who have filled our lives with love and wisdom, what better way to honor them than with the gift of a good book? Check out this thoughtfully curated collection, handpicked to bring joy and inspiration to the special women in our lives. From stories of resilience to adventures of self-discovery, these books are the perfect way to show gratitude and appreciation on this meaningful day!

Power to the Parent
Power to the Parent || Ishinna B. Sadana

Through Power to the Parent, Dr Ishinna B. Sadana talks to parents to understand their most vulnerable doubts and fears, provides them with a safe space without judgement or preconceived notions, empowers them to deal with their children in different situations and connects with them in a positive way.

Using Dr Ishinna’s practical ways of dealing with kids, many parents have seen transformational results in their relationship with their children. She writes with clarity and simplicity, using real-life examples and case studies so that parents can start applying the lessons they take from the book immediately and see the changes.

Ultimately, Power to the Parent enables parents everywhere not only to raise happy and resilient children, but also to become happier and more confident parents.

 

Sati Savitri
Sati Savitri || Devdutt Pattanaik

Manu said that a woman’s dharma is to be mother, daughter, sister and wife in service of men, regardless of the caste. In modern times we call this patriarchy. In the Veda, the need to control and favour hierarchy, is an expression of an anxious mind.

Hindu, Buddhist and Jain lore is full of tales where women do not let men define their dharma. In modern times we call this feminism. In the Veda, the acceptance of a woman’s choice is an expression of a wise and secure mind.

While in Western myth, patriarchy is traditional and feminism is progressive, in Indian myth both patriarchy and feminism have always co-existed, in eternal tension, through endless cycles of rebirth. Liberation thus is not a foreign idea. It has always been here.

You have heard tales of patriarchy. This book tells you the other tales—the ones they don’t tell you.

 

Paro
Paro || Namita Gokhale

First published in 1984, to both notoriety and critical acclaim, Paro remains a social comedy without parallel in contemporary Indian writing.
Paro, heroic temptress, glides like an exotic bird of prey through the world of privilege and Scotch that the rich of Bombay and Delhi inhabit. She is observed closely by the acid Priya, voyeur and obsessive diarist, who lost her heart to the sewing machine magnate BR, and then BR to Paro. But he is merely one among a string of admirers. Paro has seduced many: Lenin, the Marxist son of a cabinet minister; the fat and sinister Shambhu Nath Mishra, Congress Party éminence
grise; Bucky Bhandpur, test cricketer and scion of a princely family; Loukas Leoras, a homosexual Greek film director; and, very nearly, Suresh, the lawyer on the make whom Priya has married . . .

 

No One Saw a Thing
No One Saw a Thing || Andrea Mara

No one saw it happen.
You stand on a crowded tube platform in London. Your two little girls jump on the train ahead of you. As you try to join them, the doors slide shut and the train moves away, leaving you behind.

Everyone is lying.
By the time you get to the next stop, you’ve convinced yourself that everything will be fine. But you soon start to panic, because there aren’t two children waiting for you on the platform. There’s only one.

Someone is to blame.
Has your other daughter got lost? Been taken by a passing stranger? Or perhaps the culprit is closer to home than you think? No one is telling the truth, and the longer the search continues, the harder she will be to find…

Everyone is talking about No One Saw a Thing:

 

The Book You Wish Your Parents Had Read
The Book You Wish Your Parents Had Read || Philippa Perry

How can we have better relationships?

In this Sunday Times bestseller, leading psychotherapist Philippa Perry reveals the vital do’s and don’ts of relationships. This is a book for us all. Whether you are interested in understanding how your upbringing has shaped you, looking to handle your child’s feelings or wishing to support your partner, you will find indispensable information and realistic tips in these pages. Philippa Perry’s sane, sage and judgement-free advice is an essential resource on how to have the best possible relationships with the people who matter to you most.

 

iParent
iParent || Neha J Hiranandani

Born into a digital wonderland, our children are practically mini hackers right from the crib! Most of them were handed a device before they could walk, they clicked before they took their first bite and scrolled before they said their first words. But living online is a giant uncontrolled experiment. Cyberbullying, Internet addiction, body dysmorphia and other digital villains lurk in the shadows. How can parents ensure their kids navigate the digital world safely when there’s no rulebook?

Neha J Hiranandani’s iParent comes to the rescue! This book decodes India’s app generation and elevates the discussion beyond ‘these kids and their phones!’ Based on research, candid conversations and personal reflection, this timely book is a witty meditation on parenting in a digital world. Hilarious and informative in equal measure, iParent empowers you to connect with the new generation and guide them to cyber-safety without being a helicopter parent. No judgement, no preaching.

 

The Parents I Met
The Parents I Met || Mansi Zaveri

Featuring interviews conducted by Mansi Zaveri, the founder of the award-winning parenting platform Kidsstoppress.com, The Parents I Met is an anthology of her authentic conversations with parents of successful individuals who made it big against all odds. What was it that they did right while raising their kids to create the person their child is today? This is what she set out to find.

The challenges faced by each new generation may be unique, but the fundamental principles to overcome them remain the same. We hope that in these stories, you will find answers, advice or simply validation.

 

Mum in a Mess
Mum in a Mess || Sanjana Kapur

When Mum breaks a coffee jar, it does not seem like a big deal. But then, Mum starts acting very strangely. What is Vishi to do?

 

Sleeping Like a Baby
Sleeping Like a Baby || Himani Dalmia, Neha Bhatt

Sleeping Like a Baby serves as the ultimate bedside companion for parents, packed with all the modern tools you need to build a stronger connection with your children and enable age-appropriate sleep for their optimum growth. The book does the seemingly impossible: blending traditional wisdom and the latest research, it gives us a revolutionary approach to achieve longer naps, better night sleep with fewer wakings, a happier baby and more joy and rest as a family, without resorting to fraught practices like ‘sleep training’.

 

Finding Your Balance
Finding Your Balance || Shonali Sabherwal, Nozer Sheriar

In Finding Your Balance, gynaecologist Dr Nozer Sheriar and macrobiotic nutritionist Shonali Sabherwal combine their expertise into an empowering manual on navigating the (peri)menopause. Mixing personal journeys with professional knowledge, this book distils medical jargon into bite-sized, accessible knowledge that will enable women to make informed decisions on their health. Moreover, it guides the reader on to a holistic path that addresses how emotional states and lifestyles can influence the perimenopause.

Packed with information, Finding Your Balance is the best friend every woman needs.

 

The Scent of Fallen Stars
The Scent of Fallen Stars || Aishwarya Jha

In 1995, thirty-six-year-old Will arrives in newly liberalized India. Smarting from the collapse of his academic dreams, he finds little fulfilment in his well-paying telecommunications job or the social confines of New Delhi’s expat community.

One monsoon night, he encounters young, enigmatic Leela, who blazes into his world and unleashes a storm of passion and devastation that will alter it forever.

Twenty-three years later, Aria lands in the city on a quest to find the mother whom she believed to be dead. Estranged from her convalescing father, her journey leads her to unravel the mysteries of her parents’ story and her mother’s life—from her childhood in an orphanage to a doomed love affair and finally, the remote shores of asceticism.

As she searches for answers and a sense of belonging, Aria stumbles upon lost worlds, haunting memories, and the explosive secret that torpedoed her father’s life, the reverberations of which will be cataclysmic for her own.

 

Conversations with the Career Doctor
Conversations with the Career Doctor

India ranks among the bottom end of countries when it comes to women’s participation in the workforce, as per research conducted by the International Labour Organization and other reputed institutions. Despite pushing gender inclusion to the forefront and making considerable progress, it is clear that Indian women don’t have it easy today. Conversations with the Career Doctor is a ready-reckoner that women can refer to whenever they are confronted with a challenge. It provides a powerful toolkit for every Indian woman professional to lead a strong, secure and successful career.

 

Wild Women
Wild Women || Arundhathi Subramaniam (Ed.)

In this anthology of sacred poetry that arrives after the much-loved book, Eating God, Arundhathi Subramaniam weaves together haunting voices of, by and for women across the Indian subcontinent. Here is a lineage of audacious woman-centred spirituality that traverses the poetry of ancient Buddhist nuns,
Bhakti and Sufi mystics, tantrikas and Vedantins. There are women here, and men singing as women, and both raising their voices in praise of the sacred feminine. Brought to us through translation, these poems surprise with how intimately familiar their ravenous yearnings and ecstatic freedoms are. Wild Women invites us to reclaim an explosive inheritance of female power, rapture and wisdom.

 

Fabulous Feasts, Fables and Family
Fabulous Feasts, Fables and Family || Tabinda Jalil-Burney

Deeply personal and intimate, this absolutely magical culinary memoir by Tabinda Jalil-Burney combines recipes and memories from the idyllic summers of her childhood which she spent with her grandparents in Aligarh. There, presided over by Amma—her formidable grandmother—the extended clan gathered and as the women concocted delicious dishes, they exchanged family stories and lore, embroidered, knitted and crocheted, while the children played games free of distractions.

 

To Every Parent, To Every School
To Every Parent, To Every School || V Raghunathan, Meena Raghunathan

To Every Parent, To Every School addresses the challenges posed by our swiftly changing VUCA (volatile, uncertain, complex, and ambiguous) world. It goes beyond mere knowledge acquisition or curriculum revisions, which are necessary and continuous processes; nor is it about swapping topics in and out of curricula. While these adjustments are necessary, they aren’t sufficient. What is crucial is empowering our children with the capacity to anticipate and adapt to rapid changes as they occur.

Devdutt Pattanaik on Mothers

Mothers have been an important mainstay in epics, folk tales and mythologies for generations. Today, as we celebrate Mother’s Day, here is an exclusive excerpt on mothers from Devdutt’s Devlok 2.
A mother gives birth to a child. But did god give birth to the mother or did a mother give birth to god?
As interesting as the question is, the answer too is not simple. In a temple, the space where a god’s image is kept is known as garbha griha; that is, god is residing inside the garbha. Garbha means womb. Whose womb is this? A temple itself has been seen as a woman, a mother. Spiritually, Prakriti is everyone’s mother. Prakriti has given birth to sanskriti (culture). God’s mother is also Prakriti.
The Rigveda has this interesting sentence that Daksha gave birth to Aditi and Aditi gave birth to Daksha; that is, the father created the mother and the mother created the father. When you go way back in the past, the division between father and mother collapses. With god, this concept does not hold because god is swayambhu—he has given birth to himself; he is his own mother. Two words are used often in the Puranas – Yonija (born of the womb) and Swayambhu (who gives birth to self). God is always swayambhu, but his avatars are yonija; they experience birth and death. For instance, Ram is an avatar, so he is born and dies. He has a mother, Kaushalya. Krishna, likewise, has a mother, Devaki. Shiva is swayambhu.
In Tantra parampara, where goddesses are given a lot of importance, the stories and folk tales speak of how in the beginning of the world there was only a devi/Prakriti called Adi Maya Shakti. She gave birth to three eggs from which were born Brahma, Vishnu and Shiva. She is therefore called Triamba (one who gave birth to three children). This does not happen in puranic stories. In Shakt parampara, god does have a mother. In Vaishnav parampara, god gives birth to himself; and he creates the world and its creatures from himself. In Shaiva parampara, Shiva gives birth to himself; he is swayambhu, doesn’t have a mother, but gives birth to all mothers.
Devi is sometimes called a kumari (virgin) and sometimes mata (mother). How is that?
Christianity has a concept of the virgin mother who is Jesus’s mother. The word kumari, in India and in the world, does no necessarily mean virgin. It means a woman who is independent, who has no husband, and no man has a right over her. She has no ties and is completely liberated. So she is both mata and kumari, that is, an independent mother. Her hair is always depicted untied, to symbolize her freedom. No one can have dominance over Prakriti.
In Vaishnodevi or Kal Bhairav temples, the story is that of Bhairav wanting to have a relationship with the goddess; the goddess refused and cut off his head. ‘You cannot control me.’ Kal Bhairav then becomes her guard. In another story, when Brahma’s fifth head wanted a right over her, Bhairav cut off his head. Such are the violent stories associated with kumari.
The symbolic meaning could be that man’s ego prevents a devi from becoming a kumari, which is why he gets cursed or gets his head cut off. These are spiritual, metaphysical topics.
Shiva was swayambhu, but who was his son Karitkeya’s mother—Parvati or Ganga?
In Shiv Puran, the story is that after their marriage, Shiva says he has no need for a child. He says, ‘I am swayambhu, anadi, anant, without beginning or end; I will never die. So why do I need children?’ Devi says, ‘But I want children; I want to be a mother.’ An interesting conflict arises here. When Shiva is about to offer his seed, all gods and goddesses say that Shiva’s seed cannot be accommodated in just one womb; it should be placed in many wombs. The story goes that his seed is so hot that no one can touch it. First is is given to Vayu, wind, in the beliefe that he’ll be able to cool it down, but he fails. Vayu gives the seed to Agni, fire, who too cannot hold it. He passes it on to Ganga and her waters starts boiling. The reed forests (Sara-vana) near the river start burning. From the ash of those reeds, a child emerges. In some stories, it is six children who emerge. As the infants start crying, Krittika nakshatra, constellation of six stars, descend from the sky as the childrens’ mothers and feed them milk. Finally, Gauri, Shiva’s wife, joins the six children together. That child is Kartikeya, also called Shanmukha, or one with six heads.
The question arises, the father of the child is Shiva, but who is the mother? Vayu, Agni, Ganga, Sharavan, Krittika, Parvati all stake a claim. So, he has many mothers. Shiva’s seed has thus gone to many yonis; it shows that the child is so powerful, he cannot be born of just one womb. Kartik means son of Krittika. In the south, he is called Sharavanan, son of Sharavan. In images, he is sometimes shown along with six or seven matrika, mothers.
What is Ganesh’s story? Who is his mother?
In stories, although Shakti wants to become a mother, the gods don’t want her to give birth in the normal way. If the child is born from her yoni, it’ll be so powerful that it will defeat Indra, the king of the gods. So, Shiv-Shakti’s children are not born from Parvati’s yoni. Kartikeya is born of Shiva’s seed, from many yonis. Ganesh is born from the scrapings of Parvati’s body. Again, he is ayonija.
The story is that Parvati goes to Shiva, asking him to give her a child. He says he is not interested as he’s immortal. She tells him she’ll make it herself; she’s the goddess, after all. She first collects the scrapings (mull) of her skin, mixed with the applied chandan and haldi. Then she makes a doll of it and gives it life. In Vamana Purana, it is said the child’s name ‘Vinayak’ comes from ‘bina nayak’ (without a man); there are other stories about the word’s origin too. Shiva does not like the way Parvati has birthed her child, as he cannot recognize her image in it, so he cuts off its head. Parvati starts weeping, and insists he bring back the child to life. So Shiva gives him an elephant head and that’s how Ganesh is born. Again, it is ayonija.
In the Mahabharat, we see many ambitious mothers who want their sons to be king.
In the Puranas, the stories have more of a spiritual, intellectual concern, while in the Ramyan and Mahabharat, the focus is on wealth and property. For this reason, the men go to war, and the women want their sons to grow up and be victorious. This is presented in a fascinating way in the Mahabharata. When Shantanu wants to marry Satyavati, she first attaches a condition that her son inherit Shantanu’s kingdom. She claims she is securing her child’s future. Is that the real reason or does she want the high position of a rajmata (queen mother)?
There is also a competition between Gandhari, Kunti and Madri. When Gandhari is pregnant, she hears that Kunti has given birth to a son. Although Gandhari was pregnant from before, Kunti used her mantra to have Yudhisthir without the nine-month period. Gandhari gets so upset, she beats her belly with a stick. The mass that emerges from her belly is cold as iron. When Vyas creates 100 children from this mass, Gandhari is happy, because now she has more children than Kunti. Kunti begets two more children and uses up the power of her mantra. She gives the mantra to Madri who uses it once and calls Ashvin Kumar and gets the twins, Nakul and Sahdev. Pandu asks Kunti to let Madri use the mantra once more as she herself had used it thrice, but Kunti refuses. She fears that if Madri were to produce twins again, she’d have more children, and therefore more importance, than her. In the Mahabharat, this rivalry has been subtly depicted.
What about the mothers in the Ramayana?
Kaikeyi’s story is the most well known. When she had saved Dashrath’s life during a dev-asura battle, he had promised her two boons. The day before his eldest son, Ram’s, coronation, she throws a tantrum and demands her boons. She asks that Bharat be made king instead of his first-born Ram, and that he send Ram into vanvas (life in the forest) for 14 years. Ram’s mother, Kaushalya, is pained and asks Kaikeyi why she had to be so cruel to a son who’d treated her like his own mother.
An interesting aspect of this story is that when Dashrath marries Kaikeyi, he does not have any children. The astrologer says that Kaikeyi will definitely have a son. At that time, Dashrath promises her that her son would become king. So, in a way, Kaikeyi is only asking for what is rightfully her due. It’s like a court case, a settling of an agreement, where the lines are not clear. Whether Kaikeyi is ambitious or merely asking for her right is hard to say.
Krishna is called Devakinandan and Yashodanandan. Who was his mother?
There are some who believe that Krishna is not an avatar (of Vishnu’s) but himself an avatari—from whom avatars emerge. Others see him as an avatar. But he is born from Devaki’s womb, so he is yonija and experiences death. Mausala Parva in Mahabharat describes Krishna’s death. He is born from Devaki’s womb in Mathura, but is raised by Yashoda in Gokul. So he has two mothers – birth/blood mother and milk mother.
In folk songs, Krishna is asked who his real mother is—Devaki who has birthed him or Yashoda who has raised him? Krishna replies, do you think my heart is so small that it cannot contain more than one mother? I can handle both. But the question is who has the maternal right over him? Who is to answer that—it’s a complex world. The story suggests that relationships are not built by blood alone. Another aspect is that Devaki is a princess, while Yashoda is a milkmaid. So Krishna’s claim that both are his mothers shows that he has a relationship with the palace dwellers as well as cowherds, with the city as well as the village. He is large-hearted and this is why Krishna is associated with love.
In Puranas, is there a story of single mothers?
Bhagwat Puran has a story of Devahuti whose husband is Kardam rishi who says he doesn’t really want to have children, but has been told by his ancestors that he won’t achieve moksha (liberation from life and death) until he has children. But he doesn’t want any part in raising that child. Devahuti agrees to raise the child alone, and the child grows up to be Kapil muni who develops the Sankhya philosophy. It is also well known that Sita raises Luv and Kush on her own. Shakuntala too raises her son Bharat by herself in the forest, without the support of her husband.
Is there a story in our Puranas where a father plays the role of a mother?
When apsaras have children, they abandon them. Shakuntala’s mother Menaka had abandoned her in the jungle, and Shakuntala was raised by Kanva rishi who is like a single father. When Sita goes back to her mother, and disappears inside earth, she leaves her children behind with Ram who becomes a single father.
This is an excerpt from Devdutt Patnaik’s Devlok 2.
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First Stories: A Mother’s Day Tribute to the First Storyteller of Our Lives

A mother is usually our first friend in this world and our first storyteller! From bedtime stories to explaining the world to us, mothers fulfil our most passionate curiosity – the desire to be told stories.
Mother's Day Blog 01
And we loved her most.
We held her hands and walked to the bookshop – ogling at the colourful editions, leafing through them, and falling in love with the smell of new books – for the first time ever!
Mother's Day Blog 02Her smile did hug us!
Sometimes, when we wouldn’t eat, she would distract us with the world of stories, nourishing us: body and soul
Mother's Day Blog 03Just like the Runaway Bunny’s mum.
And when night befell, we would snuggle next to her with a good book. Her storytelling voice gently guiding us into our world of dreams!
Mother's Day Blog 04Bliss. 
This Mother’s Day, join us in celebrating the first storyteller of our lives.
Do you remember the first story you ever heard from your mum that you would like to share? We would love to know!

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5 Badass Mothers in Literature

To call mothers a superhero will be an understatement (we are pretty sure they wear an invisible cape). Just like our real-life moms, mothers in literature also pull of some great tasks with breathtaking ease. Whether they are trying to protect the protagonists or just do a great job at raising them, we can’t help but look up to them.
So, here are five badass mothers:
Hester Prynne, The Scarlet Letter
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Hester Prynne, in 17th century, did what other ladies in that era couldn’t even imagine doing i.e. live an independent life while raising a child on her own. Even though punished by her Puritan neighbours, she refuses to give out the names of her lover and their daughter. Deemed as an outcast then, she’d be considered a heroine today, like many of our moms.
Raksha, The Jungle Book

She is the fiercest mother we know. She cared for Mowgli as much as she did for her cubs. When Shere Khan threatened the pack to give up Mowgli, she proclaimed as his protector. Foster or not, a mother is a mother.
Mariam, A Flight of Pigeons
Flight of Pigeons
Mariam is an indomitable lady with a charm. Despite being at Javed Khan’s house in the times of turmoil, she refuses his proposition to marry her daughter Ruth. She does not give into the adversity of her circumstances but takes a chance with faith, saving her daughter’s life in the end.
Rosa Hubermann, The Book Thief

Rosa Hubermann is Liesel’s foster mother who has a “wardrobe build”, sharp tongue and a no-nonsense attitude. She does laundry for the wealthier households to help her family financially. She also never got fazed by anybody, not even Nazis during World War II. She is a mom who uses cuss words to show affection.
Marmee, Little Women

Runs the household by herself, raises four daughters, becomes their counsellor and role model, Marmee did it all. She also teaches them and nurtures them to become strong, inspirational women while keeping each of them true to their individuality. If Marmee isn’t a badass mother, we don’t know who is.
Do you know any more names that should be on this list? Tell us.

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